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Scores by others annotated by Franz Waxman
Scores by others without annotations
Scores by others arranged by Franz Waxman
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Overview of the Collection |
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| Creator: | Waxman, Franz, 1906-1967 |
| Title: | Franz Waxman Papers |
| Inclusive Dates: | 1922-1996 |
| Quantity: | 33 linear ft. |
| Abstract: | Correspondence (1934-1967); manuscript scores; printed scores; clippings; articles and speeches; materials about the Los Angeles Music Festival (1947-1966); awards; and his autograph collection. Correspondents include American Society of Composers, Authors and Publishers, Leonard Bernstein, Boosey and Hawkes, Inc., Nicolai Brerezowsky,Aaron Copland, Werner Egk, Paul Eluard, James Forsyth, Lukas Foss, John Green, John te Groen, Jascha Heifetz, Dorothy Huttenback, Rolf Liebermann, Joshua Logan, Los Angeles Music Festival, J Marks, Charlotte Nicholls, Organisation Artistique Internationale, Menahem Pressler, Max Rabinoff, Marcella Rabwin, Rundfunk Hessischer, Dore Schary, Hans Sikorski, Isaac Stern, Leopold Stokowski, Alexandre Tansman, Union of Soviet Composers, Gottreid Von Emlin, Jerry Wald, Bruno Walter, John Waxman, Lella Simone Waxman, and Alma Mahler Werfel. |
| Language: | English |
| Repository: |
Special Collections Research Center, Syracuse University Library 222 Waverly Avenue Syracuse, NY 13244-2010 http://scrc.syr.edu |
FRANZ WAXMAN 1906-1967
A Biographical Memoir by John W. Waxman
[Photo at right: Last portrait of Franz Waxman, taken by Boris Goldenberg in 1965, for the premiere of The Song of Terezín
at the Cincinnati May Festival.]
Franz Waxman led a variety of musical lives as composer, conductor and impresario. He was born in Konigshutte, Upper Silesia, Germany, on December 24, 1906, and was the youngest of seven children. No one in the family was musical except Franz, who started piano lessons at the age of six. His father was an industrialist, and not believing his son could earn a living in music, encouraged him in a banking career. He worked for two and a half years as a teller and used his salary to pay for lessons in piano, harmony and composition. He then quit the bank and moved to Dresden and then to Berlin to study music.
During this period he paid for his musical education by playing piano in nightclubs and with the Weintraub Syncopaters, a popular jazz band of the late 1920s. While with the band he began to do their arrangements, and this led to orchestrating some early German musical films. Frederick Hollander, who had written some music for the Weintraubs, gave Waxman his first important movie assignment: orchestrating and conducting Hollander's score for Josef von Sternberg's classic film, "The Blue Angel." The film's producer, Erich Pommer, who was also head of the UFA Studios in Berlin, was so pleased with the orchestration of the score that he gave Waxman his first major composing assignment: Fritz Lang's version of "Liliom" (1933) which was filmed in Paris. Pommer's next assignment, Jerome Kern's "Music in the Air" (Fox Films, 1934), took him to the United States, and he brought Waxman with him to arrange the music.
Waxman's first original Hollywood score was "The Bride of Frankenstein" (1935), which led to a two-year contract with Universal as head of the music department. He scored a dozen of the more than 50 Universal films on which he worked as music director. Among the best known are "Magnificent Obsession, "Diamond Jim" and "The Invisible Ray."
Two years after he went to Hollywood, Waxman, then 30, signed a seven-year contract with Metro-Goldwyn-Mayer to compose. He averaged about seven pictures a year, and it was during this period that he scored such famous Spencer Tracy films as "Captains Courageous," "Dr. Jekyll and Mr. Hyde" and "Woman of the Year." In 1937, he was loaned by M-G-M to David O. Selznick for "The Young at Heart" and was nominated for both Best Original Music and Best Score - the first two of 12 Academy Award nominations he was to receive for the 144 films he scored in his 32 years in Hollywood. In 1940 he was again loaned to Selznick, this time for "Rebecca," and was nominated for his third Academy Award.
Waxman left M-G-M in 1943 and began a long association with Warner Brothers. "Old Acquaintance" is from this period. (Selections from three more of his Warner Brothers scores can be heard on RCA albums: "Mr. Skeffington" is included in "Classic Film Scores for Bette Davis" and "To Have and Have Not" and "The Two Mrs. Carrolls" are included in "Casablanca - Classic Film Scores For Humphrey Bogart.")
In 1947 Waxman founded the Los Angeles International Music Festival, which he was to head for 20 years. World and American premieres of 80 major works by composers such as Stravinsky, Walton, Vaughan Williams, Shostakovitch and Schoenberg were given at the festival.
By 1947 Waxman had a busy schedule indeed. In addition to devoting a great deal of time to the festival, he was in demand at all the major studios, was guest conducting symphony orchestras in Europe as well as in the United States and was composing concert music. For the film "Humoresque" he wrote a special piece based on themes from Bizet's "Carmen," which was played by Isaac Stern on the soundtrack. The "Carmen Fantasie" has become standard repertoire and was recorded by Jascha Heifetz for RCA. Among Waxman's other concert works are "Overture for Trumpet and Orchestra," based on themes from "The Horn Blows at Midnight;" "Sinfonietta for String Orchestra and Timpani;" a dramatic song cycle "The Song of Terezin," and an oratorio, "Joshua."
Waxman won the Academy Award in 1950 for "Sunset Boulevard" and in 1951 for "A Place in the Sun." He is the only composer to have won the award for Best Score in two successive years. It was during the '50s and '60s that he composed some of his most important and varied scores. These are represented by the above two Academy Award winners as well as by "Prince Valiant" and "Taras Bulba." He had usually been associated with romantic films, but now he progressed to epic and jazz-oriented scores. "Crime in the Streets," "The Spirit of St. Louis," "Sayonara," "Peyton Place" and "The Nun's Story" are also from this period and the complete scores were issued on soundtrack albums. Franz Waxman received many honors during his lifetime, including the Cross of Merit from the Federal Republic of West Germany, honorary memberships in the Mahler Society and the International Society of Arts and Letters, and an honorary doctorate of letters and humanities from Columbia College. He died February 24, 1967, in Los Angeles at the age of 60.
Documenting the German-American composer's career from the early 1920s through the late 1960s, the Franz Waxman Papers comprises correspondence, writings, memorabilia, and scores.
The Correspondence-Subject Files (Boxes 1-9) contains both incoming and outgoing letters and related material, most of which was generated between 1922 and 1967. Correspondence encompasses that of conductors (Eugene Ormandy, William Steinberg, Leopold Stokowski, Bruno Walter); composers (Aaron Copland, Lukas Foss, Rolf Liebermann, Igor Stravinksky, Alexander Tansman); family members (Alice Waxman, John Waxman, Lella Waxman); motion picture producers, directors, and associates (Louis R. Lipstone, Joshua Logan, Marcella Rabwin, Dore Schary, Jerry Wald, Hal B. Wallis, Jack L. Warner, Darryl F. Zanuck); musicians (Johnny Green, Menahem Pressler, Jascha Heifetz, Rudolf Serkin, Isaac Stern); and music managers (Dorothy Huttenback, William McKelvey Martin). Other correspondents include playwright James Forsyth; dance director J. Marks; music publisher Hans Sikorski; singer Herva Nelli; and UCLA Fine Arts Department faculty Frances Inglis and William W. Melnitz. In addition, the Correspondence-Subject Files incorporates the letters of music publishers (Boosey & Hawkes, Inc., Theodore Presser Company, Salabert, Inc.); music associations and professional organizations (American Society of Composers, Authors and Publishers [ASCAP], International Society for Contemporary Music, Musicians Mutual Protective Association, Southern California Symphony Association, Union of Soviet Composers); and theatrical agencies (Herbert Barrett Management, Inc., Columbia Artists Management, Inc., Basil Horsfield Management Ltd., Organisation Artistique Internationale). Other correspondents include CBS News, Ford Foundation, and Twentieth Century-Fox Film Corporation. Also, letters, clippings, programs, and publicity document the history of the Los Angeles Music Festival from 1947 through 1966. Other performance-based materials relate to the "Franklin D. Roosevelt Memorial Concert" and "The Song of Terezin."
Housed separately (Oversize packages 1-113), original and reproduction motion picture scores, as well as those for radio and television productions, constitute the bulk of Waxman's Writings. The remainder is comprised of essays, notebooks, transcripts of speeches, and miscellaneous notes (Box 10).
Encompassing a broad assortment of personal and printed documents, as well as a variety of formats, Memorabilia (Boxes 10-23) includes audio-visual material; a music-related autograph collection; financial records; photographs of Waxman, other music professionals, and performances; printed material, including clippings (1928-1967), program notes (1940-1996), and publicity; scores by others, many bearing annotations by Waxman; and scripts for some of the films and theatrical productions with which Waxman was associated.
There are no access restrictions on this material.
Written permission must be obtained from SCRC and all relevant rights holders before publishing quotations, excerpts or images from any materials in this collection.
A collection of original recordings and restored selections of Franz Waxman's music are housed in the Belfer Audio Archive and Laboratory.
See also the papers of Miklos Rozsa and the Christopher Palmer Collection of Roy Webb Scores.
Preferred citation for this material is as follows:
Franz Waxman Papers,
Special Collections Research Center,
Syracuse University Library
Gift of estate of Franz Waxman.
Created by: GK
Date: Oct 1996
Revision history: 22 Aug 2005 - EAD file created (MRR);
25 Jan 2007 - added copyright restriction statement (MRC);
18 Apr 2007 - updated Related Material
| Correspondence-Subject Files | |||||||||||
| Box 1 | Biographical material | ||||||||||
| Box 1 | A (1 folder) | ||||||||||
| Box 1 | Abravanel, Maurice 1962 | ||||||||||
| Box 1 | Academy of Motion Picture Arts and Sciences 1945-1946 | ||||||||||
| Box 1 | American Council for Nationalities Service 1966 | ||||||||||
| Box 1 | American Society of Composers, Authors and Publishers (ASCAP) 1938, 1963, 1964, 1966, undated | ||||||||||
| Box 1 | Ansermet, Ernest 1961 | ||||||||||
| Box 1 | Aron, Paul 1952 | ||||||||||
| Box 1 | Associated Music Publishers, Inc. 1944-1965 | ||||||||||
| Box 1 | B (1 folder) | ||||||||||
| Box 1 | Bakst, Leon undated | ||||||||||
| Box 1 | Barbirolli, John 1957 | ||||||||||
| Box 1 | Barnett, John 1961 | ||||||||||
| Box 1 | [Herbert] Barrett Management, Inc. 1962-1966 | ||||||||||
| Box 1 | Becher, Rolf and Leontine 1922-1925 | ||||||||||
| Box 1 | Bennett, Robert Russell 1949, undated | ||||||||||
| Box 1 | Berezowsky, Nicolai and Judith 1952-1953, undated | ||||||||||
| Box 1 | Berger, Theodor 1956 | ||||||||||
| Box 1 | Bergman, Ingrid 1954, 1957, 1958 | ||||||||||
| Box 1 | Bernstein, Leonard 1951, 1957, 1958, 1965 | ||||||||||
| Beverly Hills Music Festival | |||||||||||
| See Los Angeles Music Festival | |||||||||||
| Box 1 | Bing, Rudolf 1951 | ||||||||||
| Box 1 | Black, Frank 1943 | ||||||||||
| Box 1 | Boerner, Charlotte 1965 | ||||||||||
| Box 1 | Bohem, Endre 1948-1949 | ||||||||||
| Box 1 | Boosey and Hawkes, Inc. 1949, 1963, 1964, 1965 | ||||||||||
| Box 1 | Borner, Wolfgang 1960, 1964, undated | ||||||||||
| Box 1 | Boyer, Charles 1949 | ||||||||||
| Box 1 | Brandt, Willy 1966 | ||||||||||
| Box 1 | Brooklyn Academy of Music | ||||||||||
| See also "Hansel and Gretel" | |||||||||||
| Box 1 | Brown, Les 1959 | ||||||||||
| Brylawski, Fulton | |||||||||||
| See Columbia Pictures Corporation | |||||||||||
| Box 1 | C (1 folder) | ||||||||||
| Box 1 | CBS News 1960, 1962, undated | ||||||||||
| Box 1 | Casadesus, Francis 1953 | ||||||||||
| Box 1 | Chassman, Joachim 1951 | ||||||||||
| Box 1 | Christians, Mady 1945 | ||||||||||
| Box 1 | Churchill, Sarah 1958 | ||||||||||
| Box 1 | Columbia Artists Management Inc. 1950, 1964, 1965 | ||||||||||
| Box 1 | Columbia Pictures Corporation 1948 | ||||||||||
| Box 1 | Conley, Eugene 1948, undated | ||||||||||
| Box 1 | Copland, Aaron 1949, 1956, 1957, 1960 | ||||||||||
| Box 1 | Corwin, Norman 1945 | ||||||||||
| Craft, Robert | |||||||||||
| See Stravinsky, Igor | |||||||||||
| Box 1 | Crawford, Joan 1958, 1961 | ||||||||||
| Box 1 | Curtin, Phyllis 1965 | ||||||||||
| Box 1 | D (1 folder) | ||||||||||
| Box 1 | Dallapiccola, Luigi 1956, undated | ||||||||||
| Box 1 | Darnell, Linda 1954 | ||||||||||
| Box 1 | Davis, Bette undated | ||||||||||
| Box 1 | Dello Joio, Norman 1949 | ||||||||||
| Box 1 | DePriest, Jimmy 1960 | ||||||||||
| Box 1 | Dessau, Paul 1966 | ||||||||||
| Box 1 | Diether, Jack 1951 | ||||||||||
| Box 1 | Donaldson, Herbert 1965 | ||||||||||
| Box 1 | Dorfman, Ania undated | ||||||||||
| Box 1 | Downes, Olin 1949 | ||||||||||
| Box 2 | E (1 folder) | ||||||||||
| Box 2 | Egk, Werner 1955-1964, undated | ||||||||||
| Box 2 | Ehlers, Alice undated | ||||||||||
| Box 2 | Ehrling, Sixten 1961 | ||||||||||
| Box 2 | Einem, Gottfried von 1954-1957 | ||||||||||
| Box 2 | Eisenhower, Dwight D. 1957 | ||||||||||
| Box 2 | Eluard, Paul 1950, 1952, undated | ||||||||||
| Box 2 | Engel, Samuel G. and Ruth 1960-1961 | ||||||||||
| Box 2 | Erduran, Ayla 1956-1957 | ||||||||||
| Box 2 | Erskine, John 1946, 1947 | ||||||||||
| Box 2 | F (1 folder) | ||||||||||
| Box 2 | Feist, Leonard 1966 | ||||||||||
| Box 2 | Feuchtwanger, Lion and Marta 1956, 1960 | ||||||||||
| Box 2 | Ford Foundation 1957, 1964-1965 | ||||||||||
| Box 2 | Forsyth, James 1948-1965, undated | ||||||||||
| Box 2 | Foss, Lukas 1947-1964, undated | ||||||||||
| Box 2 | Freed, Arthur 1964 | ||||||||||
| Box 2 | Fried, Gerald 1966 | ||||||||||
| Box 2 | Fuchs, Viktor 1951-1952 | ||||||||||
| Box 2 | G (1 folder) | ||||||||||
| Box 2 | Galindo, Blas 1946 | ||||||||||
| Box 2 | Gershwin, Ira 1966 | ||||||||||
| Box 2 | Goehr, Walter 1950 | ||||||||||
| Box 2 | Goodman, Benny 1953 | ||||||||||
| Box 2 | Gould, Morton 1949 | ||||||||||
| Box 2 | Graf, Herbert 1952 | ||||||||||
| Box 2 | Green, Johnny 1946-1963 | ||||||||||
| Box 2 | Gueden, Hilde 1952 | ||||||||||
| Box 2 | H (1 folder) | ||||||||||
| Box 2 | Hale, Richard 1952 | ||||||||||
| Box 2 | "Hansel and Gretel" 1963 | ||||||||||
| Box 2 | Harris, Roy 1964-1965, undated | ||||||||||
| Box 2 | Hartman, Karl Amadeus 1960 | ||||||||||
| Box 2 | Hatch, Earl 1957 | ||||||||||
| Box 2 | Haubiel, Charles 1965 | ||||||||||
| Box 2 | Haun, Harry 1962 | ||||||||||
| Box 2 | Hayden, Jeffrey 1959 | ||||||||||
| Box 2 | Heifetz, Harold 1966 | ||||||||||
| Box 2 | Heifetz, Jascha 1947-1959, undated | ||||||||||
| Box 2 | Heindorf, Ray 1951-1952 | ||||||||||
| Box 2 | Hendl, Walter 1964 | ||||||||||
| Box 2 | Henreid, Paul and Lisl 1951-1952 | ||||||||||
| Box 2 | Herrman, Bernard 1945, 1950 | ||||||||||
| Box 2 | Hersholt, Jean 1946, 1955, undated | ||||||||||
| Box 2 | Hessischer Rundfunk 1956 | ||||||||||
| Box 2 | Heston, Charlton 1965 | ||||||||||
| Box 2 | Hilgenberg, Katherine 1952 | ||||||||||
| Box 2 | Holton, Bob 1945 | ||||||||||
| Box 2 | [Basil] Horsfield Management Ltd. 1965-1966 | ||||||||||
| Box 2 | Hotter, Heinz 1963 | ||||||||||
| Box 2 | Husa, Karel 1961 | ||||||||||
| Box 2 | Huttenback, Dorothy 1951-1964, undated | ||||||||||
| Box 2 | I (1 folder) | ||||||||||
| Box 2 | Inglis, Frances 1964-1965 | ||||||||||
| Box 2 | International Society for Contemporary Music 1957 | ||||||||||
| See also Memorabilia: Printed material | |||||||||||
| Box 2 | Iturbi, Jose (secretary) 1966 | ||||||||||
| Box 3 | J (1 folder) | ||||||||||
| Box 3 | Jacobs, Arthur 1952 | ||||||||||
| Box 3 | Jaffe, Sam 1951 | ||||||||||
| Box 3 | Jolivet, Andre 1956 | ||||||||||
| Box 3 | Jurow, Martin 1945 | ||||||||||
| Box 3 | K (1 folder) | ||||||||||
| Box 3 | Karr, Gary 1965 | ||||||||||
| Box 3 | Kaufman, Louis 1952 | ||||||||||
| Box 3 | Kaye, Danny 1958 | ||||||||||
| Box 3 | Kendall, Raymond 1955, 1957 | ||||||||||
| Box 3 | Kennedy - "In Memoriam John F. Kennedy," November 18, 1964 | ||||||||||
| Box 3 | Kennedy, John F. (outgoing) undated | ||||||||||
| Box 3 | Kennedy, Robert F. 1965 | ||||||||||
| Box 3 | Kilenyi, Edward 1952 | ||||||||||
| Box 3 | Knudsen, Vern Oliver 1964 | ||||||||||
| Box 3 | Korngold, Erich Wolfgang 1941, 1949 | ||||||||||
| Box 3 | Koster, Henry 1951 | ||||||||||
| Box 3 | Kovacs, Rene 1965 | ||||||||||
| Box 3 | Kraft Suspense Theatre 1965 | ||||||||||
| Box 3 | Krims, Jayne and Milton 1951-1952 | ||||||||||
| Box 3 | Kubelik, Rafael 1951 | ||||||||||
| Box 3 | L (1 folder) | ||||||||||
| Box 3 | Lechtman, Harry L. 1964 | ||||||||||
| Box 3 | Lehmann, Lotte 1957 | ||||||||||
| Box 3 | Leinsdorf, Erich 1941, 1960 | ||||||||||
| Box 3 | Lenchner, Paula 1952 | ||||||||||
| Box 3 | LeRoy, Mervyn 1939, 1942 | ||||||||||
| Box 3 | Lert, Richard undated | ||||||||||
| Box 3 | Lewis, Earle R. 1943, undated | ||||||||||
| Box 3 | Lewis, Jerry 1955 | ||||||||||
| Box 3 | Liebermann, Rolf 1954-1965 | ||||||||||
| Box 3 | Lipstone, Louis R. 1948-1949, 1953, undated | ||||||||||
| Box 3 | Logan, Josh 1955, 1957, undated | ||||||||||
| Box 4 | Los Angeles Music Festival 1947-1951 (6 folders of 24) | ||||||||||
| Box 5 | Los Angeles Music Festival 1952-1959 (8 folders of 24) | ||||||||||
| Box 6 | Los Angeles Music Festival 1960-1963 (6 folders of 24) | ||||||||||
| Box 7 | Los Angeles Music Festival 1964-1966 (4 folders of 24) | ||||||||||
| See also Memorabilia: Photographs | |||||||||||
| Box 8 | Lowenthal, Jerome undated | ||||||||||
| Box 8 | Loy, Max | ||||||||||
| See "In Memoriam John F. Kennedy" | |||||||||||
| Box 8 | Lustig, Jan 1951 | ||||||||||
| Box 8 | M (1 folder) | ||||||||||
| Box 8 | MCA Artists Ltd. 1951-1952 | ||||||||||
| Box 8 | Mankiewicz, Joseph L. undated | ||||||||||
| Box 8 | Mann, Thomas 1945 | ||||||||||
| Box 8 | Marks, J. 1964-1965, undated | ||||||||||
| Box 8 | Martin, William McKelvey 1949, 1951, undated | ||||||||||
| See also "Hansel and Gretel" | |||||||||||
| Box 8 | Mason, James 1952, undated | ||||||||||
| Box 8 | Melnitz, William W. 1960-1965, undated | ||||||||||
| Box 8 | Metropolitan Opera Association, Inc. 1952 | ||||||||||
| Box 8 | Milhaud, Darius 1957, 1960-1961 | ||||||||||
| Box 8 | Mitropoulos, Dimitri 1953, 1956 | ||||||||||
| Box 8 | Mohrhoff, Heinz 1958 | ||||||||||
| Box 8 | Monteux, Pierre 1957 | ||||||||||
| Box 8 | Murphy, Franklin D. 1962, 1965 | ||||||||||
| Box 8 | Musicians Mutual Protective Assocation 1944-1965 | ||||||||||
| Box 8 | Musicians Union Local 47 | ||||||||||
| See Musicians Mutual Protective Association | |||||||||||
| Box 8 | N (1 folder) | ||||||||||
| Box 8 | Neel, Boyd 1954, undated | ||||||||||
| Box 8 | Negulesco, Jean 1951-1952, 1957 | ||||||||||
| Box 8 | Nelli, Herva 1951-1952 | ||||||||||
| Box 8 | Newman, Alfred 1950-1951, 1959 | ||||||||||
| Box 8 | Nicholls, Charlotte 1963-1964, undated | ||||||||||
| Box 8 | O (1 folder) | ||||||||||
| Box 8 | Odets, Clifford undated | ||||||||||
| Box 8 | Organisation Artistique Internationale 1949 | ||||||||||
| Box 8 | Ormandy, Eugene 1948, 1953, 1966 | ||||||||||
| Box 8 | P (1 folder) | ||||||||||
| Box 8 | Peck, Gregory 1948 | ||||||||||
| Box 8 | Peerce, Jan 1963 | ||||||||||
| Box 8 | Pelletier, Wilfrid 1954-1957 | ||||||||||
| Box 8 | Perls, Frank 1951-1952 | ||||||||||
| Box 8 | [Theodore] Presser Company 1966 | ||||||||||
| Box 8 | Pressler, Menahem and Sarah 1949, 1951-1952 | ||||||||||
| Box 8 | Prince, Harold 1964 | ||||||||||
| Box 8 | Prinz, Joachim undated | ||||||||||
| Box 8 | R (1 folder) | ||||||||||
| Box 8 | Rabinoff, Max 1949 | ||||||||||
| Box 8 | Rabwin, Marcella 1951-1965, undated | ||||||||||
| Box 8 | Rebner, Edward undated | ||||||||||
| Box 8 | Reese, Henry 1949, 1953 | ||||||||||
| Box 8 | Reher, Sven 1962 | ||||||||||
| Box 8 | Riess, Curt 1958 | ||||||||||
| Box 8 | Robinson, Edward G. 1965 | ||||||||||
| Box 8 | Ronayne, John 1966 | ||||||||||
| Box 8 | Roosevelt - "Franklin Delano Roosevelt Memorial" concert 1945 | ||||||||||
| Box 8 | Rudolf, Max 1963 | ||||||||||
| Box 8 | S (1 folder) | ||||||||||
| Box 8 | Salabert, Inc. 1948-1958, undated | ||||||||||
| Box 8 | Salinger, Pierre 1964 | ||||||||||
| San Francisco Contemporary Dancers | |||||||||||
| See Marks, J. | |||||||||||
| Box 8 | Schary, Dore 1945-1958 | ||||||||||
| Box 8 | Schoenberg, Arnold undated | ||||||||||
| Box 8 | Schuman, William 1961-1965 | ||||||||||
| Box 8 | Schuster, Joseph 1959, 1961 | ||||||||||
| Box 8 | Selznick, David O. 1941, 1948 | ||||||||||
| Box 8 | Sendrey, Albert 1951 | ||||||||||
| Box 8 | Serkin, Rudolf 1965, 1967 | ||||||||||
| Box 8 | Sheehan, Winfield 1939 | ||||||||||
| Box 8 | Sidney, Louis K. 1938 | ||||||||||
| Box 8 | Siegel, Sol C. 1959 | ||||||||||
| Box 8 | Sikorski, Hans 1954-1966 | ||||||||||
| Box 8 | Smith, Gregg 1962 | ||||||||||
| Box 8 | Solomon, Izler 1951 | ||||||||||
| Box 8 | "The Song of Terezin" 1964-1968, undated | ||||||||||
| Box 8 | Southern California Symphony Association 1957, 1958, 1963 | ||||||||||
| Box 8 | Steinberg, William 1949-1964 | ||||||||||
| Box 8 | Steinert, Alexander and Louise 1947, 1951 | ||||||||||
| Box 8 | Stern, Isaac and Vera 1947-1964, undated | ||||||||||
| Box 8 | Stokowski, Leopold 1945, 1960, 1966 | ||||||||||
| Box 8 | Stoloff, Morris W. and Elsa 1951 | ||||||||||
| Box 8 | Stoska, Polyna 1955 | ||||||||||
| Box 8 | Stravinsky, Igor 1956, 1961 | ||||||||||
| See also Memorabilia: Photographs | |||||||||||
| Box 8 | Szigeti, Joseph 1952 | ||||||||||
| Box 9 | T (1 folder) | ||||||||||
| Box 9 | Tansman, Alexandre 1954-1956 | ||||||||||
| Box 9 | Taubman, Howard 1957, 1961 | ||||||||||
| Box 9 | Toch, Ernst 1960 | ||||||||||
| Box 9 | Truman, Harry S. (outgoing, secretary) 1946, 1952 | ||||||||||
| Box 9 | Twentieth Century-Fox Film Corporation 1951-1959 | ||||||||||
| Box 9 | U, V (1 folder) | ||||||||||
| Box 9 | Union of Soviet Composers 1963-1964 | ||||||||||
| Box 9 | Van Cleave, Nathan Lang 1951 | ||||||||||
| Box 9 | Vincent, John Nathaniel 1957, 1961, undated | ||||||||||
| Box 9 | W (1 folder) | ||||||||||
| Box 9 | Wagner, Wieland 1951 | ||||||||||
| Box 9 | [Roger] Wagner Chorale 1949, 1961, undated | ||||||||||
| Box 9 | Wald, Jerry 1945-1962 | ||||||||||
| Box 9 | Wallis, Hal 1951-1953, undated | ||||||||||
| Box 9 | Walter, Bruno 1943-1961, undated | ||||||||||
| Box 9 | Walton, William 1956, 1957, 1966 | ||||||||||
| Box 9 | Wanger, Walter 1961 | ||||||||||
| See also Academy of Motion Picture Arts and Sciences | |||||||||||
| Box 9 | "War Industries Concert" August 25, 1944 | ||||||||||
| Box 9 | "War Requiem" 1964 | ||||||||||
| Box 9 | Warner, Jack 1943, 1945, 1947, undated | ||||||||||
| Box 9 | Wasserman, Lew 1951-1952 | ||||||||||
| Box 9 | Waxman, Alice 1939-1956, undated | ||||||||||
| Box 9 | Waxman, John 1943-1960, undated | ||||||||||
| Box 9 | Waxman, Lella 1940-1966, undated | ||||||||||
| Box 9 | Welles, Orson 1956 | ||||||||||
| Box 9 | Werfel, Alma Mahler 1948-1960, undated | ||||||||||
| Box 9 | [H. W.] Wilson Company 1956 | ||||||||||
| Box 9 | Worth, Irene 1951 | ||||||||||
| Box 9 | Y, Z (1 folder) | ||||||||||
| Box 9 | Zanuck, Darryl F. 1950-1952 | ||||||||||
| Box 9 | Zissu, Marcus & Stein 1952-1966 | ||||||||||
| Writings | |||||||||||
| Box 10 | Essays (by title) - A-Z, untitled | ||||||||||
| Box 10 | Notebooks undated | ||||||||||
| Scores | |||||||||||
| See separate series, Scores, below | |||||||||||
| Box 10 | Speeches 1960, undated | ||||||||||
| Box 10 | Miscellaneous | ||||||||||
| See also Memorabilia: Scores by others with Waxman annotations, below | |||||||||||
| Memorabilia | |||||||||||
| Box 10 | Artwork for "The Story of Ruth" record jacket | ||||||||||
| Audiovisual material/computer diskettes | |||||||||||
| Audiovisual material | |||||||||||
| Box 20 | "Al Joseph" - 16mm film spool undated | ||||||||||
| Box 20 | "Bird Calls" - 35mm soundtrack spool undated | ||||||||||
| Box 20 | "Franz Waxman Concert Film, Russia" - 16mm film reel 1962 | ||||||||||
| Box 20 | "Franz Waxman in Russia," "Weintraub Short," "Entar Tete Music Documentary" - VHS videocassette undated | ||||||||||
| Box 20 | "Home, 8201 Mulholland" - 16mm film reel ca. 1963 | ||||||||||
| Box 20 | "Moscow Rehearsal State Orchestra" - 16mm film reel 1962 | ||||||||||
| Box 20 | "Opera" - 16mm film reel undated | ||||||||||
| Box 20 | "Russia Dialogue" - 35mm soundtrack spool 1962 | ||||||||||
| Box 20 | "Russia Music" - 35mm soundtrack spool 1962 | ||||||||||
| Box 20 | Unidentified - 16mm film reel | ||||||||||
| Box 20 | Unidentified - 35mm soundtrack spool | ||||||||||
| Box 20 | Unidentified sheet music - microfilm | ||||||||||
| Computer diskettes (7) | |||||||||||
| Box 20 | "Rebecca," new parts and scores, Notator-Creator Software for Atari Computer | ||||||||||
| Autograph collection | |||||||||||
| Box 10 | Berlioz, Hector | ||||||||||
| Box 10 | Gounod, Charles | ||||||||||
| Box 10 | Hollander, Victor | ||||||||||
| Box 10 | Humperdinck, Englebert | ||||||||||
| Box 10 | Scharwenka, Xaver | ||||||||||
| Box 10 | Toscanini, Arturo | ||||||||||
| Box 10 | Unidentified | ||||||||||
| Box 10 | Awards | ||||||||||
| Box 10 | Driving permit | ||||||||||
| Box 10 | Financial records | ||||||||||
| Funerary | |||||||||||
| Box 10 | Condolence letters to John Waxman | ||||||||||
| Box 10 | Funeral book | ||||||||||
| Box 10 | Tributes to Franz Waxman | ||||||||||
| Photographs | |||||||||||
| Waxman | |||||||||||
| Box 11 | Conducting and playing piano | ||||||||||
| Box 11 | Early photographs, Wachsman family and friends | ||||||||||
| Box 11 | Portraits | ||||||||||
| Box 11 | With others | ||||||||||
| Others | |||||||||||
| Box 11 | Casals, Pablo | ||||||||||
| Box 11 | Ford, John Arnold | ||||||||||
| Box 11 | Liszt, Franz | ||||||||||
| Box 11 | Roman, Stella | ||||||||||
| Box 11 | Rozsa, Miklos | ||||||||||
| Box 11 | Stravinsky, Igor with George Balanchine and others, Los Angeles Music Festival ca. 1956 | ||||||||||
| Miscellaneous | |||||||||||
| Performances | |||||||||||
| Box 11 | "Rally for the Living" poster negative | ||||||||||
| See also Memorabilia: Printed material | |||||||||||
| Box 11 | The Spirit of St. Louis | ||||||||||
| Box 11 | Shostakovich party | ||||||||||
| Box 11 | Unidentified | ||||||||||
| Printed material | |||||||||||
| Clippings | |||||||||||
| Box 12 | Clippings 1928-1949 (4 folders) | ||||||||||
| Box 13 | Clippings 1950-1958 (9 folders) | ||||||||||
| Box 14 | Clippings 1959-1967, undated (6 folders) | ||||||||||
| Box 15 | Clippings 1983, 1985-1996 (11 folders) | ||||||||||
| Box 15 | Clippings, Los Angeles Examiner 1944-1961, undated (2 folders of 32) | ||||||||||
| Program notes | |||||||||||
| Box 16 | 1940 "Florian" | ||||||||||
| Box 16 | 1940 Mar. 20 "Rebecca" | ||||||||||
| Box 16 | 1943 "We Will Never Die" | ||||||||||
| Box 16 | 1949 Paris concerts | ||||||||||
| Box 16 | 1955, 1957 International Society for Contemporary Music | ||||||||||
| Box 16 | 1960 Santa Catalina Festival of the Arts | ||||||||||
| Box 16 | 1965 Cincinnati May Festival | ||||||||||
| Program notes and contemporary references to Franz Waxman and his music collected by John W. Waxman | |||||||||||
| Box 16 | 1978-1979 season | ||||||||||
| Box 16 | 1984-1985 season | ||||||||||
| Box 16 | 1985-1986 season | ||||||||||
| Box 16 | 1986-1987 season | ||||||||||
| Box 16 | 1987-1988 season | ||||||||||
| Box 17 | 1988-1989 season | ||||||||||
| Box 17 | 1989-1990 season | ||||||||||
| Box 17 | 1990-1991 season | ||||||||||
| Box 17 | 1991-1992 season | ||||||||||
| Box 17 | 1992-1993 season | ||||||||||
| Box 17 | 1993-1994 season | ||||||||||
| Box 17 | 1994-1995 season | ||||||||||
| Box 17 | 1995-1996 season | ||||||||||
| Box 17 | undated | ||||||||||
| Publicity | |||||||||||
| Box 17 | 1946 "Rally for the Living" | ||||||||||
| Box 17 | 1953 Los Angeles County Museum Chamber Music Series | ||||||||||
| Box 17 | 1992 4. Filmharmonishes Konzert | ||||||||||
| Scores by others | |||||||||||
| See separate series, Scores by Others | |||||||||||
| Box 17 | Miscellany 1930-1987, undated | ||||||||||
| Scripts | |||||||||||
| Box 18 | "Berkeley Square" | ||||||||||
| Box 18 | "Carmen" | ||||||||||
| Box 18 | "The Centurions" (released as "The Lost Command") | ||||||||||
| Box 18 | "Christoph" | ||||||||||
| Box 18 | "[Offenbach] Conduit Le Bal" | ||||||||||
| Box 18 | "Dr. Jekyll and Mr. Hyde" | ||||||||||
| Box 18 | "Electra" | ||||||||||
| Box 18 | "Everyman" | ||||||||||
| Box 18 | "The Golden Curtain" | ||||||||||
| Box 18 | "Gurre-Lieder" | ||||||||||
| Box 18 | "Hamlet, Othello, Macbeth" (selections) | ||||||||||
| Box 18 | "Jazz" | ||||||||||
| Box 18 | "Joan of Arc at the Stake" (2 folders) | ||||||||||
| Box 18 | "Jocasta's Cry" | ||||||||||
| Box 18 | "Joshua" | ||||||||||
| Box 19 | "King David" | ||||||||||
| Box 19 | "Lonesome Train" | ||||||||||
| Box 19 | "Maximilian and Carlotta" | ||||||||||
| Box 19 | "A Midsummer Night's Dream" | ||||||||||
| Box 19 | "Orfeo Et Euridice" | ||||||||||
| Box 19 | "Orpheus" | ||||||||||
| Box 19 | "Persephone" | ||||||||||
| Box 19 | "Picasso, Notes for a Ballet" | ||||||||||
| Box 19 | "The Plot to Overthrow Christmas" | ||||||||||
| Box 19 | "The Prophet Isaiah" | ||||||||||
| Box 19 | "Volpone" | ||||||||||
| Writings by others | |||||||||||
| Lyrics | |||||||||||
| Box 19 | Clifford, Gordon | ||||||||||
| Box 19 | David, Mack | ||||||||||
| Box 19 | Kolpe, Max/Rotter, Fritz | ||||||||||
| Box 19 | LeClerq, Arthur | ||||||||||
| Box 19 | Nivoix, Paul | ||||||||||
| Box 19 | Strauss, Richard | ||||||||||
| Miscellaneous | |||||||||||
| Box 19 | Alberts, O.A. 3 items in verse undated | ||||||||||
| Box 19 | Batlle, Salvador Angel. "Franz Waxman: Musica en Caliz de Plata" 1994 | ||||||||||
| Scores by others without annotations | |||||||||||
| Box 23 | Antheil, George. Shelley's Fragments 1950 | ||||||||||
| Box 23 | Brunelli, Louis Jean. Burlesca for Orchestra, undated | ||||||||||
| Box 23 | Jones, John Kester. Spoon River ca. 1961 | ||||||||||
| Box 23 | Lackner, Stephan. Nostalgia Tango ca. 1960 | ||||||||||
| Box 23 | Lieberman, Rol., The Song of Life and Death, New York: Associated Music Publishers, Inc., undated | ||||||||||
| Box 23 | Malipiero, G. Francesco. Concerti, Milano: G. Ricordi & Co. ca. 1931 | ||||||||||
| Scores by others arranged by Franz Waxman | |||||||||||
| Box 24 | Dvorak, Anton. Humoresque, Opus 101 No. 7, Westport, Connecticut: Fidelio Music Publishing Company, undated | ||||||||||
| Box 24 | Enesco, Georges. Romanian Rhapsody No. 1, Westport, Connecticut: Fidelio Music Publishing Company, undated | ||||||||||
| Box 24 | Rimsky-Korsakoff, Nicolai. The Flight of the Bumblebee, undated | ||||||||||
| Scores by Waxman | |||||||||||
| Oversize 1 | Absolute Quiet (1936: Metro-Goldwyn-Mayer) | ||||||||||
| Music cue sheet - May 4, 1936 Selections - reproductions |
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| Oversize 1 | Ach, wie ist das Leben schon! see Fur'n Groschen Liebe/Ach, wie ist das Leben schon! | ||||||||||
| Ach, wie oft kommt die Liebe unverhofft! | |||||||||||
| See Paprika | |||||||||||
| Adventures of a Young Man | |||||||||||
| See Ernest Hemingway's Adventures of a Young Man (1962: Twentieth Century-Fox) | |||||||||||
| Oversize 2 | The Adventures of Huckleberry Finn (1939: M-G-M) | ||||||||||
| Music cue sheet - Feb. 7, 1939 Selections - reproductions, some with annotations Restoration by Christopher Palmer: Full conductor's score - original; Instrumentation list; Orchestral parts - original; Holograph notes on instrumentation (photocopy) |
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| Oversize 3 | The Adventures of Tom Sawyer (1937: Selznick International Pictures) | ||||||||||
| "Music notes 10/22/37" - carbon (2 copies) Selections - original |
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| Oversize 4 | Air Force (1943: Warner Bros.) | ||||||||||
| Music cue sheet - Feb. 17, 1943 Selections - original sketches Piano conductor's score (bound reproduction with annotations) |
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| Oversize 5 | Alias Nick Beal (1948: Paramount Pictures) (other titles: The Contact; Man Dark Circle; Strange Temptation) | ||||||||||
| Piano conductor's score (bound reproduction) | |||||||||||
| Oversize 5.5 | Allein in einer grossen Stadt... | ||||||||||
| Piano score - reproduction | |||||||||||
| Oversize 6 | Anne of the Indies (1951: Twentieth Century-Fox) | ||||||||||
| Music cue sheet - Nov. 2, 1951 Piano conductor's score (bound reproduction) Orchestral parts (Selections) - reproductions Restoration: Full conductor's score (Selections) - reproductions, some with annotations |
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| Oversize 6.5 | Arrest & Trial (1963: television series) | ||||||||||
| "Flame in the Dark": Conductor's score (Selections) - reproduction of original sketches | |||||||||||
| "Isn't It a Lovely View": Conductor's score (Selections) - reproduction of original sketches | |||||||||||
| "Who's Little Girl Are You": Conductor's score (Selections) - reproductions, some with annotations | |||||||||||
| Oversize 7 | Arsene Lupin Returns (1938: M-G-M) | ||||||||||
| Music cue sheet - Feb. 1, 1938 Selections - reproductions |
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| Oversize 7.5 | At The Circus (1939: M-G-M) | ||||||||||
| Music cue sheet - Oct. 4, 1939 Piano conductor's score (Selections) - reproductions |
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| Oversize 8 | Auld Lang Syne Variations | ||||||||||
| Piano conductor's score - bound reproduction Selections - reproductions (in part from Jascha Heifetz Archive at the Library of Congress) |
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| Oversize 8.5 | Back From Eternity (1956: RKO Radio Pictures) | ||||||||||
| Music cue sheet - Oct. 5, 1956 Conductor's score (Selections) - original sketches and reproductions |
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| Oversize 9 | The Bad Man (1941: M-G-M) | ||||||||||
| Selections - reproductions, one with annotations List of compositions recorded for 1930 version |
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| Oversize 10 | The Battle Hymn of the Republic | ||||||||||
| Full conductor's score (measures 1-40) - original Orchestral parts - originals and reproductions, some with annotations |
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| Oversize 11 | La Belle Croisiere (Paris: Editions Coda, c1934) | ||||||||||
| Oversize 12 | Beloved Infidel (1959: Twentieth Century-Fox) | ||||||||||
| Music cue sheet (recording date Oct. 30, 1959) Full conductor's score (Selections) - reproductions Restoration: Full conductor's score (Selections) - originals and reproductions, some with annotations |
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| The Big Bankroll | |||||||||||
| See King of the Roaring '20's | |||||||||||
| Oversize 13 | The Black-Foxe March (New York: Boosey & Hawkes, c1959) | ||||||||||
| Oversize 14 | The Blue Danube / Johann Strauss, arr. by Franz Waxman | ||||||||||
| Full conductor's score - original and reproduction | |||||||||||
| Oversize 15 | The Blue Veil (1951: RKO Radio Pictures) | ||||||||||
| Music cue sheet - June 13, 1952 Selections - reproductions, some with annotations |
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| Oversize 16 | Boom Town (1940: M-G-M) | ||||||||||
| Music cue sheet - July 31, 1940 Music notes July, 1940 Piano conductor's score (Selections) - reproductions, some with annotations |
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| Oversize 17, A-F | The Bride of Frankenstein (1935: Universal Pictures) | ||||||||||
| Music cue sheet - May 16, 1935 Sketches (Selections) Suite / arr. by Steven Bernstein: Selections - reproductions from the Library of Congress "The Creation of the Monster" / arr. by Newton Wayland: Full conductor's score - reproductions from the Library of Congress Silva Soundtrack Recording / arr. by Christopher Palmer: Instrumentation list (partial); Full orchestral parts - original and reproductions with annotations |
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| Oversize 17.5 | The Bride Wore Red (1937: M-G-M) | ||||||||||
| Music cue sheet - Oct. 2, 1937 Piano conductor's score (Selections) - reproductions |
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| British Grenadiers | |||||||||||
| See The Virgin Queen (1955: Twentieth Century-Fox) | |||||||||||
| Oversize 18 | Cafe Waltzes for Orchestra | ||||||||||
| Full conductor's score restorations of selections from: Hotel Berlin In Our Time Rector's Restaurant |
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| Oversize 19 | Captains Courageous (1937: M-G-M); restorations 1977 | ||||||||||
| Piano conductor's score (Selections) (bound reproduction) Restorations: "Bell System Presents" broadcast / Allyn Ferguson, composer: Music cue sheet - Dec. 4, 1977
Suite / arr. by Christopher Palmer: Full conductor's score (Selections) - reproductions
|
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| Oversize 20 | Career (1959: Paramount Pictures) | ||||||||||
| Music cue sheet - Oct. 23, 1959 Piano conductor's score (Selections) - reproductions, some with annotations |
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| Carmen Fantasie | |||||||||||
| See Humoresque (1947: Warner Bros.) | |||||||||||
| Oversize 21 | The Charm Bracelet (New York: Tetra Music Corp., c1949, 1978) sole agent: Alexander Broude, Inc. | ||||||||||
| Oversize 21 | The Charm Bracelet: Five Pieces for Violin and Piano (Westport, Connecticut: Fidelio Music Publishing Company, undated) | ||||||||||
| Oversize 22 | A Christmas Carol (1938: M-G-M) | ||||||||||
| Music cue sheet - Dec. 7, 1938 Piano conductor's score (Selections) (bound reproduction with annotations and with additional copy of music cue sheet mounted on endpaper) |
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| Oversize 22.5 | Cimarron (1960: M-G-M) | ||||||||||
| Music cue sheet - Jan. 23, 1961 Piano conductor's score (Selections) - reproductions |
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| Oversize 23 | Classic Film Themes Medley [I] | ||||||||||
| Restoration of full conductor's score (selections) from:
Suspicion
My Geisha
Beloved Infidel
|
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| Oversize 24 | Classic Film Themes Medley [II] | ||||||||||
| Restoration of full conductor's score (selections) from:
The Philadelphia Story
A Place in the Sun
This is My Love
Katsumi from Sayonara
|
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| Oversize 25 | Classic Love Themes Medley | ||||||||||
| Restoration of full conductor's score (selections) from:
Peyton Place
Rosanna from Ernest Hemingway's Adventures of a Young Man
Elephant Walk
The Lost Command
|
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| Clown on a Tightrope | |||||||||||
| see Man on a Tightrope (1953: Twentieth Century-Fox) | |||||||||||
| Oversize 26 | Come Back, Little Sheba (1953: Paramount Pictures) | ||||||||||
| Music cue sheet - Nov. 14, 1952 "Music notes . . . June 10, 1952" - carbon Selections - reproductions Restoration of "Reminiscences": Full conductor's score - original and reproductions with some annotations
Orchestral parts (Selections) - original
|
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| Oversize 26.5 | Confidential Agent (1945: Warner Bros.) | ||||||||||
| Music cue sheet - Nov. 7, 1945 Piano conductor's score (Selections) - original sketches and reproductions, some with annotations |
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| The Contact Man | |||||||||||
| See Alias Nick Beal (1948: Paramount Pictures) | |||||||||||
| Oversize 27 | Count Your Blessings (1959: M-G-M) | ||||||||||
| Music cue sheet - May 12, 1959 Piano conductor's score (Selection) - "Theme From Count Your Blessings" (New York: Robbins Music Corporation, c1959) Piano conductor's score (Selections) - reproductions, some with annotations |
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| The Creation of the Monster | |||||||||||
| See The Bride of Frankenstein (1935: Universal Pictures) | |||||||||||
| Oversize 28, A-C | Crime in the Streets (1956: Allied Artists) | ||||||||||
| Music cue sheet - Feb. 1956 Instrumentation list (partial) - Jan. 30, 1956 Full conductor's score (Selections) - original sketches Full conductor's score (Selections) - originals Orchestral parts - originals and reproductions, some with annotations Re-orchestration for record version: Conductor's score - original
Orchestral parts - original
|
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| Oversize 29 | La Crise est Finie (1934: Films Paramount) | ||||||||||
| Selections: La Crise est Finie (Paris: Editions Salabert, c1934) On Ne Voit Ca Qu'a Paris (Paris: Editions Salabert, 1934) (issued in two parts) |
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| Oversize 29.5 | Cry Wolf (1947: Warner Bros.) | ||||||||||
| Music cue sheet - Apr. 10, 1947 Full conductor's score (Selections) - reproductions, some with annotations |
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| Dark Circle | |||||||||||
| See Alias Nick Beal (1948: Paramount Pictures) | |||||||||||
| Oversize 29.7 | Dark City (1950: Paramount Pictures) | ||||||||||
| Music cue sheet - June 12, 1950 Conductor's score (Selections) - reproductions Notes (miscellaneous) |
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| Oversize 30 | Dark Passage (1947: Warner Bros.) | ||||||||||
| Music cue sheet - June 24, 1947 Piano conductor's score - original sketches Piano conductor's score (Selections) - reproductions, some with annotations |
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| Oversize 31 | A Dark World (a radio play) | ||||||||||
| Conductor's score - original Orchestral parts - original |
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| Oversize 32 | Demetrius and the Gladiators (1954: Twentieth Century-Fox) | ||||||||||
| Music cue sheet - Aug. 6, 1954 Piano conductor's score (Selections) – original sketches Piano conductor's score (Selections) – originals and reproductions, some with annotations Restorations: "Gladiators' March" for concert band:
Instrumentation list
Full conductor's score - reproduction
Orchestral parts - reproductions, some with annotations
Suite: Orchestral parts - reproductions, some with annotations
|
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| Oversize 33 | Design for Scandal (1941: M-G-M) (working title: "Miss Achilles' Heel") | ||||||||||
| Music cue sheet - Nov. 7, 1941 Piano conductor's score (Selections) - reproductions |
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| Oversize 34 | Destination Tokyo (1944: Warner Bros.) | ||||||||||
| Music cue sheet (2) - Dec. 31, 1943 Piano conductor's score (Selections) - original sketches Piano conductor's score (bound reproduction with some annotations) Orchestral parts (Selections) - reproductions, some with annotations Selections - reproductions with annotations Re-orchestration of "Till We Meet Again" / arr. by Franz Waxman "Destination Tokyo: a Montage for Orchestra" / arr. by Christopher Palmer: Full conductor's score (Selections) - original and reproductions
Instrumentation list
Orchestral parts (Selections) - original
Holograph notes
|
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| Oversize 35 | The Devil Doll (1936: M-G-M) (working title: "Witch of Timbuctoo") | ||||||||||
| Music cue sheet (partial) - Aug. 12, 1936 Piano conductor's score (Selections) - reproductions, some with annotations Restoration for "Souvenir de Paris" waltzes by Christopher Palmer and Jeff Atmajian: Full conductor's score (Selections) - originals
Instrumentation list
Orchestral parts (Selections) - originals and reproductions
Holograph notes on instrumentation (photocopy)
Notes (miscellaneous)
|
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| Oversize 36 | Dr. Jekyll and Mr. Hyde (1941: M-G-M) | ||||||||||
| Music cue sheet - July 14, 1941 Piano conductor's score (bound reproduction with additional copy of music cue sheet mounted on endpaper) Cinema Texas Program Notes - Nov. 18, 1974 |
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| Oversize 36.5 | Dramatic School (1938: M-G-M) | ||||||||||
| Music cue sheet - Dec. 3, 1938 Piano conductor's score (Selections) - reproductions, some with annotations |
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| Dusk: A Setting For Orchestra | |||||||||||
| See Night Unto Night (1949: Warner Bros.) | |||||||||||
| Oversize 37 | Edge of Darkness (1943: Warner Bros.) | ||||||||||
| Piano conductor's score (bound reproduction with annotations and with cast list mounted on endpaper) | |||||||||||
| Elegy for Strings | |||||||||||
| See Old Acquaintance (1943: Warner Bros.) | |||||||||||
| Oversize 38 | Elephant Walk (1954: Paramount Pictures) | ||||||||||
| Music cue sheet - Jan. 11, 1954 Full conductor's scores (source material) - reproductions with annotations Conductor's score (Selections) - reproductions |
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| Oversize 39 | The Emperor's Candlesticks (1937: M-G-M) | ||||||||||
| Piano conductor's score (Selections) (bound reproductions with music cue sheet mounted on endpaper and bearing date June 25, 1937) | |||||||||||
| Oversize 40 | Ernest Hemingway's Adventures of a Young Man (1962: Twentieth Century-Fox) | ||||||||||
| Music cue sheet (3) - May 1, 1962 Piano conductor's (Selections) - original sketches Full conductor's score (Selections) - reproductions, some with annotations RCA Victor record album list of selections (photocopy) "Plaisir d'Amour" / Padre G. Martini "public domain" selection - reproduction Restoration for "Hemingway Suite": Full conductor's score (Selections) - originals and reproductions
Instrumentation lists (partial)
Orchestral parts (Selections) - originals and reproductions
|
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| Oversize 40.5 | Escape (1940: M-G-M) | ||||||||||
| Music cue sheet - Oct. 29, 1940 Piano conductor's score (Selections) - reproductions Re-orchestration of "Preussen's Gloria" / arr. by Franz Waxman Re-orchestration of "Wiener Blut" / arr. by Franz Waxman |
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| Oversize 41 | Ein' feste Burg ist unser Gott | ||||||||||
| Piano score with annotations - original | |||||||||||
| Oversize 41.5 | The Feminine Touch (1941: M-G-M) | ||||||||||
| Music cue sheet - Aug. 30, 1941 Piano conductor's score (Selections) - reproductions |
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| Oversize 41.7 | Flight Command (1940: M-G-M) | ||||||||||
| Music cue sheet - Dec. 12, 1940 Piano conductor's score (Selections) - reproductions |
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| Oversize 42 | Florian (1940: M-G-M) | ||||||||||
| Music cue sheet (photostat) - Mar. 23, 1940 Piano conductor's score (bound reproduction with copy of music cue sheet mounted on endpaper) Selection ("Ballet Suite for Miss Baronova") - reproduction |
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| Oversize 43 | Four Scenes from Childhood (for violin and piano) "To Joseph Heifetz" | ||||||||||
| Piano/violin score - reproduction with annotations | |||||||||||
| Oversize 43.5 | Franz Waxman Songbook | ||||||||||
| Piano/vocal score - reproduction | |||||||||||
| Oversize 44 | Fur'n groschen Liebe/Ach, wie ist das Leben schon! (Berlin: Emelkaton-Verlag, c1932) | ||||||||||
| See also Un Peu d'Amour | |||||||||||
| Oversize 45 | The Furies (1950: Paramount Pictures) | ||||||||||
| Music cue sheet - Apr. 4, 1950 Piano conductor's score (Selections) - reproductions, some with annotations Restoration for Suite: Instrumentation list
Full orchestral parts (Selections) - original and reproduction, some with annotations
Holograph notes on instrumentation (photocopy)
|
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| Oversize 45.5 | God Is My Co-Pilot (1945: Warner Bros.) | ||||||||||
| Piano conductor's score (Selections) - original sketches Piano conductor's score (Selections) (Bound reproduction with copy of music cue sheet mounted on endpaper) Conductor's score (Selections) - originals and reproductions |
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| Oversize 45.7 | Goyana (undated) | ||||||||||
| Full conductor's score - bound reproduction | |||||||||||
| Oversize 46 | Gruss und Kuss-Veronika (1932: Deutsche Universal-Film A.G.) | ||||||||||
| Selections (bound together) (Berlin: Alrobi Musikverlag, c1933): Gruss und Kuss-Veronika; Die kleinen Madchen mit dem treuen Blick | |||||||||||
| Oversize 46.5 | Gunsmoke (1965: CBS Television Network) | ||||||||||
| "The Raid, Parts I & II": | |||||||||||
| Music cue sheet (2) - Sept. 1, 1965 Full conductor's score (Selections) - original sketches Full conductor's score (Selections) - reproductions Orchestral parts (Selections) - reproductions Holograph notes on music cues |
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| Oversize 47, A-D | He Ran All the Way (1951: United Artists) | ||||||||||
| Music cue sheet - Jan. 1, 1951 Full conductor's score (Selection) - original sketch Full conductor's score (Selections) - originals Orchestral parts (Selections) - originals and reproductions, some with annotations |
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| Hemingway Suite | |||||||||||
| See Ernest Hemingway's Adventures of a Young Man (1962: Twentieth Century-Fox) | |||||||||||
| Hemingway's Adventures of a Young Man | |||||||||||
| See Ernest Hemingway's Adventures of a Young Man (1962: Twentieth Century-Fox) | |||||||||||
| Oversize 48 | Her Cardboard Lover (1942: M-G-M) (working title: "Love Me Not") | ||||||||||
| Music cue sheet - May 20, 1942 Piano conductor's score (Selections) - reproductions, some with annotations |
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| Oversize 48.1 | Her Kind of Man (1946: Warner Bros.) | ||||||||||
| Music cue sheet - Feb. 28, 1946 Piano conductor's score (Selections) - original sketches Piano conductor's score (Selections) - reproductions Orchestral part (Selection) - reproduction |
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| Oversize 48.3 | His Brother's Wife (1936: M-G-M) | ||||||||||
| Music cue sheet - Aug. 13, 1936 Piano conductor's Score (Selections) - reproductions |
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| Oversize 48.5 | Home Before Dark (1958: Warner Bros.) | ||||||||||
| Music cue sheet - Oct. 29, 1958 | |||||||||||
| Oversize 48.7 | Honky Tonk (1941: M-G-M) | ||||||||||
| Music cue sheet - Sept. 8, 1941 Piano conductor's score (Selections) - reproductions |
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| Oversize 48.9 | Honolulu (1939: M-G-M) | ||||||||||
| Music cue sheet - Feb. 4, 1939 Piano conductor's score (Selections) - reproductions |
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| Oversize 49, A-B | The Horn Blows at Midnight (1945: Warner Bros.) | ||||||||||
| Music cue sheet - Apr. 19, 1945 Piano conductor's score (Selections) - original sketches Piano conductor's score (Selections) - (bound reproduction with some annotations) Piano conductor's score (Selections) - reproductions, some with annotations Miscellaneous notes |
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| Oversize 49.5 | Hotel Berlin (1945: Warner Bros.) | ||||||||||
| Music cue sheet - Mar. 12, 1945 Piano conductor's score (bound reproduction with copy of music cue sheet mounted on endpaper) Miscellaneous notes on restoration |
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| Oversize 50 | Humoresque (1947: Warner Bros.) | ||||||||||
| Music cue sheet - Sept. 30, 1946 Carmen Fantasie: Full conductor's score - reproduction Carmen Fantasie: Full conductor's score - reproduction; Orchestral parts - reproductions Carmen Fantasie (New York: Harms, Inc., n.d.) Selection: P. Tschaikowsky Concerto (Opus 35) edited by Leopold Auer, adapted by Franz Waxman - reproduction |
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| Oversize 50.5 | I Love You Again (1940: M-G-M) | ||||||||||
| Music cue sheet - Aug. 1, 1940 Piano conductor's score (Selections) - reproductions |
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| Oversize 51 | I, the Jury (1953: United Artists) | ||||||||||
| Music cue sheets - June 12, 1953 (2), n.d. Full conductor's score (Selections) - original sketches Full conductor's score (Selections) - original Orchestral parts (Selections) - originals and reproductions with annotations "Molinero, Molinero" - "... p[ublic] d[omain] arr. of Spanish folksong ..." - reproduction Miscellaneous production notes and financial material |
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| Oversize 51.5 | Ice Follies of 1939 (1939: M-G-M) | ||||||||||
| Music cue sheet - Mar. 2, 1939 Piano conductor's score (Selections) - reproductions |
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| Oversize 52, A-B | In Our Time (1944: Warner Bros.) | ||||||||||
| Music cue sheet - Jan. 31, 1944 Piano conductor's score (Selections) - original sketches Piano conductor's score (bound reproduction with annotations with Ballet Suite from Le Lac des Cygnes / P. Tschaikowsky) Selections - reproductions |
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| Oversize 53, A-D | The Indian Fighter (1955: United Artists) | ||||||||||
| Music cue sheet - Nov. 18, 1955 Full conductor's score (Selections) - original sketches Full conductor's score (Selections) - originals and reproductions Instrumentation list Orchestral parts (Selections) - originals and reproductions, some with annotations |
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| Oversize 53.5 | The Invisible Ray (1936: Universal) | ||||||||||
| Music cue sheet - Mar. 30, 1936 Piano conductor's score (Selections) - reproductions |
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| Oversize 54, A-D | Johnny Holiday (1950: United Artists) | ||||||||||
| Music cue sheet - Nov. 15, 1949 Full conductor's score (Selections) - original sketches and their reproductions Full conductor's score (Selections) - originals Orchestral parts (Selections) - originals and reproductions, some with annotations |
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| Oversize 55 | Joshua (New York: G. Ricordi & Co., c1960) | ||||||||||
| Full conductor's score - original Selection: Rahab's Plea - conductor's piano/vocal score, reproduction |
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| Oversize 55.3 | Journey for Margaret (1942: M-G-M) | ||||||||||
| Music cue sheet - Oct. 20, 1942 Selections - original sketches Piano conductor's score (Selections) - reproductions Holograph notes on music cues |
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| Oversize 56 | Kathleen (1941: M-G-M) | ||||||||||
| Music cue sheet - Nov. 4, 1941 Piano conductor's score (Selections) - reproductions |
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| Oversize 57 | King of the Roaring '20's (1961: Allied Artists) | ||||||||||
| Music cue sheet (3) - Mar. 31, 1961 Full conductor's score (Selections) - original sketches Full conductor's score (Selections) - originals |
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| Die kleinen Madchen mit dem treuen Blick. . . | |||||||||||
| See Gruss und Kuss-Veronika (1932: Deutsche Universal-Film A.G.) | |||||||||||
| Oversize 57.5 | Kraft Suspense Theatre (1964: television series) | ||||||||||
| "Graffiti" | |||||||||||
| Conductor's score (Selections) - reproductions | |||||||||||
| "Operation Grief" | |||||||||||
| Music cue sheet - Oct. 5, 1964 Conductor's score (Selections) - reproduction Music timing script - original, includes holograph notes |
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| "That He Should Weep for Her" | |||||||||||
| Conductor's score (Selections) - reproductions | |||||||||||
| Oversize 58 | Lady of the Tropics (1939: M-G-M) | ||||||||||
| Music cue sheet - Aug. 8, 1939 Piano conductor's score (Selections) (bound reproduction with music cue sheet mounted on endpaper) |
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| Liberty Fanfares | |||||||||||
| See Task Force (1949: Warner Bros.) | |||||||||||
| Oversize 59 | Liliom (1933: German) | ||||||||||
| Full conductor's score (Selections) - original Orchestral parts (Selections) - original Miscellaneous holograph notes and printed material |
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| Oversize 60 | A Lion Is in the Streets (1953: Warner Bros.) | ||||||||||
| Music timing sheet (2) - Feb. 28, 1953 Piano conductor's score (Selections) - original sketches Selections - reproductions |
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| Oversize 61 | The Lost Command (1966: Columbia Pictures) (working title: "The Centurions") | ||||||||||
| Music cue sheet - Apr. (?) 1966 Full conductor's score (Selections) - original sketches and reproductions Piano conductor's score (Selections) - reproductions Selections - reproductions, with instrumentation lists Restoration: Full conductor's score (Selections) - original and reproduction
Orchestral parts (Selections) - reproductions
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| Oversize 62 | Love in the Afternoon (1957: Allied Artists) | ||||||||||
| Music cue sheet - June 28, 1957 Piano conductor's score (Selections) - original Selections - originals and reproductions Holograph notes on music cues |
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| See also "Love Music" from Richard Wagner's Tristan and Isolde | |||||||||||
| Love Me Not | |||||||||||
| See Her Cardboard Lover (1942: M-G-M) | |||||||||||
| Oversize 63 | "Love Music" from Richard Wagner's Tristan and Isolde | ||||||||||
| Score - reproductions (3), one with annotations Selections: Conductor's score - reproduction; Orchestral part (solo violin) - reproduction |
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| See also Love in the Afternoon | |||||||||||
| Oversize 63.3 | Love on the Run (1936: M-G-M) | ||||||||||
| Music cue sheet - Nov. 18, 1936 Piano conductor's score (Selections) - reproductions |
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| Oversize 63.7 | Lucky Night (1939: M-G-M) | ||||||||||
| Music cue sheet - Apr. 17, 1939 Piano conductor's score (Selections) - reproductions |
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| Oversize 64 | Lure of the Wilderness (1952: Twentieth Century-Fox) | ||||||||||
| Music cue sheet - Mar. 26, 1952 Piano conductor's score (partially bound reproductions) |
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| Oversize 65, A-B | Man on a Tightrope (1953: Twentieth Century-Fox) | ||||||||||
| Music cue sheet - June 26, 1953 Piano conductor's score (Selections) - reproductions, some with annotations Re-orchestration for "Clown on a Tightrope": March for concert band - original and reproductions
March for orchestra - reproductions
Holograph notes
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| Oversize 65.5 | Man Proof (1937: M-G-M) | ||||||||||
| Music cue sheet - Dec. 15, 1937 Piano conductor's score (Selections) - reproductions |
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| Oversize 66 | Medal of Honor | ||||||||||
| Restoration of full conductor's score for Suite: Instrumentation list; Orchestral parts - reproductions, some with annotations | |||||||||||
| Oversize 67, A-B | Miracle in the Rain (1956: Warner Bros.) | ||||||||||
| Music cue sheet - Dec. 19, 1955 Piano conductor's score (Selections) - reproduction, with annotations Holograph notes on music cues Restoration: Instrumentation list
Full orchestral parts - originals and reproductions
Holograph notes on music instrumentation (photocopy)
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| Oversize 67.5 | Mister Roberts (1955: Warner Bros.) | ||||||||||
| Music cue sheet - July 8, 1955 "Song, script scenes" outline Piano conductor's score (Selections) - reproductions Correspondence relating to music cues and Waxman contract |
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| Oversize 68 | Mr. Skeffington (1944: Warner Bros.) | ||||||||||
| Music cue sheet - July 10, 1944 Piano conductor's score (Selections) - (bound reproduction) Restoration for Suite: Instrumentation list
Full orchestral parts (Selections) - originals and reproduction
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| Mon Coeur Bat | |||||||||||
| See Paprika | |||||||||||
| Oversize 68.5 | Music in the Air (1934: Twentieth Century-Fox) | ||||||||||
| Piano conductor's score - bound reproduction | |||||||||||
| Oversize 69 | My Cousin Rachel (1952: Twentieth Century-Fox) | ||||||||||
| Music cue sheet - Nov. 7, 1952 Selections - original sketches and reproductions Piano conductor's score (bound reproduction) Piano conductor's score (Selections) - reproduction Restoration for Suite: Full conductor's score (Selections) - originals and reproductions
Instrumentation list
Orchestral parts (Selections) - originals and reproduction
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| Oversize 70 | My Geisha (1961: Paramount Pictures) | ||||||||||
| Music cue sheet (2) - Feb. 2, 1962 "Correction Sheet" - Feb. 19, 1962 Full conductor's score (Selections) - reproductions, some with annotations |
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| Oversize 71 | The Mysterious Deep (1960: CBS Television Network) | ||||||||||
| Music cue sheet - July 8, 1960 Music cue sheet with script annotations Conductor's score (Selections) - reproduction |
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| Oversize 72, A-B | Night and the City (1950: Twentieth Century-Fox) | ||||||||||
| Music cue sheets - July 14, 1950 Piano conductor's score (Selections) - original sketches (with additional cue sheets) Conductor's score (Selections) - reproductions, some with annotations Restoration for "Nightride Suite": Full conductor's score (Selections) - reproductions, some with annotations
Instrumentation list
Orchestral parts (Selections) - reproductions with annotations
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| Oversize 73, A-B | Night Unto Night (1949: Warner Bros.) | ||||||||||
| Music cue sheet - n.d. Piano conductor's score (Selections) - reproductions Restoration for "Dusk: A Setting For Orchestra": Full conductor's score - reproduction (partially bound)
Orchestral parts (Selections) - originals and reproductions, some with annotations
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| Oversize 74, A-B | Nightmoods For Orchestra | ||||||||||
| Re-orchestrations for selections from: He Ran All the Way The Two Mrs. Carrolls Peyton Place |
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| Nightride Suite | |||||||||||
| See Night and the City (1950: Twentieth Century- Fox) | |||||||||||
| Oversize 74.3 | No Minor Vices (1948: M-G-M) | ||||||||||
| Music cue sheet - Oct. 22, 1948 Piano conductor's score (Selections) - original sketches |
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| Oversize 74.5 | Nora Prentiss (1947: Warner Bros.) | ||||||||||
| Music cue sheet - Feb. 6, 1947 Piano conductor's score (Selections) - originals and reproductions |
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| Oversize 75 | Nostalgic Film Themes | ||||||||||
| Re-orchestrations for selections from:
Suspicion
My Geisha
Beloved Infidel
Prince Valiant
|
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| Oversize 76, A-C | The Nun's Story (1959: Warner Bros.) | ||||||||||
| Piano conductor's score (Selections) - reproductions of original sketches, some with annotations Conductor's score (Selections) (partially bound) - reproduction "Complete Notes on [Scoring] 'The Nun's Story'" Correspondence relating to scoring Restoration for Suite: Full conductor's score - reproduction
Instrumentation list
Orchestral parts (Selections) - originals and reproductions
|
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| Oversize 77 | Objective, Burma! (1945: Warner Bros.) | ||||||||||
| Piano conductor's score (Selections) - reproduction Piano conductor's score (Selections) (bound with undated music cue sheet mounted on endpaper and note laid in) - reproduction with annotations Conductor's note Restoration for "March for Concert Band": Instrumentation list Full conductor's score - reproduction with annotations Orchestral parts (Selections) "file master" - originals |
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| Oversize 78 | Old Acquaintance (1943: Warner Bros.) | ||||||||||
| Piano conductor's score (bound reproduction with some annotations) Restoration for Elegy for Strings ("Kit and Preston"): Full conductor's score (source material) - reproduction with annotations
Full conductor's score with annotations - "copying proof"
Orchestral parts - reproductions
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| Oversize 79 | On Borrowed Time (1939: M-G-M) | ||||||||||
| Music cue sheet (2) - June 30, 1939 Piano conductor's score (Selection) - original sketch Piano conductor's score (Selections) - reproductions, some with annotations Restoration for Suite by Christopher Palmer and Jeff Atmajian: Full conductor's score (Selections) - originals and reproductions
Instrumentation list
Orchestral parts (Selections) - originals and reproductions with annotations
Correspondence on score restoration
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| On Ne Voit Ca Qu'a Paris | |||||||||||
| See La Crise est Finie (1934: Films Paramount) | |||||||||||
| Oversize 79.5 | Only the Valiant (1951: Warner Bros.) | ||||||||||
| Piano conductor's score (Selections) - original sketches Piano conductor's score (Selections) - original and reproduction, some with annotations |
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| Oversize 80 | Open Windows (CBS Television) | ||||||||||
| Conductor's score (Selections) - original | |||||||||||
| Oversize 81 | Paprika | ||||||||||
| Selections:
Ach, wie oft kommt die Liebe unverhofft! (Berlin: Alrobi Musikverlag, c1932)
Mon Coeur Bat (Paris: Editions Salabert, 1932) issued with: Je L'Aime, Je L'Adore / W. R. Heyman (Paris:
Editions Salabert, c1934)
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| Oversize 81.5 | The Paradine Case (1947: Selznick International Pictures) | ||||||||||
| Music cue sheet - July 22, 1949 Full conductor's score (Selections) - original sketches Piano conductor's score (bound reproduction with annotations) Full conductor's score (Selections) - originals and reproductions, some with annotations Orchestral part (Selection) - reproduction "Fantasy For Piano and Orchestra From the Film 'The Paradine Case'": Conductor's score - bound reproduction
Correspondence relating to bound score reproduction
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| Passacaglia | |||||||||||
| See Sorry, Wrong Number (1948: Paramount Pictures) | |||||||||||
| Oversize 81.7 | Personal Property (1937: M-G-M) (working title: "Man in Possession") | ||||||||||
| Music cue sheet - March 13, 1937 Piano conductor's score (Selections) - reproductions |
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| Oversize 82 | Un Peu d'Amour (Berlin: Emelkaton-Verlag, c1932) | ||||||||||
| See also Fur'n groschen Liebe/Ach, wie ist das Leben schon! | |||||||||||
| Oversize 83, A-B | Peyton Place (1957: Twentieth Century-Fox) | ||||||||||
| Music cue sheet - Nov. 7, 1957 Music cue sheet - n.d. Piano conductor's score - original sketches Piano conductor's score (Selections) - reproductions, some with annotations Holograph notes about album selections Los Angeles Times film review and publicity story, December 13, 1957 Restoration for Suite: Full conductor's score (Selections) - original and reproduction, some with annotations
Instrumentation list
Orchestral parts (Selections) - originals
|
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| Oversize 83.5 | Peyton Place "Television Pilot and Preview" (1963: Twentieth Century-Fox Television) | ||||||||||
| Pilot undated | |||||||||||
| "Music Notes" "Music Notes" - "revised Nov. 8, 1963" Conductor's score (Selections) - original sketches Conductor's score (Selections) - reproductions |
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| Preview undated | |||||||||||
| "Music Notes" Conductor's score (Selection) - original sketch Conductor's score (Selections) - reproductions |
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| Oversize 84 | The Philadelphia Story (1940: M-G-M) | ||||||||||
| Music cue sheet - Oct. 22, 1940 Restoration for Suite by Don Rose: Full orchestral parts (Selections) - reproductions |
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| Oversize 84.5 | Phone Call From a Stranger (1952: Twentieth Century- Fox) | ||||||||||
| Music cue sheet - Feb. 8, 1952 Piano conductor's score (Selections) - bound reproduction |
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| Oversize 85 | The Pioneer Suite | ||||||||||
| Restoration of selections from: Red Mountain Cimarron The Indian Fighter |
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| Oversize 86, A-D | A Place in the Sun (1951: Paramount Pictures) ; 1963, 1985 | ||||||||||
| Music cue sheet - May 18, 1951 Piano conductor's score (Selections) - reproduction, some with annotations Orchestral parts (Selections) - reproductions with annotations Selection: A Place in the Sun (New York: Paramount Music Corporation, c1951)Restorations: |
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|
Medley No. 1:
Full conductor's score - reproduction with some annotations
Suite:
Full conductor's score - reproductions
Instrumentation list
Orchestral parts (Selections) - originals
Holograph notes on instrumentation
Suite (1963: Hollywood Bowl version):
Orchestral parts (Selections) - reproductions with annotations
Suite (1985: London):
Conductor's score - original and reproduction with some annotations
Conductor's score (bound reproduction)
Instrumentation list
Symphonic Scenario / arr. by Christopher Palmer:
Conductor's score (Selections) - original and reproduction, some with annotations
Orchestral parts (Selections) - originals and reproductions
Instrumentation list (partial)
Holograph notes (photocopies)
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| Oversize 86.5 | Port of Seven Seas (1938: M-G-M) (working title: "Madelon") | ||||||||||
| Music cue sheet - Mar. 25, 1938 Piano conductor's score (Selections) - reproduction |
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| Oversize 87 | Possessed (1947: Warner Bros.) (working title: "The Secret") | ||||||||||
| "Final Music Notes" (Selections) - n.d. Piano conductor's score (Selections) - reproduction Selection: Danse Russe from Petrouchka [two bars] by Igor Stravinsky - reproduction Correspondence relating to film title change and music rights Restoration for Suite: Full conductor's score (Selections) - original and reproduction, some with annotations
Instrumentation list
Orchestral parts (Selections) - originals and reproductions, some with annotations
|
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| Oversize 88 | Pride of the Marines (1945: Warner Bros.) | ||||||||||
| Piano conductor's score (Selections) (bound reproductions with undated music cue sheet mounted on endpaper) | |||||||||||
| Oversize 89, A-B | Prince Valiant (1954: Twentieth Century-Fox) | ||||||||||
| Conductor's score (Selections) (bound reproduction) Restorations: Prince Valiant Fanfares (for concert band):
Full conductor's score - original
Orchestral parts (Selections) - originals and reproductions
Suite:
Conductor's score (Selections) - reproduction with some annotations
Instrumentation list with holograph notes
Orchestral parts (Selections) originals and reproductions, some with annotations
|
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| Oversize 90 | Rear Window (1954: Paramount Pictures) | ||||||||||
| Music cue sheet (feature) - July 6, 1954 Music cue sheet (feature) - Aug. 6, 1954 Music cue sheet (trailer) - Sept. 7, 1954 Piano conductor's score (Selections) - original sketches Piano conductor's score (Selections) - reproductions "Description of Manner in Which Music Was Used" (in feature and trailer) Holograph notes "Orchestra Chart," n.d. Correspondence relating to music rights Selection: Lisa (New York: Paramount Music Corporation c1954) Restorations: Prelude: Full conductor's score - original and reproduction
Rhumba: Full conductor's score - original and reproduction
|
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| Oversize 91, A-H | Rebecca (1940: Selznick International Pictures) | ||||||||||
| Full conductor's score (Selections, including deletions) - original with some reproductions, some with annotations
Orchestral parts (Selection "The Tango") - original Holograph notes on music cues Suite (radio version) / arr. by Ernest Klapholz: Full conductor's score (Selections) - reproductions, some with annotations (partially bound)
Orchestral parts (Selections) - originals and reproductions, some with annotations Suite (record version): Music cue sheet - n.d.
Full conductor's score (Selections) - reproductions, some with annotations
Orchestral parts (Selections) - reproductions
Holograph notes on music cues Suite (unspecified version): Orchestral parts (Selections) - reproductions, some annotations
|
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| Oversize 91.3 | Red Mountain (1951: Paramount Pictures) (working title: "Quantrell's Raiders") | ||||||||||
| Music cue sheet - July 13, 1951 Full conductor's score (Selections) - reproductions, some with annotations |
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| Reminiscences | |||||||||||
| See Come Back, Little Sheba (1953: Paramount Pictures) | |||||||||||
| Oversize 91.5 | Reunion in France (1942: M-G-M) (working title: "Reunion") | ||||||||||
| Music cue sheet - Dec. 11, 1942 Piano conductor's score (Selections) - reproductions, some with annotations |
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| Oversize 91.7 | "Rhapsody for Piano and Orchestra" | ||||||||||
| Conductor's score (Selections) - originals and reproductions | |||||||||||
| The Ride to Dubno | |||||||||||
| See Taras Bulba (1962: United Artists) | |||||||||||
| Rosanna | |||||||||||
| see Ernest Hemingway's Adventures of a Young Man (1962: Twentieth Century-Fox) | |||||||||||
| Oversize 91.9 | Run Silent, Run Deep (1958: United Artists) | ||||||||||
| Music cue sheet - May 9, 1958 Conductor's score (Selections) - originals and reproductions |
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| Oversize 92 | Sayonara (1957: Warner Bros.) | ||||||||||
| Music cue sheet - Nov. 20, 1957 Piano conductor's score (Selections) - originals and reproductions, some with annotations |
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| Scampolo | |||||||||||
| See Fur'n groschen Liebe/Ach, wie ist das Leben schon! | |||||||||||
| Oversize 92.5 | Scherzetto undated | ||||||||||
| Full conductor's score - bound reproduction | |||||||||||
| Oversize 93, A-B | Second Hungarian Rhapsody by Franz Liszt / arr. by Waxman-Friedhofer | ||||||||||
| Full conductor's score (Selections) - originals and reproductions Orchestral parts (Selections) - original |
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| Oversize 93.3 | Seven Sweethearts (1942: M-G-M) (working titles: "Tulip Time in Michigan," "Tulip Time") | ||||||||||
| Music cue sheet - Aug. 3, 1942 Piano conductor's score (Selections) - reproductions |
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| Oversize 93.5 | The Shining Hour (1938: M-G-M) | ||||||||||
| Music cue sheet - Nov. 15, 1938 Piano conductor's score (Selections) - reproductions, some with annotations |
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| Oversize 94, A-B | The Silver Chalice (1954: Warner Bros.) | ||||||||||
| Music cue sheet - Jan. 21, 1955 Piano conductor's score (Selections) - reproductions, some with annotations Orchestral parts (Selections) - reproductions, some with annotations Restoration for Suite: Full conductor's score (Selections) - originals and reproductions, some with annotations
Orchestral parts (Selections) - originals and reproductions, some with annotations
Holograph notes on instrumentation (photocopy)
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| Oversize 95 | Sinfonietta (New York: Boosey & Hawkes, c1956) | ||||||||||
| Sir Walter Raleigh | |||||||||||
| See British Grenadiers (march) | |||||||||||
| Oversize 96 | The Song of Terezin (Bryn Mawr, Pennsylvania: Theodore Presser Company, c1966) | ||||||||||
| final (uncorrected) study score & vocal score | |||||||||||
| Oversize 96 | The Song of Terezin (Westport, Connecticut: Fidelio Music Publishing Company, renewed c1994) | ||||||||||
| bound reproduction of final study score & vocal score | |||||||||||
| Oversize 97 | The Song of Terezin/Das Lied von Terezin (Bryn Mawr, Pennsylvania: Theodore Presser Company, c1966) | ||||||||||
| Oversize 98 | Sorry, Wrong Number (1948: Paramount Pictures) | ||||||||||
| Restorations:
Introduction and Passcaglia / arr. by Christopher Palmer:
Full conductor's score - original and reproduction
Passacaglia "for concert band" / arr. by J.D. Morsch:
Full conductor's score - reproduction
Instrumentation list and photocopy of holograph notes
Orchestral parts (Selections) - originals and reproductions
|
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| Souvenir de Paris | |||||||||||
| See The Devil Doll (1936: M-G-M) | |||||||||||
| Oversize 99 | Spectrum: A Color Cycle For Jazz Ensemble | ||||||||||
| Re-orchestration:
Full conductor's score (Selections) - originals and reproductions
Orchestral parts (Selections) - originals and reproductions
Holograph notes on arrangement
|
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| Oversize 100, A-D | The Spirit of St. Louis (1957: Warner Bros.) ) | ||||||||||
| Music cue sheet: Feature - Mar. 4, 1957 Trailer - Apr. 9, 1957 Full conductor's score (Selections) - reproductions (partially bound) Orchestral parts (Selections) - original and reproductions, some with annotations Restoration: Full orchestral parts (Selections) - originals and reproductions, some with annotations
Holograph notes on instrumentation (photocopy)
|
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| Oversize 101, A-C | The Story of Ruth (1960: Twentieth Century-Fox) | ||||||||||
| Music cue sheet - May 9, 1960 Full conductor's score (Selections) - reproductions of original sketches Piano conductor's score (Selections) - reproductions, some with annotations Restorations: "Narrative version" Full conductor's score - original and reproduction
Orchestral parts (Selections) - originals and reproductions, some with annotations
Holograph notes on instrumentation (photocopy) Restorations: "Symphonic version": Instrumentation list
Orchestral parts (Selections) - originals and reproductions, some with annotations
|
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| Strange Temptation | |||||||||||
| See Alias Nick Beal (1948: Paramount Pictures) | |||||||||||
| Oversize 102 | Sunset Boulevard (1950: Paramount Pictures) | ||||||||||
| Music cue sheet - April 14, 1950 Conductor's score (Selections) - reproductions, partially bound Restoration: Full conductor's score (Selections) - reproductions
Orchestral arts (Selections) - originals
Holograph notes on instrumentation (photocopy)
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| Oversize 103, A-C | Taras Bulba (1962: United Artists) | ||||||||||
| Piano conductor's score (Selections) - original sketches Selections: La Stella del Desiderio (New York: United Artists Music Co., c1962; Milano: Resolute Casa Editrice Musicale, c1962) Restoration for "The Ride to Dubno" (alternate title: "The Ride of the Cossacks") [Charles] "Gerhardt version": Instrumentation list
Orchestral parts (Selections) - reproductions, some with annotations
Full conductor's score (Selections) - reproductions, some with annotations
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| Oversize 104 | Task Force (1949: Warner Bros.) | ||||||||||
| Music cue sheet (trailer and feature) - Sept. 2, 1948 Restoration for "Liberty Fanfares" for concert band: Full conductor's score (Selections) - originals and reproductions, some with annotations
Instrumentation list
Orchestral parts (Selections) - originals
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| Oversize 104.5 | That Hagen Girl (1947: Warner Bros.) | ||||||||||
| Piano conductor's score (Selections) - reproductions, some with annotations | |||||||||||
| Oversize 105, A-B | Theme, Variations and Fugato for Jazz Orchestra (Los Angeles: Fidelio Music Co., c1956) | ||||||||||
| Full conductor's score (Selections) - originals and reproductions Orchestral parts - reproductions, some with annotations Holograph notes on instrumentation |
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| Oversize 106, A-C | This is My Love (1954: RKO Radio Pictures) | ||||||||||
| Music cue sheet - Oct. 22, 1954 Music cue sheet - n.d. Lyrics sheet "third revision" - Apr. 28, 1954 Conductor's score - original sketches with music notes bearing date May 5, 1954 Conductor's score (Selections) - originals and reproductions Instrumentation list Orchestral parts (Selections) - reproductions, some with annotations Restoration: Conductor's score (Selections) - original and reproduction |
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| Oversize 107 | To Have and Have Not (1945: Warner Bros.) | ||||||||||
| Music cue sheet - Oct. 31, 1944 Piano conductor's score (Selections) (bound reproduction) |
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| Oversize 108 | Tortilla Flat (1942: M-G-M) | ||||||||||
| Music cue sheet - Apr. 17, 1942 Piano conductor's score (Selections) (bound reproduction with additional music cue sheet mounted on endpaper) |
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| Oversize 109 | The Two Mrs. Carrolls (1947: Warner Bros.) | ||||||||||
| Music cue sheet (trailer and feature) - Feb. 28, 1947 Piano conductor's score (Selections) - reproductions, some with annotations Restoration for Suite: Full conductor's score (Selections) - reproductions, some with annotations
Orchestral parts (Selections) - original
Holograph notes on instrumentation (photocopy)
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| Oversize 110 | Untamed (1955: Twentieth Century-Fox) | ||||||||||
| Music cue sheet - Jan. 26, 1955 Piano conductor's score (Selections) - reproductions Restoration for Suite: Full conductor's score (Selections) - reproductions, some with annotations
Instrumentation list
Orchestral parts (Selections) - originals and reproductions, some with annotations
Holograph notes on instrumentation (photocopy)
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| Oversize 111 | The Very Thought of You (1944: Warner Bros.) | ||||||||||
| Piano conductor's score (Selections) (bound reproduction with undated music cue sheet mounted on endpaper) | |||||||||||
| Oversize 112 | The Virgin Queen (1955: Twentieth Century-Fox) | ||||||||||
| Music cue sheet - Sept. 1, 1955 Piano conductor's score (Selections) - original sketches Re-orchestration for "British Grenadiers March" / arr. by F. Waxman: Full conductor's score (traditional) with annotations - reproduction
Conductor's score "1st draft" - reproduction
Conductor's score "file master" - reproduction
Instrumentation list
Orchestral parts (master copy)
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| Oversize 113 | Young in Heart (1938: Selznick International) | ||||||||||
| Conductor's score - original sketches and photocopies
Music notes and continuity |
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| Oversize 114 | Unidentified fragments - original | ||||||||||
| Oversize 115 | Music cue sheets photocopies | ||||||||||