The Diane and Arthur Belfer Audio Laboratory and Archive is the first studio ever designed solely for audio preservation, containing a live end–dead end studio with two control rooms.
Founded as an audio archive in 1963 with a collection of 150,000 recordings held off-campus under the leadership of Walter L. Welch, the Special Collections Research Center's collection of sound recordings and related items has grown to over 500,000 items. The collection includes formats from the earliest experimental recordings on tinfoil to modern digital media.
The Belfer Audio Laboratory and Archive maintains equipment capable of playing back all of these formats, and performs preservation, digitization, and delicate restoration work on deteriorating recordings.
SCRC Collections of Recorded Sound
Music genres represented include classical, jazz, popular, film, marches and patriotic, novelty, folk, country, ethnic and experimental. The late 19th century and early 20th are particularly well represented. The SCRC collection also contains recordings of political leaders, poets, philosophers, and famous actors, as well as early radio broadcasts and unreleased discs from major recording companies. Famous voices of non-musical recordings include Thomas Edison, Amelia Earhart, Albert Einstein, Margaret Bourke-White, Norman Corwin, Long John Nebel, Richard Neutra, Miklós Rósza, Albert Schweitzer, Benjamin Spock, Mike Wallace, and Franz Waxman.
The Belfer Laboratory has a Live End/Dead End recording studio and control rooms designed by Chips Davis, nationally recognized acoustic expert and recording studio designer. One control room is furnished entirely with digital equipment by Syracuse University's Setnor School of Music. It is used as a teaching laboratory for students in the Music Industry program, where they learn the principles and processes of contemporary studio recording. For more information, please contact email@example.com.
The Belfer Audio Laboratory and Archive has an active instruction program utilizing sound recordings, sound playback equipment, and other material from its collections. For further information please visit our Instruction page.
Listening Session Request
To request a listening session, please contact firstname.lastname@example.org.