Scope and Contents of the Collection
Editorial files, miscellaneous
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Overview of the Collection |
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Creator: | Street and Smith Publications. |
Title: | Street & Smith Records |
Inclusive Dates: | 1864-1972 |
Quantity: | 250.0 linear ft. |
Abstract: | Papers of the American publishing company, specializing in popular literature. Collection includes internal records, manuscripts, radio scripts, books and periodicals of the publishing company. Radio scripts include material for Doc Savage, Chick Carter-Boy Detective, Nick Carter and The Shadow. There are also 16mm films of one episode of The Shadow. |
Language: | Bulk in English, a few items in Portuguese |
Repository: | Special Collections Research Center, Syracuse University Libraries 222 Waverly Avenue Syracuse, NY 13244-2010 http://scrc.syr.edu |
Street & Smith, or Street and Smith Publications, Inc., was a New York City publisher specializing in inexpensive paperbacks, magazines, and comic books. Founded in 1855 by Francis Scott Street and Francis Shubael Smith, most of their publications were of the type known as "pulp fiction" and "dime novels."
Among its pulp fiction periodicals, Street & Smith published adventure and sea stories (Air Trails, Do and Dare Weekly, Red Raven Library, Sea Stories Magazine, Tiptop Weekly); detective and mystery stories (Clues, Doc Savage, Mystery Story Magazine, Nick Carter Weekly, Old Broadbrim Weekly, The Shadow); romances (Love Story Magazine, Romance Range); science fiction (Astounding Stories, Unknown); sports stories (All-Sports Library, Athlete); westerns (Buffalo Bill Stories, True Western Stories, Pete Rice Magazine, Western Story Magazine, Wild West Weekly); and young adult fiction (The Boys of the World, Bowery Boy Weekly, Live Girl Stories, My Queen). Many of the authors from Street & Smith's periodicals found their way onto the pages of the publisher's dime novels, which were issued in various series, including the Arrow, Bertha Clay, Eagle, Magnet, Medal, and Merriwell libraries. But perhaps the most successful of the dime novels were those issued in the Alger Series, the volumes of which promoted the comforting notion that virtue is invariably rewarded by wealth. (These rags-to-riches tales became so embedded in American popular culture that reference to a "Horatio Alger story" became synonymous with the realization of the American dream.) Street & Smith comic adventurers included Bill Barnes, Buffalo Bill, Doc Savage, the Red Dragon, and artist R.F. Outcault's Yellow Kid, whose first appearance in the New York World in 1895 marked the birth of American comics. Although Street & Smith specialized in pulp fiction periodicals and dime novels, it also published non-fiction periodicals for hobbyists (Air Progress, Air Trails Pictorial, American Modeler, Science World); movie-goers (Picture-Play Weekly); sports enthusiasts (Pic, Sport Pictorial, and Baseball, Basketball and Football Yearbooks); and women (Mademoiselle, You)
In 1937 Street & Smith began shrinking their line of pulp titles, ending that genre completely in 1949. In 1957 Street & Smith sold their remaining magazine titles to Conde Nast, which acquired the rest of their copyright in 2007.
Spanning 1864 to 1972, the Street & Smith Records document the history of the New York City publisher of pulp fiction and general interest publications. Reflecting the wide assortment of these publications, the Street & Smith Records have been divided into three parts: Editorial Files by Title, which relate to periodical or established uniform titles (a "uniform title" is a collective title used to encompass publications from several different works -- e.g., "Nick Carter titles" encompasses titles from the Nick Carter Library, Magnet Library, and Nick Carter radio series); Miscellaneous Editorial Files, mostly arranged by format, which refer to books-in-series publications and/or records which are associated with more than one periodical title; and Indexes, contained author, title, subject, and other indexes for many of Street & Smith's titles.
Supplementing, and in some cases duplicating, the information contained in the Editorial files (below), the Library holds 166 boxes of Card indexes. These include manuscript tracer forms, author and title indexes for various periodicals, payment verification with reference to voucher numbers, printers' records, copyright status reports, and reprint notations. The extent for each set of cards is given in inches, referring to how many inches of the box that particular index occupies. Most indexes are arranged alphabetically, but some are chronological and some are not arranged at all. Some of the card file boxes contain more than one set of index cards. In that case, an index's location within the box is indicated by a slash followed by a number; for example, "24/2" indicates that the index is the second run of cards in Box 24.
Editorial files by title comprise the bulk of the collection. Characterized by multiple title changes, the Street & Smith periodicals reflected, over the course of their publication history, the changing tastes of their readership. Arranged alphabetically, and most closely focused on the 1930s and 1940s, the Editorial Files by Title gather together all documents relating to a particular periodical and subsequent titles in its volume numbering sequence, under the publication's first title. The exception to this arrangement was the supplying of uniform titles for Horatio Alger Jr. and Nick Carter materials, both of which contain original manuscripts as well as a variety of other specialized documents. Beginning with Ainslee's (later Ainslee's/Smart Love Stories and subsequently Smart Love Stories), the records encompass a variety of acquisition records and financial documents. These include chronologically arranged manuscripts purchase cards and art and manuscript vouchers, which came into use in the late 1930s. Voucher numbers and, less often, payment amounts are often indicated on the annotated Tables of Contents, which accompany most titles and are found at the end of each group of documents relating to a particular title sequence. Manuscript submissions for each periodical are arranged by title and most often followed by the name of the author as it appears on the piece. Authorship discrepancies are noted and, when discernible, pseudonyms are provided. An example of the organizational pattern follows:
- Clues (New York, N.Y.) (combines records for: Clues Detective Stories; Street & Smith's Clues Detective Stories)
- Manuscript purchase cards
- Aug. 1933-Oct. 1938
- Manuscript vouchers
- Mar. 1938-Jan. 1943
- Manuscripts
- Inventories of manuscripts Apr. 1938, charge-offs, Dec. 1944, and memoranda, 1943-1945
- "Asylum of Terror" / Norman A. Daniels (a.k.a. Danberg)
- "Death Moves In" / Robert C. Blackmon
- "The Great Garendo" / Jimmy Challon
- [etc...]
- Tables of Contents
- Oct. 1933-May 1943 (2 folders)
Editorial practices varied among the different periodical titles, but were usually consistent within any given title sequence. A few editors habitually retained an additional copy of the voucher with its corresponding manuscript, while others signified acquisition or payment with printed and/or perforated stamps, the retention of separate notes, or by writing directly on the manuscript. Editorial comment, both in extent and quality, also varies from one periodical title to the next. Some of the manuscripts for particular periodical titles have been copyedited, a few are accompanied by reader reports which discuss potential suitability for publication, while others bear the terse but definitive notation "Impossible." Such variations in editorial practice may suggest a degree of autonomy for Street & Smith's periodical editors, or at the very least, a lack of consistent adherence to established norms.
Despite evidence that Street & Smith only loosely controlled editorial practice, documentation suggests that accounting principles were strictly enforced. Annual (and occasionally more frequently produced) inventories of charged or written off manuscripts and artwork accompany nearly every group of documents associated with a particular periodical. Periodical editors were accountable for each manuscript purchase that was unpublished. In addition, having purchased a particular manuscript, Street & Smith circulated it repeatedly, sometimes over the course of several decades and among various editors, with the hope that one or another could be enticed to use it. The inventories of charged off manuscripts also attest to the re- assignment of manuscripts to different periodicals, and are frequently annotated with suggestions that another editor might find a particular submission suitable for inclusion in his publications. It should be noted that the preponderance of manuscripts among the editorial files are those which had been written off repeatedly before publication, and that many were never used. However, given its vast array of periodicals and their frequency of publication, Street & Smith retained relatively few manuscript purchases that weren't eventually published.
In addition to the manuscripts related to specific periodicals, the collection also has a large assortment of material which Street & Smith gathered under the term Miscellaneous manuscripts. These submissions, which include poems, fiction, non-fiction, and even a sketchbook, were neither produced for, nor assigned to, a particular periodical. A few of these manuscripts bear tentative assignments to specific periodical titles, however those same manuscript titles are listed among the Miscellaneous manuscripts inventories and remain under the heading designated by Street & Smith. There are also a number of published stories, many of which originally appeared in The Popular Magazine, which were collected under the auspices of the Motion Picture Department to promote their potential for production as films.
Illuminating both the internal structure of the company as well as its day-to-day publishing operations, the Editorial files, miscellaneous mostly relate to weeklies and books-in-series and include the earliest documentation (i.e. Record books 1864-1936) for Street & Smith. Bent upon cornering the fiction market for the expanding literate population, the company systematically made purchases of the plate stock of a number of its competitors, acquiring such established series as The Ledger Library and The Popular Series (Bonner's Sons ), and Golden Hours and the Old Cap. Collier Library (N.L. Munro). Plate stock inventories and orders document the successes and the problems associated with such wholesale acquisition. As witness to the importance of the loyalty of its readership to the success of the publishing business, Critiques indicate the financial pressure to assign acquired material to existing Street & Smith vehicles. Recognizing the widely-held marketing axiom that readers enjoy encountering the same formula repeatedly, Street & Smith not only published similar genre stories, but also re-issued the material which first appeared in its weeklies in other periodicals and as books. The disbound notebook of the Inventory of series as well as the Record books provide evidence that, in an effort to deplete its surplus stock, Street & Smith frequently released a given story under more than one title merely by binding with a new cover and title page. Memoranda concerning the internal inquiries and reports about stock illustrate the publisher's commitment to respond quickly to the needs of its customers. A 1939-1940 notebook compilation of information on its competitors and distributors testifies to Street & Smith's resolve to remain at the forefront of American publishing.
In addition, the Miscellaneous Editorial Files contain documentation relating to Chelsea House books and authors, manuscript transferrals between periodicals, and copyright renewals for various series (Border, Eagle, Great Western, Magnet, Merriwell). Financial material encompasses miscellaneous (i.e. those not related to a particular periodical) art and manuscripts vouchers, arranged by originator or author. For both its internal record- keeping and in answer to queries from authors, readers, and collectors, Street & Smith compiled lists of authors' stories, which are arranged alphabetically. Conscious of the need for publicity, the publisher issued various types of promotional material, including catalogs and price lists (1899-1940) and also generated lists of newspapers for review copies. A series of 21 photographs (ca. 1906) document the exterior and interior of the 79 Seventh Avenue building from which Street & Smith ran its operations from 1905. Perhaps the most poignant items of the collection are the 1949 clippings from The New Yorker and The New York Times which note the suspension of pulp fiction publishing by The Greatest Publishing House in the World, the title of Street & Smith's 50th anniversary commemorative booklet.
The 13 record books at the end of this series contain predominantly publishing and statistical information on Street and Smith weeklies and books-in-series publications between 1864 and 1936 (the date range indicated for each record book is approximate). Pagination occasionally varies (Record Books 12, 13), and there is some overlapping and duplication of information from one record book to another. Blank pages have not been filmed. Prepared for the specialized needs of the publisher, the first volume has running series titles with column headings for issue number, date of publication, author (with space for "nom de plume"), title, and sub-title. Later record books were originally accounting ledgers, for which column headings have been changed and/or added by hand. Entered in ink as well as pencil, the variations in handwriting, as well as legibility, indicate that the notations were recorded by several different individuals. While the series are arranged in numerical and publishing sequence, the lists may be continued in the same or subsequent record books.
Although not usually noted in the record books, when title changes occur within a weekly series, all the titles represented by that title sequence and their corresponding numbers (which sometimes extend beyond the contents of that particular record book) are provided. The periodical titles used here are from the covers of the publications; other titles may appear on the Contents pages or as running titles. The use of brackets for both weeklies and books-in-series publications represents an attempt to standardize the working titles used in the record books.
Films contains more than 200 films or film fragments related to a single episode of The Shadow, entitled "The Case of the Cotton Kimono."
Scrapbooks contain promotional material and clippings about Street & Smith and about their competition.
Scripts contain scripts for radio shows The Avenger, Chick Carter, Doc Savage, Nick Carter, The Shadow (American, Australian, and Brazlian broadcasts), and Sonny Tabor. For many shows, there are also bound volumes containing duplicate copies. Some of the scripts are annotated (e.g., "Revised" or "Not used" or "Final")
A small amount of Miscellaneous material at the end of the collection includes two folders of correspondence, some clippings, marketing material, and a few printed items.
The majority of our archival and manuscript collections are housed offsite and require advanced notice for retrieval. Researchers are encouraged to contact us in advance concerning the collection material they wish to access for their research.
NO BOUND PERIODICALS MAY BE PHOTOCOPIED due to brittle paper. Digital photos are permitted with appropriate paperwork.
Written permission must be obtained from SCRC and all relevant rights holders before publishing quotations, excerpts or images from any materials in this collection.
Materials are available for research and reference only. All copyrights are retained by Conde Nast Publications Inc.
A few photographs and other items from the collection have been digitized, as have the covers from many of the Street and Smith dime novel series. Please visit SCRC Online, our digital portal to view digitized items.
Special Collections Research Center also holds complete or near-complete runs of many of the Street and Smith pulp magazines and dime novel series in our Rare Books collection. Please refer to the Classic Catalog to locate these items.
Dartmouth College and the Library of Congress hold scripts for some Shadow episodes not present in the collection, as follows:
Dartmouth:
Library of Congress:
Preferred citation for this material is as follows:
Street & Smith Records,
Special Collections Research Center,
Syracuse University Libraries
Created by: [Summit record]
Date: 26 Jul 1995
Revision history: 12 Mar 2007 - converted to EAD (MRC);
24 Aug 2012 - Pop. Mag. publicity, M12-110 (MRC);
1 May 2013 - boxes 13-17 updated (MRC);
9 Mar 2016 - boxes 40-41 corrected (MRC);
Dec 2020 - rehoused, indexes verified, scripts added, inventory updated (MS)
Note on alternate formats:
A few photographs and other items from the collection have been digitized, as have
the covers from many of the Street and Smith dime novel series. Please visit SCRC Online, our digital portal to view digitized items.
Card indexes | |||||||||||
The extent for each set of cards is given in inches, referring to how many inches of the box that particular index occupies. Some of the card file boxes contain more than one set of index cards. In that case, an index's location within the box is indicated by a slash followed by a number; for example, "24/2" indicates that the index is the second run of cards in Box 24. | |||||||||||
General author index 1915-1938 | |||||||||||
See also Author indexes, by magazine title, below. | |||||||||||
Box 1 | A - C | ||||||||||
Box 2 | C-Do | ||||||||||
Box 3 | Dr-G | ||||||||||
Box 4 | H-J | ||||||||||
Box 5 | K-Ma | ||||||||||
Box 6 | Mc-P | ||||||||||
Box 7 | Q-S | ||||||||||
Box 8 | T-Z; includes author index | ||||||||||
Manuscript vouchers index | |||||||||||
Box 9 | A - Ba | ||||||||||
Box 10 | Be-By | ||||||||||
Box 11 | C | ||||||||||
Box 12 | D | ||||||||||
Box 13 | E-F | ||||||||||
Box 14 | G-Ha | ||||||||||
Box 15 | He-J | ||||||||||
Box 16 | K-L | ||||||||||
Box 17 | Ma-Me | ||||||||||
Box 18 | Mi-O | ||||||||||
Box 19 | Pa-Re | ||||||||||
Box 20 | Rh-Sh | ||||||||||
Box 21 | Si-Thommason | ||||||||||
Box 22 | Thompson-V | ||||||||||
Box 23 | Y-Z | ||||||||||
General name indexes | |||||||||||
Box 24 | Publishers, agents, subscribers, contacts, consultants, etc, on 3x5 cards undated | ||||||||||
Author indexes, by magazine title | |||||||||||
See also General author index, above. | |||||||||||
Box 25/1 | Miscellaneous, mostly Western stories, includes amount paid, title, word count, date bought, date published, rights, A-Z - on 3x5 cards (8") 1926-1932 | ||||||||||
Box 25/2 | Miscellaneous, mostly Western stories, includes amount paid, title, word count, date bought, date published, rights, A-Z - on 3x5 cards (1") 1930-1931 | ||||||||||
Box 26/1 | Ainslee's, I-T - on 3x5 cards (10") 1899-1925 | ||||||||||
Box 26/2 | Ainslee's - contains Bachelder, Bailey (F.E.), Bailey (H.C.), Bailey (Temple), Arnett, Arnold, Arthur, Ashworth, Aspinwall, Atherton, Avery, unordered - on 3x5 cards (0.25") 1902-1922 | ||||||||||
Box 27/1 | Smith's Magazine, A-Z - on 3x5 cards (5") 1905-1922 | ||||||||||
Box 27/2 | Live Girl Stories, Modern Girl Stories, Girl Stories (interfiled), A-Z - on 3x5 cards (2") 1928-1930 | ||||||||||
The Popular Magazine - on 3x5 cards 1904-1931 | |||||||||||
Box 27/3 | A - Bo (10") | ||||||||||
Box 28 | Br-Da (10") | ||||||||||
Box 29 | De-H (12") | ||||||||||
Box 30 | I-Me (12") | ||||||||||
Box 31 | Mi-R (11") | ||||||||||
Box 32 | S-Z (5") | ||||||||||
Top Notch Magazine - on 3x5 cards 1910-1931 | |||||||||||
Box 33 | A-L | ||||||||||
Box 34/1 | M-Z | ||||||||||
Box 34/2 | Complete Stories, A-J - on 3x5 cards (11") 1926-1936 | ||||||||||
Box 35/1 | Complete Stories, K-Z - on 3x5 cards (11") 1926-1936 | ||||||||||
Box 35/2 | "Doubtfuls", unordered - on 3x5 cards (7 items) 1923-1927 | ||||||||||
Box 35/3 | Complete Stories, unordered - on 3x5 cards (10 items) 1931-1934 | ||||||||||
Box 35/4 | Western Winners, A-Z - on 3x5 cards (1") 1935-1936 | ||||||||||
Box 35/5 | Best Detective Magazine, A-Z - on 3x5 cards (3") 1926-1937 | ||||||||||
Printing plate record cards for books - information may include source, pagination, copyright, number of printings, pseudonyms, title changes, presence of illustrations, etc. | |||||||||||
Box 36 | A-Carter, Nicolas | ||||||||||
Box 37 | Carter, Nicholas (continued)-Corelli, Marie | ||||||||||
Box 38 | D-Grayson, Donald | ||||||||||
Box 39 | H-Murray, David Christie | ||||||||||
Box 40 | N-Stafford, J.K. | ||||||||||
Box 41 | Standish, Burt L.-Z, titles only, misc. | ||||||||||
Records of payment to authors, especially as regards extra rights, movie rights, reprint rights, copyright buyouts, etc., unordered, - on 4x6 cards 1919-1939 | |||||||||||
Box 42 | Miscellaneous, grouped by title | ||||||||||
Box 43 | Miscellaneous, grouped by title | ||||||||||
Box 44 | Miscellaneous, grouped by title | ||||||||||
Box 45/1 | Copyright assigned works, mostly prominent authors, mostly written for Mademoiselle but also for Glamour, Charm, Analog, Clues, Top Notch, etc, A-Z [sic] - on 4x6 cards (4") 1935-1972 | ||||||||||
Box 45/2 | Mademoiselle permissions, A-Z - on 4x6 cards (7 items) 1958-1963 | ||||||||||
Box 46/1 | Mademoiselle authors, also clippings with brief bios, A-Z - on 3x5 cards (4") 1953-1957 | ||||||||||
Box 46/2 | Index to pseudonyms, A-T - on 3x5 cards (1") undated | ||||||||||
Box 46/3 | Over the Top, with price paid and word count, A-Z - on 3x5 cards (3") 1928-1930 | ||||||||||
Box 46/4 | Outdoor Stories, with price paid and word count, A-Z - on 3x5 cards (2") 1926[sic]-1928 | ||||||||||
Box 46/5 | Western Adventures, A-Z - on 3x5 cards (1") 1940-1943 | ||||||||||
Ainslee's; also includes pre-1898 references to The Yellow Book, predecessor to Ainslee's - on 3x5 cards 1921-1926 | |||||||||||
Box 47 | A-O (11") | ||||||||||
Box 48/1 | P-Z (6") | ||||||||||
Box 48/2 | Love Story Annual, Detective Story Annual, All Fiction Stories Annual, Western Romance Anthology, etc (interfiled), A-Z - on 3x5 cards (1") 1941-1946 | ||||||||||
Box 49 | Love Story Magazine, A-Z - on 3x5 cards (12") 1927-1939 | ||||||||||
People's Magazine - on 4x6 cards 1906-1925 | |||||||||||
Box 50 | A-R (11") | ||||||||||
Box 51/1 | S-Z (3") | ||||||||||
Box 51/2 | Sport Story, A-L, - on 4x6 cards 1923-1938 | ||||||||||
Box 52/3 | Sport Story, M-Z, - on 4x6 cards 1923-1938 | ||||||||||
Box 52/4 | Sport Story (selected authors), A-Z, - on 4x6 cards (5.5") 1926-1942 | ||||||||||
Box 53 | Western Story Magazine (differs from Box 153), A-Z - on 3x5 cards (10") 1921-1944 | ||||||||||
Box 54 | Western Story Magazine (differs from Box 152), A-Z - on 3x5 cards (9") 1922-1949 | ||||||||||
Box 55 | Wild West Weekly, A-R - 3 3/4x4 3/4 cards (12") 1927-1942 | ||||||||||
Box 57/1 | Wild West Weekly,S-Y - 3 3/4x4 3/4 cards (12") 1927-1942 | ||||||||||
Box 56/1 | Wild West Weekly, unfiled - on 3x5 cards (0.25") 1928 | ||||||||||
Subject indexes | |||||||||||
Charm subject/author index - on 3x5 cards (11") | |||||||||||
Box 56/2 | A-Z 1950-1959 | ||||||||||
Box 57/2 | Unfiled Manuscript Tracer's on 4x6 cards (11 items) 1956-1957 | ||||||||||
Pic (some author and title headings interfiled) - on 4x6 cards 1937-1948 | |||||||||||
Box 57/3 | A-B | ||||||||||
Box 58 | C-E | ||||||||||
Box 59 | F-H | ||||||||||
Box 60 | I-Mnemonics | ||||||||||
Box 61 | Mo-Royce | ||||||||||
Box 62 | Ruark-T | ||||||||||
Box 63/1 | U-Z | ||||||||||
Box 63/2 | Murder (2") | ||||||||||
Title indexes | |||||||||||
Box 64/1 | Stories transferred among various magazines, unordered - on 3x5 cards 1936-1938 | ||||||||||
Box 64/2 | Western Story Magazine, Western Winner (interfiled), A-Z - on 3x5 cards (2") 1921-1936 | ||||||||||
Box 64/3 | "Thubway Tham" stories published in Best Detective Magazine or Detective Story Magazine, chronological - on 3x5 cards (1") 1918-1936 | ||||||||||
"The Competition" - information on other trade magazine titles, including addresses, page count, wholesale and retail prices, etc. but no dirt | |||||||||||
Box 65 | A-M (9") - on 4x6 cards 1940 | ||||||||||
Box 66 | N-Z (6") - on 4x6 cards 1940 | ||||||||||
Box 64/4 | A-Z - on 3x5 cards (2") 1930s | ||||||||||
Box 64/5 | Horario Alger stories, unordered - on 3x5 cards (1") 1868[sic]-1908 | ||||||||||
Box 67 | Stories; includes author, amount paid, rights ceded or granted, date of publication, magazine in which published, A-Z (12") 1910-1917 | ||||||||||
Box 68/1 | Progress, A-Z - on 4x6 cards (2") 1932-1933 | ||||||||||
Box 68/2 | High Spot, A-Z - on 4x6 cards (2") 1930-1931 | ||||||||||
Box 68/3 | Fame and Fortune, A-Z - on 4x6 cards (3") 1928-1929 | ||||||||||
Box 68/4 | The Shadow novels, A-Z - on 4x6 cards (2") 1931-1949 | ||||||||||
Box 68/5 | Doc Savage novels, A-Z - on 4x6 cards (2") 1933-1949 | ||||||||||
Box 69/1 | Analog, unordered - on 4x6 cards (1") 1962-1963 | ||||||||||
Box 69/2 | Astounding Science Fiction and Analog: Astounding Science Fact and Fiction - editorials, A-Z - on 4x6 cards (2") 1950-1963 | ||||||||||
Box 69/3 | Astounding Science Fiction and Analog: Astounding Science Fact and Fiction - articles, A-Z - on 4x6 cards (1") 1957-1966 | ||||||||||
Box 69/4 | Astounding Science Fiction, A-Z - on 4x6 cards (6") 1933-1938 ;1967] - includes editors notes as late as 1967 | ||||||||||
Box 69/5 | Astounding Science Fiction unfiled cards, notes, manuscript tracers (0.25") 1942-1965 | ||||||||||
Box 70/1 | Bertha M. Clay Library, New Bertha M. Clay Library, Eagle Library, Eagle Series, Magnet Library, New Magnet Library, Medal Library, Select Library, listed with series number A-M undated | ||||||||||
Box 70/2 | New Eagle Series, listed with series numbers B-Y - on 3x5 cards undated | ||||||||||
Complete Stories and People's Magazine - on 4x6 cards 1922-1937 | |||||||||||
Box 71 | A-F (10") | ||||||||||
Box 72 | G - N (12") | ||||||||||
Box 73 | O - T (11") | ||||||||||
Box 74/1 | U - Z (4") | ||||||||||
Top Notch Magazine - on 4x6 cards 1922-1937 | |||||||||||
Box 74/2 | A - C (10") | ||||||||||
Box 75 | D-H (10") | ||||||||||
Box 76 | I - O (10") | ||||||||||
Box 77 | P - S (11") | ||||||||||
Box 78 | T - Z (8") | ||||||||||
The Popular Magazine - on 4x6 cards 1922-1931 | |||||||||||
Box 79 | A - F (9") | ||||||||||
Box 80 | G - O (10") | ||||||||||
Box 81 | P - Z (11") | ||||||||||
Box 82/1 | Doc Savage Magazine, A-Z - on 4x6 cards (3") 1933-1938 | ||||||||||
Box 82/2 | Pocket Western, A-Z - on 4x6 cards (1") 1937 | ||||||||||
Box 82/3 | Chelsea House clothbound books, A-Z - on 4x6 cards (6") 1924-1936 | ||||||||||
Box 82/4 | Street and Smith novels, A-Z - on 4x6 cards (1") 1926-1927 | ||||||||||
Box 83 | True Western Stories, Far West Stories (interfiled), A-Z - on 4x6 cards (12") 1925-1931 | ||||||||||
Box 84/1 | Hardboiled, The Popular (successor to Hardboiled; not to be confused with The Popular Magazine, A-Z - on 4x6 cards (3") 1936-1937 | ||||||||||
Box 84/2 | Pocket Detective Magazine, A-Z - on 4x6 cards (2") 1936-1937 | ||||||||||
Box 84/3 | Pete Rice Magazine, A-Z - on 4x6 cards (2") 1933-1936 | ||||||||||
Box 84/4 | Nick Carter Magazine - novelettes and complete stories, unordered - on 4x6 cards (1") 1933-1936 | ||||||||||
Box 84/5 | Dynamic Adventures, A-Z - on 4x6 cards (1") 1935-1936 | ||||||||||
Box 85/1 | Sport Pictorial, A-Z - on 4x6 cards (1") 1936-1937 | ||||||||||
Box 85/2 | Excitement, A-Z - on 4x6 cards (2") 1928-1931 | ||||||||||
Box 85/3 | Movie Action, A-Z - on 4x6 cards (1") 1935-1936 | ||||||||||
Box 85/4 | The Whisperer, A-Z - on 4x6 cards (2") [begins with "C"] 1936-1937 | ||||||||||
Box 85/5 | Cowboy Stories, A-Z - on 4x6 cards (6") 1933-1937 | ||||||||||
Box 86/1 | The Skipper, A-Z - on 4x6 cards (2") 1936-1937 | ||||||||||
Box 86/2 | Feds, A-Z - on 4x6 cards (2") 1936-1937 | ||||||||||
Box 86/3 | Air Trails, A-Z - on 4x6 cards (5") 1928-1931 | ||||||||||
Box 86/4 | College Stories, A-Z - on 4x6 cards (2") 1931-1932 | ||||||||||
Box 87/1 | Over the Top, A-Z - on 4x6 cards (3") 1928-1930 | ||||||||||
Box 87/2 | Outdoor Stories, A-Z - on 4x6 cards (4") 1927-1928 | ||||||||||
Box 87/3 | Crime Busters, A-Z - on 4x6 cards (2") 1937-1939 | ||||||||||
Box 88/1 | The Shadow Magazine, A-Z - on 4x6 cards (7") 1931-1939 | ||||||||||
Box 88/2 | Mademoiselle, A-M - on 4x6 cards (6") 1935-1938 | ||||||||||
Box 89/1 | Mademoiselle, N-Z - on 4x6 cards (6") 1935-1938 | ||||||||||
Top Notch Magazine - on 4x6 cards 1935-1938 | |||||||||||
Box 89/2 | A-G (10") | ||||||||||
Box 90 | H-R (9") | ||||||||||
Box 91 | S-Y (9") | ||||||||||
Box 92/1 | Women's Stories and Live Stories (interfiled), A-Z - on 4x6 cards (5") 1913-1916 | ||||||||||
Box 92/2 | Tiptop and Wide Awake, interfiled, A-Z - on 4x6 cards (3") 1915-1916 | ||||||||||
Box 92/3 | Thrill Book, A-Z - on 4x6 cards (2") 1919 | ||||||||||
Box 93/1 | Western Adventures, A-Z - on 3x5 cards (3") 1940-1943 | ||||||||||
Box 93/2 | Top Notch Magazine, A-N - on 3x5 cards (15") 1925-1932 | ||||||||||
Box 94 | Top Notch Magazine, O-Z - on 3x5 cards (15") 1925-1932 | ||||||||||
Box 95/1 | Real Love Magazine, A-Z - on 4x6 cards (4") 1929-1932 | ||||||||||
Box 95/2 | Live Girl Stories, Modern Girl Stories, and Girl Stories (interfiled), A-Z - on 4x6 cards (4") 1928-1929 | ||||||||||
Box 96 | Ainslee's, A-Z - on 4x6 cards (9") 1921-1926 | ||||||||||
Ainslee's - on 4x6 cards 1903-1913 | |||||||||||
Box 97 | A-M (12") | ||||||||||
Box 98/1 | N-Y (8") | ||||||||||
Box 98/2 | Miscellaneous magazines, some designated, some not (interfiled), unordered - on 4x6 cards (0.5") 1915-1920 | ||||||||||
Box 98/3 | Film Stories, unordered - on 4x6 cards (1.5") 1921 | ||||||||||
Ainslee's - on 4x6 cards 1913-1922 | |||||||||||
Box 99 | A-L (10") | ||||||||||
Box 100 | M-Y (10") | ||||||||||
Box 101/1 | Air Trails, A-Z - on 4x6 cards (8") 1935-1938 | ||||||||||
Box 101/2 | Bill Barnes novels, chronological (rough) (1") 1933-1939 | ||||||||||
Detective Story Magazine - on 4x6 cards 1915-1922 | |||||||||||
Box 102 | A-Mir (includes essay by Conan Doyle about Holmes) | ||||||||||
Box 103/1 | Mis-Z | ||||||||||
Box 103/2 | Stories written by Johnston McCulley in his "Black Star", "The Spider", and "Crimson Clown" series published in Detective Story Magazine, unordered, (1") 1917-1936 | ||||||||||
Box 104/1 | "Thubway Tham" stories published in Best Detective Magazine or Detective Story Magazine, chronological (rough) (2") 1918-1937 | ||||||||||
Detective Story Magazine - on 4x6 cards 1921-1936 | |||||||||||
Box 104/2 | A-Cl | ||||||||||
Box 105 | Co-F | ||||||||||
Box 106 | G-Le | ||||||||||
Box 107 | Li-O | ||||||||||
Box 108 | P-Sm | ||||||||||
Box 109 | Sn-V | ||||||||||
Box 110/1 | W-Z | ||||||||||
Love Story Magazine - on 4x6 cards 1921-1938 | |||||||||||
Box 110/2 | A-Be (17") | ||||||||||
Box 111 | Bi-De (17") | ||||||||||
Box 112 | Di-G (17") | ||||||||||
Box 113 | G-Hi (17") | ||||||||||
Box 114 | Ho-Li (16") | ||||||||||
Box 115 | Lo-Md (16") | ||||||||||
Box 116 | Me-O (17") | ||||||||||
Box 117 | P-R (16") | ||||||||||
Box 118 | S (16") | ||||||||||
Box 119 | T-V (15") | ||||||||||
Box 120/1 | W-Z (5") | ||||||||||
Box 120/2 | Pocket Love, A-Z - on 4x6 cards (1") 1937 | ||||||||||
Box 121/1 | Ainslee's Smart Love Stories, A-Z - on 4x6 cards (6") 1934-1938 | ||||||||||
Box 121/2 | People's Magazine, A-Z - on 4x6 cards (5") 1919-1925 | ||||||||||
People's Magazine - on 4x6 cards 1907-1922 | |||||||||||
Box 122 | A-G (11") | ||||||||||
Box 123 | H-P (10") | ||||||||||
Box 124 | Q-Z (10") | ||||||||||
Box 125 | Picture Play, A-Z - on 4x6 cards (12") 1915-1922 | ||||||||||
Picture Play - on 4x6 cards 1922-1938 | |||||||||||
Box 126 | A-F (11") | ||||||||||
Box 127 | G-Ma (12") | ||||||||||
Box 128 | Me-R (13") | ||||||||||
Box 129 | S-Wh (11") | ||||||||||
Box 130/1 | Wi-Z (11") | ||||||||||
Box 130/2 | unfiled (3 items) | ||||||||||
The Popular Magazine - on 4x6 cards 1903-1922 | |||||||||||
Box 130/3 | A-D (11") | ||||||||||
Box 131 | E-K (11") | ||||||||||
Box 132 | L-P (10") | ||||||||||
Box 133 | Q-V (10") | ||||||||||
Box 134/1 | W-Z (10") | ||||||||||
Box 134/2 | unfiled (5 items) | ||||||||||
Sea Stories - on 4x6 cards 1922-1930 | |||||||||||
Box 134/3 | A-L (8") | ||||||||||
Box 135/1 | M-Z (7") | ||||||||||
Smith's Magazine - on 4x6 cards 1907-1922 | |||||||||||
Box 135/2 | A-B (9") | ||||||||||
Box 136 | C-P (9") | ||||||||||
Box 137/1 | Q-Y (9") | ||||||||||
Sport Story - on 4x6 cards 1923-1937 | |||||||||||
Box 137/2 | A-B (12") | ||||||||||
Box 138 | C-He (14") | ||||||||||
Box 139 | Hi-P (12") | ||||||||||
Box 140 | Q-V (12") | ||||||||||
Box 141/1 | W-Y (12") | ||||||||||
Box 141/2 | Clues, A-Z - on 4x6 cards (4") 1933-1937 | ||||||||||
Western Story Magazine - on 4x6 cards 1921-1938 | |||||||||||
Box 141/3 | A-Be (10") | ||||||||||
Box 142 | Bi-C (11") | ||||||||||
Box 143 | D-Go (11") | ||||||||||
Box 144 | Gr-La (12") | ||||||||||
Box 145 | Le-O (11") | ||||||||||
Box 146 | P-Sc (13") | ||||||||||
Box 147 | Se-Th (12") | ||||||||||
Box 148 | Ti-Z (13") | ||||||||||
Box 149 | Western Story Magazine, early issues, A-Z - on 4x6 cards (9") 1919-1922 | ||||||||||
Western Story Magazine - on 3x5 cards 1938-1949 | |||||||||||
Box 150 | A-K (11") | ||||||||||
Box 151 | L-Z (13") | ||||||||||
Romantic Range | |||||||||||
Box 152/1 | A-Z - on 4x6 cards (5") 1933-1938 | ||||||||||
Box 152/2 | Unfiled cards, notes - on 4x6 cards (16 items) (6 items) looks like fincial information undated | ||||||||||
Wild West Weekly (includes author, amount paid, length, rights, date bought, date used) - on 4x6 cards 1927-1938 | |||||||||||
Box 152/3 | A-B (12") | ||||||||||
Box 153 | C-G (11") | ||||||||||
Box 154 | H-O (10") | ||||||||||
Box 155 | P-So (10") | ||||||||||
Box 156 | Sp-Z (7") | ||||||||||
Wild West Weekly (includes author, amount paid, length, rights, date bought, date used) - on 3x5 cards 1927-1943 | |||||||||||
Box 157 | A-C (16") | ||||||||||
Box 158 | D-G (15") | ||||||||||
Box 159 | H-M (14") | ||||||||||
Box 160 | N-R (14") | ||||||||||
Box 161 | S-Tn (14") | ||||||||||
Box 162 | To-Z (14") | ||||||||||
Box 163 | Unspecified series, by story title with author, A-G - 2.5x4.5 cards; undated - majority handwritten in ink; includes one section by the author Ruby M. Ayers and another section indicating [plates?] melted in 1942, both on 3x5 cards | ||||||||||
Box 164 | Unspecified series, by story title with author, H-V - 2.5x4.5 cards undated - handwritten in ink | ||||||||||
Box 165/1 | Unspecified series, by story title with author, W-Z - 2.5x4.5 cards undated - handwritten in ink | ||||||||||
Box 165/2 | Unspecified series, unordered - mix of 2.5x4.5 and on 3x5 cards | ||||||||||
Miscellaneous | |||||||||||
Box 166 | Author/title/subject index to articles - on 4x6 cards (9") 1914-1920 - mostly concerning careers; apparently intended to keep watch on the competition, especially American Magazine and Success, | ||||||||||
Astounding Science Fiction, Analog: Astounding Science Fact and Fiction, few others (interfiled), unordered - on 4x6 cards (1") [MISSING Possibly filed elsewhere] 1953-1961 | |||||||||||
Box 165/3 | Western Adventures, cover copy, chronological - on 3x5 cards (16 items) 1941-1943 | ||||||||||
Box 165/4 | Wild West Weekly, cover copy, chronological - on 3x5 cards (1") 1940-1943 | ||||||||||
Unfiled manuscript tracer slips (1") [MISSING Possibly filed elsewhere] 1947 |
Editorial files, by title | |||||||||||
Ainslee's (combines records for Ainslee's/Smart Love Stories; Smart Love Stories) | |||||||||||
Box 167 | Assignment of rights | ||||||||||
Box 167 | Author lists | ||||||||||
Box 167 | Manuscripts purchase cards May 1934-May 1938 (2 folders) | ||||||||||
Box 167 | Manuscripts vouchers Feb.-Apr. 1938 | ||||||||||
Manuscripts | |||||||||||
Box 167 | Inventories of manuscript poems, stories | ||||||||||
Box 167 | Poems | ||||||||||
Adolescence / May Williams Ward April Desire / Eleanor Robbins Wilson Bard's Lament / Milton Bracker (a.k.a. Brock Milton) Betrayal / Susan Spaulding Color / Charles Wharton Stork Content / Dorothy Stockbridge (tearsheet) Curtain / Dorothy Stockbridge (tearsheet) Double Doubles / Jennie Broudy Ebb Tide / Eleanor Robbins Wilson Fate / Jean Douglas (a.k.a. Beatrice Forsythe?) Folly / Marcella Moore Harbor of Condemned Ships / Dorothy Stockbridge (tearsheet, with "The Squandering Miser" / Edith I. Coombs; verso "Shepherdess of Love" / Norreys Jephson O'Conor) Her Picture / E.R. Wilson If You But Loved Me / no author Let Spring Be Different / Dorothy Stockbridge (tearsheet) Portrait of a Fashionable Lady / no author Second Memory / no author The Shepherdess of Love / Norreys Jephson O'Conor (with tearsheet, verso "Harbor of Condemned Ships" / Dorothy Stockbridge) Spring Song / Daisy Conway Price The Squandering Miser / Edith I. Coombs (tearsheet, with "Harbor of Condemned Ships" / Dorothy Stockbridge) Symbols of Enchantment / Charles Wharton Stork There Stands Columbine's House / Dorothy Stockbridge (tearsheet) |
|||||||||||
Stories - most with R. Oliphant reader reports | |||||||||||
Box 167 | The Bone and Flesh of King Davie / Grace Miller White - galleys, no manuscript | ||||||||||
Box 167 | Children of the Great / Berthe K. Mellett | ||||||||||
Box 167 | A Clean Heart / Faith Baldwin - includes letter, no report | ||||||||||
Box 167 | The Debt / Beatrice Ravenel - manuscript only | ||||||||||
Box 167 | The Greeting of the Maharajah / Audrey McMahon - includes galleys | ||||||||||
Box 167 | The Helpmate / Faith Baldwin - manuscript only | ||||||||||
Box 167 | The Hornet / Sarah Glover Curtis - includes 3 sets of galleys, no report | ||||||||||
Box 167 | The Innocent Escapade / Dorothy Stockbridge - "draft"; "revised copy" | ||||||||||
Box 167 | Knowledge of Women / Paul Hervey Fox - includes 2 galleys | ||||||||||
Box 167 | A Lady of Shallott / Martha McCulloch-Williams | ||||||||||
Box 167 | Madame Mephistopheles / Warren E. Schutt | ||||||||||
Box 167 | Mallory's Wife / Winston Bouve - galleys only | ||||||||||
Box 167 | Night Shade / Warren E. Schutt | ||||||||||
Box 167 | The Number One Wife / Audrey McMahon - manuscript only | ||||||||||
Box 167 | Our Lady of Ridicule / Horace Fish | ||||||||||
Box 167 | A Romance with a Clubwoman / William Salisbury - includes galleys | ||||||||||
Box 167 | Romantic People / Dorothy Stockbridge | ||||||||||
Box 167 | Speaking of Husbands / Pauline Brooks | ||||||||||
Box 167 | Technique / Warren E. Schutt | ||||||||||
Box 167 | Telephone Trouble / Ernest Goodwin - manuscript only | ||||||||||
Box 168 | This Too Small World / Alison Spence - manuscript only | ||||||||||
Box 168 | Valiant Flame / Warren E. Schutt | ||||||||||
Box 168 | Wreckers of Dreams / Vennette Herron - includes galleys | ||||||||||
Box 168 | Tables of Contents Dec. 1934-Aug. 1938 (3 folders) | ||||||||||
Ainslee's/Smart Love Stories | |||||||||||
See Ainslee's. | |||||||||||
Ainslee's Magazine | |||||||||||
Box 168 | Copy of the Contents Pages of Vols. 1 to 14 Feb. 1898-Jan. 1905 (2 copies) | ||||||||||
Air Ace | |||||||||||
See Bill Barnes Comics. | |||||||||||
Air Progress (cover title 1938-[1941]: Air Trails Annual) | |||||||||||
Box 168 | Manuscripts vouchers 1942-1944 | ||||||||||
Manuscripts | |||||||||||
Box 168 | Inventories of manuscripts and memoranda 1942-1943, undated - includes photocopies | ||||||||||
Box 168 | Anything But Snafu / Vincent J. Donahue - partial manuscript, correspondence, with galleys, photographs, layout, memoranda | ||||||||||
Box 168 | Essentials of Safe Taxiing / Raymond J. Pereda | ||||||||||
Box 168 | For Gallantry in Action / Falk Harmel - includes clippings, correspondence | ||||||||||
Box 168 | Getting 'Em Ready for Battle / A. Eriss - includes letter and captions | ||||||||||
Box 168 | How Columbus Did It / James E. Farris - includes illustration, Air Line Pilot issue | ||||||||||
Box 168 | How the Flying Fortress Is Wired / Andrew R. Boone | ||||||||||
Box 168 | More Than an M.D. / David C. Cooke - includes layout | ||||||||||
Box 168 | Navigation Is Simple / James E. Farris - includes illustration, Air Line Pilot issue | ||||||||||
Box 168 | Odd Tricks Improve Air Field Camouflage / Andrew R. Boone - includes photographs | ||||||||||
Box 168 | The Primary Instructor / Elmer Klanderud - includes galleys, layout | ||||||||||
Box 168 | Save the Pilot, Salvage the Plane / John Forney Rudy - includes "cutlines" | ||||||||||
Box 168 | Service Girdles the Globe / Paul Briggs - includes photographs | ||||||||||
Box 168 | Souvenir Research / Alexander McSurely - copyedited manuscript, with galleys, layout | ||||||||||
Box 168 | We Hail #6 the Soaring Society of America / Charles Gale | ||||||||||
Box 168 | Tables of Contents 1938-July 1943, 1952-Apr./May 1964 (2 folders) | ||||||||||
Air Trails (New York, N.Y. 1928) (issued prior to and numbered independently of Bill Barnes Air Adventurer and its successive titles; and also known as Street & Smith's Air Trails) | |||||||||||
Box 169 | Inventories of manuscript "write-offs" Jan., July 1932 | ||||||||||
Manuscripts | |||||||||||
See Bill Barnes Air Adventurer. | |||||||||||
Box 169 | Tables of Contents Oct. 1928-Oct. 1931 | ||||||||||
Air Trails (New York, N.Y. 1937) | |||||||||||
See Bill Barnes Air Adventurer. | |||||||||||
Air Trails (New York, N.Y. 1950) | |||||||||||
See Bill Barnes Air Adventurer. | |||||||||||
Air Trails and Science Frontiers | |||||||||||
See Bill Barnes Air Adventurer. | |||||||||||
Air Trails Annual | |||||||||||
See Air Progress. | |||||||||||
Air Trails Hobbies for Young Men | |||||||||||
See Bill Barnes Air Adventurer. | |||||||||||
Air Trails Model Annual (concurrent with title sequence which begins with Bill Barnes Air Adventurer) | |||||||||||
Box 169 | Manuscripts vouchers 1943-1954 | ||||||||||
Box 169 | Tables of Contents 1943, 1944, 1946, 1951-1962 | ||||||||||
Air Trails Pictorial (New York, N.Y. 1942) | |||||||||||
See Bill Barnes Air Adventurer. | |||||||||||
Air Trails Pictorial (New York, N.Y. 1947) | |||||||||||
See Bill Barnes Air Adventurer. | |||||||||||
Airtrails | |||||||||||
See Air Trails. | |||||||||||
[Horatio] Alger Jr. titles (combines records for Alger Series) | |||||||||||
Manuscripts | |||||||||||
Box 169 | Mabel Parker [also titled The Hidden Treasure] (10 folders) | ||||||||||
Wrapper Installments Photocopy of original manuscript |
|||||||||||
Alger-related | |||||||||||
Box 169 | Correspondence 1918-1919, 1939-1966 (2 folders) | ||||||||||
Box 169 | Inventories and research notes - includes photocopies | ||||||||||
Box 169 | Printed material - 1945-1971, undated - includes photocopies | ||||||||||
All Fiction Detective Anthology | |||||||||||
See All Fiction Detective Stories. | |||||||||||
All Fiction Detective Stories (combines records for All Fiction Detective Anthology) | |||||||||||
Box 169 | Tables of Contents 1942-1943, 1945-1946, 1948 | ||||||||||
All Fiction Stories Annual | |||||||||||
Box 169 | Tables of Contents 1944-1946 | ||||||||||
American Modeler (New York, N.Y.) | |||||||||||
See Bill Barnes Air Adventurer. | |||||||||||
Analog Science Fact & Fiction | |||||||||||
See Astounding Tales of Super-science. | |||||||||||
Analog Science Fact & Science Fiction | |||||||||||
See Astounding Tales of Super-science. | |||||||||||
Analog Science Fact/Science Fiction | |||||||||||
See Astounding Tales of Super-science. | |||||||||||
Analog Science Fiction Science Fact | |||||||||||
See Astounding Tales of Super-science. | |||||||||||
Army & Navy Comics (combines records for Supersnipe Comics) | |||||||||||
Box 169 | Art vouchers Nov. 1941-Dec. 1941 | ||||||||||
Box 170 | Art vouchers Feb 1945-Dec 1947 | ||||||||||
Box 170 | Manuscripts vouchers Nov. 1943-Apr. 1949 | ||||||||||
Astounding Science Fact & Fiction | |||||||||||
See Astounding Tales of Super-science. | |||||||||||
Astounding Science Fiction | |||||||||||
See Astounding Tales of Super-science. | |||||||||||
Astounding Stories | |||||||||||
See Astounding Tales of Super-science. | |||||||||||
Astounding Tales of Super-science (combines records for Astounding Stories; Astounding Science Fiction; Astounding Science Fact & Fiction; Analog Science Fact & Fiction; Analog Science Fact & Science Fiction; Analog Science Fact/Science Fiction; Analog Science Fiction Science Fact) | |||||||||||
Box 170 | Manuscripts purchase cards Aug. 1933-Sept. 1938 (3 folders) | ||||||||||
Box 170 | Art vouchers Mar. 1953-Dec. 1960 (2 folders) | ||||||||||
Box 170 | Manuscripts vouchers 1938-1941 (4 folders) | ||||||||||
Box 171 | Manuscripts vouchers 1942-1952 (11 folders) | ||||||||||
Box 172 | Manuscripts vouchers 1953-1961 (9 folders) | ||||||||||
Manuscripts | |||||||||||
Box 172 | Inventories and memoranda of charged off and transferred manuscripts 1943-1946 | ||||||||||
Box 172 | Astral Artillery / Eric Frank Russell | ||||||||||
Box 172 | The Delayed Action Bomb in Taurus / Robert S. Richardson | ||||||||||
Box 172 | Flash Prepare for New Poison on Jupiter / R.S. Richardson | ||||||||||
Box 172 | From Mustard Grass to Glamor / R.S. Richardson - includes illustration | ||||||||||
Box 172 | Mars Over Europe / R.S. Richardson | ||||||||||
Box 172 | Prehistoric Trolley System / Eric Frank Russell | ||||||||||
Box 172 | Radar Man's Synthetic Sixth Sense / John W. Campbell - includes voucher | ||||||||||
Box 172 | Book reviews, alphabetical by title | ||||||||||
O As in Omen / Lawrence Treat (reviewed by Wm. A.P. White) The Pocket Book of Science-Fiction / edited by Donald A. Wollheim (reviewed by E.R. Morton a.k.a. Fred Nash?) There Is a River / Thomas Sugrue (reviewed by Wm. A.P. White) |
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Box 172 | Miscellaneous notes re Malcolm Jameson, copyright registration | ||||||||||
Box 172 | Tables of Contents Jan.-Mar. 1954; Dec. 1962-Oct. 1965 | ||||||||||
Athlete (New York, N.Y.) | |||||||||||
Box 173 | Manuscripts vouchers 1939-1940 | ||||||||||
Manuscripts with vouchers | |||||||||||
Box 173 | Manuscripts inventory, and memorandum 1944 - photocopies | ||||||||||
Box 173 | Enter Frank Merriwell / Gilbert Patten | ||||||||||
Box 173 | Football Is More Than Gate Receipts / Edward P. (Slip) Madigan | ||||||||||
Box 173 | Horse Higham, Holdout / Bill Brandt | ||||||||||
Box 173 | Play Ball, Merriwell! / Gilbert Patten | ||||||||||
Box 173 | Tables of Contents Aug. 1939-Apr. 1940 | ||||||||||
The Avenger (New York, N.Y. 1939) | |||||||||||
Box 173 | Manuscripts vouchers Dec. 1938-Mar. 1942 | ||||||||||
Box 173 | Tables of Contents Sept. 1939-Sept. 1942 | ||||||||||
Baseball Pictorial Yearbook | |||||||||||
See Street & Smith's Baseball Year Book. | |||||||||||
Baseball Year Book | |||||||||||
See Street & Smith's Baseball Year Book. | |||||||||||
Bill Barnes Air Adventurer (combines records for Bill Barnes Air Trails; Air Trails (New York, N.Y. 1937); Air Trails Pictorial (New York, N.Y. 1942); Air Trails and Science Frontiers; Air Trails Pictorial (New York, N.Y. 1947); Air Trails (New York, N.Y. 1950); Air Trails Hobbies for Young Men; Young Men (New York, N.Y. 1955); American Modeler (New York, N.Y.) | |||||||||||
Box 173 | Manuscripts purchase cards Oct. 1933-Oct. 1938 (2 folders) | ||||||||||
Box 173 | Manuscripts and art vouchers Jan. 1938-May 1954 (4 folders) | ||||||||||
Box 174 | Manuscripts and art vouchers Jun 1954-Mar 1957 (13 folders) | ||||||||||
Box 175 | Manuscripts and art vouchers Apr 1957-Dec 1960 (14 folders) | ||||||||||
Box 176 | Manuscripts and art vouchers Jan 1961-1962 (4 folders) | ||||||||||
Manuscripts and art charged off and misc. manuscripts | |||||||||||
Box 176 | Inventories of manuscripts, including charge offs, and memoranda 1932, 1942-1948, undated | ||||||||||
Box 176 | A.M.A. License Numbers - drawing only | ||||||||||
Box 176 | A[ir] T[rail]'s Diesel / Walter L. Schroder - includes photographs (2 folders) | ||||||||||
Box 176 | Ace Ainsworth and the Aztec Trove / J. Allan Dunn | ||||||||||
Box 176 | The Ace Tamer / William J. O'Sullivan | ||||||||||
Box 176 | Ace Trouble [alternate title: "The Hero"] / John DuBarry - includes voucher | ||||||||||
Box 176 | Adults Air Model Aviation / A.L. Lewis - memorandum, photographs | ||||||||||
Box 176 | Aeroplane of the Future Will Nature Point the Way? / Frank. W. Lane - includes letter, memorandum | ||||||||||
Box 176 | The Air Trails Light Plane Club Formation Plan / Arch Whitehouse - includes payment annotations on cover | ||||||||||
Box 176 | American Air Power / Eugene E. Wilson - includes memorandum | ||||||||||
Box 176 | Artic [sic] Flying / Bernt Balchen - includes voucher | ||||||||||
Box 176 | Aviation Is Funny / Douglas J. Ingells - includes voucher | ||||||||||
Box 176 | Bar Sinister / Ross Annett | ||||||||||
Box 176 | Bill Piper / George R. Reiss - includes photographs, voucher | ||||||||||
Box 176 | Birth of the Convoy-Fighter [alternate title, shown on voucher: "Enter the Heavyweight Fighter"] / Daniel Ryerson | ||||||||||
Box 176 | Booster Battery Carrier / Cyril S. Williams - includes voucher | ||||||||||
Box 176 | Building and Flying 'Airtrails Baby Zephyr' - includes illustration, photographs | ||||||||||
Box 176 | Buzz Bomb 146-1 - Kodachrome negative | ||||||||||
Box 176 | Canada Trains an Empire / Cyril S. Williams - includes voucher | ||||||||||
Box 176 | Cessna 547-14 - Kodachrome negative | ||||||||||
Box 176 | Compression Ignition Engines / H.C. Colburn | ||||||||||
Box OS12 | Contestor engine - drawing by Lee Scott | ||||||||||
Box 176 | Dawn Patrol / George R. Reiss - includes photographs, voucher | ||||||||||
Box 177 | Designing Your Gas Model Propellers / Avrum Zier - includes letter, memorandum, layout, voucher | ||||||||||
Box 177 | Dragonfly Motor Glider 147-13 / no author - includes Kodachrome negative , photographs | ||||||||||
Box 177 | Experimental Gas Model / Bob Knutson - manuscript letter, with photographs, negatives, voucher | ||||||||||
Box 177 | Famous Aces the Story Behind the Cover / S.G. Pond" | ||||||||||
Box 177 | Fifty Per Cent More Power / George J. Mead - includes voucher | ||||||||||
Box 177 | First Solo / Cliff Bantel - includes voucher | ||||||||||
Box 177 | The First Trans-Atlantic Flight / S.G. Pond | ||||||||||
Box 177 | First Wings for Americans / Jasper B. Sinclair | ||||||||||
Box 177 | Float 'Em / Walter Fromm - includes illustration | ||||||||||
Box 177 | Forty Steps to the Moon / Robert S. Richardson - includes voucher | ||||||||||
Box 177 | From a Controliner's Notebook / Claude McCullough | ||||||||||
Box 177 | Germany Below! / Karl Keyerleber - includes galleys, layout | ||||||||||
Box 177 | G-I-T / Leon Shulman [a.k.a. Herr Foil, from photocopied voucher] - includes illustration | ||||||||||
Box 177 | Global Guideposts / Clinton B. DeSoto - includes note | ||||||||||
Box 177 | G-O-W / Leon Shulman [a.k.a. Herr Foil, from photocopied voucher] - includes illustration | ||||||||||
Box 177 | Great Circle Airport / no author - includes galleys, layout, letter, memorandum | ||||||||||
Box 177 | Guest Editorial [alternate title: "No Part Too Small"] / James H. Doolittle - includes voucher | ||||||||||
Box 177 | Herman / George R. Reiss - includes photographs, voucher | ||||||||||
Box 177 | Ideas for Radio Control Control Drives / Clinton B. DeSoto - includes voucher | ||||||||||
Box 177 | The King of Air Duelists / S.G. Pond | ||||||||||
Box 177 | Kodachrome negative of Model Setting Model Plane in Water 947-22 - from envelope | ||||||||||
Box 177 | Landing Strips / George R. Reiss - title from voucher, with photographs | ||||||||||
Box 177 | Let's Make Flying Easier Arthur Seger Peirce - includes letter | ||||||||||
Box 177 | Lightplane's Future / E. Maoriello - from voucher | ||||||||||
Box 177 | Mike Murphy / Burton Kemp - includes letter, photograph, voucher | ||||||||||
Box 177 | More Types Needed in the Light Plane [alternate title: "Let's Be Different!"] / Arch Whitehouse - includes voucher | ||||||||||
Box 177 | Mosquito Pilot / William Herbert Randall see "Proving Interlude" - re-write | ||||||||||
Box 177 | N.A.A. Paves the Way for Those 50,000 Planes / Douglas Jones Bintliff - includes voucher | ||||||||||
Box 177 | Oh Say Can You Time? / Carroll Moon? | ||||||||||
Box 177 | Out of His Element an 'Ace' Ainsworth Story / J. Allan Dunn | ||||||||||
Box 177 | Pan American Airways Flying Laboratory to Test U.S.-Alaska Air Route / Harry Thorell - includes photograph, voucher | ||||||||||
Box 177 | The Parachute Goes to War / James L.H. Peck - includes letter, notes, photographs, printed materials, poster | ||||||||||
Box 177 | Pilots in Hobby-land / Tracy Richardson - includes voucher | ||||||||||
Box 177 | Pin-Head / Leon Shulman [a.k.a. Herr Foil] - includes illustration, photocopied voucher | ||||||||||
Box 177 | Pool for Pilots / Alma Heflin - includes voucher | ||||||||||
Box 177 | Private Flying Future / Sally E. Knapp - includes note, photographs | ||||||||||
Box 177 | Proving Interlude / William Herbert Randall - rewrite of "Mosquito Pilot"; with voucher and manuscript for "Mosquito Pilot" | ||||||||||
Box 177 | The Quiet Birdmen / J. O. Schumacher | ||||||||||
Box 177 | Rat With Wings / John DuBarry - includes voucher | ||||||||||
Box 177 | A Rotor-Ship for John Jones / William Herbert Randall - includes voucher | ||||||||||
Box 177 | Spin It / Ed. Yulke - includes note, photographs | ||||||||||
Box 178 | Stephen's Susies / Katherine Goldsmith - includes photographs | ||||||||||
Box 178 | Stinson Plane Near House 647-4 - Kodachrome negative | ||||||||||
Box 178 | The Stratosphere Comes Down to Earth / J.F.W. Towse - includes voucher | ||||||||||
Box 178 | Tactics Tell the Tale / James L.H. Peck - includes original and revised manuscript and voucher | ||||||||||
Box 178 | Test Pilot / S.G. Pond | ||||||||||
Box 178 | These Flying Dutchmen / Cornelius Vanderbreggen - includes voucher | ||||||||||
Box 178 | Thrills Behind Your Screen Stunts / Edward Churchill - includes voucher | ||||||||||
Box 178 | Tips on Tethering / Frank Greene - includes letter | ||||||||||
Box 178 | Tools of the Trade / Carroll Moon | ||||||||||
Box 178 | Training the Army Eagle / Peter M. Bowers | ||||||||||
Box 178 | Trends Fifteenth Section / S.R. Winters - includes illustrations and printed material (3 folders) | ||||||||||
Box 178 | True or False? / Gordon S. Light - includes clippings, illustration, letter, note | ||||||||||
Box 178 | Twenty-five Years This Month/ David C. Cooke Oct 1921 - includes voucher | ||||||||||
Box 178 | Twenty-five Years This Month / David C. Cooke Nov 1921 - includes voucher | ||||||||||
Box 178 | Waco Aristcraft 447-12 - Kodachrome negative | ||||||||||
Box 178 | Where Are Our Heros [sic]? / Charles Wayne Kerwood - 2 versions of manuscript with clipping, voucher; voucher has title "Where Are the Heros?" | ||||||||||
Box 178 | Why the Farmers Fly / H.A. Thomas - includes letter, photographs, press release | ||||||||||
Box 178 | Winged Fate / Frederick C. Painton | ||||||||||
Box 178 | Wings / Ed. Yulke - includes memorandum, photographs | ||||||||||
Box 178 | Wings and Bodies While You Wait / Edwin Laird Cady - includes clippings, note, voucher | ||||||||||
Box 178 | Untitled - re Army Airways Communications System; with photographs | ||||||||||
Box 178 | Book reviews by David C. Cooke - includes galleys | ||||||||||
They Fly for Victory / Keith Ayling Tomorrow We Fly / William B. Stout and Franklin M. Reck |
|||||||||||
Box 179 | Tables of Contents 1934-1953 (9 folders) | ||||||||||
Box 180 | Tables of Contents 1954-1962 - includes 1963 American Modeler Annual (3 folders) | ||||||||||
Bill Barnes Air Trails | |||||||||||
See Bill Barnes Air Adventurer. | |||||||||||
Bill Barnes America's Air Ace Comics | |||||||||||
See Bill Barnes Comics. | |||||||||||
Bill Barnes Comics (combines records for Bill Barnes America's Air Ace Comics; Air Ace) | |||||||||||
Box 180 | Manuscripts and art vouchers Apr. 1943-May 1947 - including notes (2 folders) | ||||||||||
Manuscripts - includes vouchers | |||||||||||
Box 180 | Inventories of manuscripts and art charged off and voucher lists Dec. 31, 1946 | ||||||||||
Box 180 | Admiral Pedro Fernandez de Quiros and the 'Great Southland' / Willey Ley | ||||||||||
Box 180 | The Big Eye / Alfred M. Klein - includes photograph | ||||||||||
Box 180 | Black Light / A.M. Klein - 2 sets of galleys and photographs, no manuscript | ||||||||||
Box 180 | Diego Cão and the Search for the 'Gold River' / Willey Ley | ||||||||||
Box 180 | Flight in the Insect World / A.M. Klein | ||||||||||
Box 180 | Flying Wing / A.M. Klein - photographs, layout, no manuscript | ||||||||||
Box 180 | Glass Clothes / A.M. Klein - galleys, photograph, no manuscript | ||||||||||
Box 180 | High Altitude Future / Willey Ley see also | ||||||||||
Box 180 | Into the Wild Blue Yonder . . .! / Charles Wessell - including photographs, layout; title from voucher "Captain Bob Crawford" | ||||||||||
See also "Weather Old and New". | |||||||||||
Box 180 | Not Everyone Can Belong / A.M. Klein | ||||||||||
Box 180 | Old Sol, Nature's Own Powerhouse / A.M. Klein - includes galleys, photographs, layout | ||||||||||
Box 180 | Paddle Men and Airedales / A.M. Klein - includes clipping | ||||||||||
Box 180 | Parcel Post by Parachute / A.M. Klein - including clipping, galleys, photographs, layout | ||||||||||
Box 181 | The Piccards Are Going to Do It Again / A.M. Klein - includes Piccard letter, clipping, additional carbon | ||||||||||
Box 181 | Queen of the Air / A.M. Klein - including galleys, photographs | ||||||||||
Box 181 | Rainbow Clippers / A.M. Klein - including galleys, photographs, layout | ||||||||||
Box 181 | The Robots Aren't Coming / A. McCann | ||||||||||
Box 181 | Science in Your Future--Sarnoff / A.M. Klein - including letter and photographs | ||||||||||
Box 181 | Secret Service Agent / no author - no voucher | ||||||||||
Box 181 | Space Station / A. McCann - from voucher; manuscript bears author notation John W. Campbell, Jr., also clipping | ||||||||||
Box 181 | Tinker Shop manuscripts | ||||||||||
How Modifiers Work / A. McCann Untitled "Payne" manuscript? Copper the First Metal Man Used / A. McCann |
|||||||||||
Box 181 | Vannevar Bush and the Think Machine / A.M. Klein - including Atlantic Monthly article, letter, photographs | ||||||||||
Box 181 | Weather Old and New / A.M. Klein | ||||||||||
See also "High Altitude Future". | |||||||||||
Box 181 | What to Wear in the Air / A.M. Klein - including photographs | ||||||||||
Box 181 | Who Owns the Moon? / AM.K[lein] | ||||||||||
Box 181 | Miscellaneous photographs | ||||||||||
Buffalo Bill Picture Stories (Comics) | |||||||||||
Box 181 | Manuscripts vouchers Jan.-Apr. 1949 | ||||||||||
Cash Gorman (the Wizard) | |||||||||||
See The Wizard. | |||||||||||
Charm | |||||||||||
See Picture-Play Weekly. | |||||||||||
Clues (New York, N.Y.) (combines records for Clues Detective Stories; Street & Smith's Clues Detective Stories) | |||||||||||
Box 181 | Manuscripts purchase cards Aug. 1933-Oct. 1938 | ||||||||||
Box 181 | Manuscripts vouchers Mar. 1938-Jan. 1943 (2 folders) | ||||||||||
Manuscripts | |||||||||||
Box 181 | Inventories of manuscripts, charge-offs, and memoranda Apr. 1938, Dec. 1944, 1943-1945 | ||||||||||
Box 181 | Asylum of Terror / Norman A. Daniels (a.k.a. Danberg) | ||||||||||
Box 181 | Death Moves In / Robert C. Blackmon | ||||||||||
Box 181 | The Great Garendo / Jimmy Challon | ||||||||||
Box 181 | How to Be a Detective / Leslie T. White (Inspector LeBlanc) - 2 versions | ||||||||||
Box 181 | The Invisible Assassin [alternate title: "The Phantom Slayer"] / Robert W. Sneddon | ||||||||||
Box 181 | Monte Cristo in Real Life / no author | ||||||||||
Box 181 | Protection / Victor Maxwell | ||||||||||
Box 181 | The Ritual of Blood / no author | ||||||||||
Box 181 | Shirts / Frank Underhill [at head of title "Tales of the Jailhouse"] | ||||||||||
Box 181 | World-Famous Police Mysteries the Kidnapping of Charley Ross / H.M. Egbert | ||||||||||
Box 181 | Illustrations (5 items) | ||||||||||
Box 182 | Tables of Contents Oct. 1933-May 1943 (4 folders) | ||||||||||
Clues Detective Storie | |||||||||||
See Clues (New York, N.Y.). | |||||||||||
College Stories | |||||||||||
See Sea Stories Magazine. | |||||||||||
Complete Stories (New York, N.Y. 1926) | |||||||||||
See Complete Story Magazine. | |||||||||||
Complete Stories (New York, N.Y. 1936) | |||||||||||
See Complete Story Magazine. | |||||||||||
Complete Story Magazine (combines records for Complete Stories (New York, N.Y. 1926); Street & Smith's Complete Stories (New York, N.Y. 1931); The Popular Complete Stories; Street & Smith's Complete Stories (New York, N.Y. 1932); Street & Smith's Complete Magazine; Complete Stories (New York, N.Y. 1936) | |||||||||||
Box 182 | Manuscripts purchase cards Jan. 1926-1935 (9 folders) | ||||||||||
Box 183 | Manuscripts purchase cards Jan. 1936-July 1937 | ||||||||||
Manuscripts | |||||||||||
Box 183 | Inventories, memorandum | ||||||||||
Box 183 | Island Grave / William Chamberlain - includes R. Oliphant reader report, synopsis | ||||||||||
Box 183 | Tables of Contents Sept. 1924-Dec 1926; Jan 1930 - Oct. 1937 (8 folders) | ||||||||||
Crime Busters (combines records for Street & Smith's Mystery Magazine; Mystery Magazine; Mystery Story Magazine) | |||||||||||
Box 183 | Manuscripts purchase cards Sept. 1937-Nov. 1938 | ||||||||||
Box 183 | Manuscripts vouchers Mar. 1938-Dec 1938, undated | ||||||||||
Box 184 | Manuscripts vouchers 1939-Oct 1940; Oct 1941-Jan. 1943, undated (3 folders) (3 folders) | ||||||||||
Box 184 | Tables of Contents Nov. 1937-May 1943 (2 folders) | ||||||||||
Detective Story Anuual | |||||||||||
See Street & Smith's Detective Story Annual. | |||||||||||
Detective Story Magazine (combines records for Street & Smith's Detective Story Magazine) | |||||||||||
Box 184 | Manuscripts purchase cards Jan. 1926-Dec 1930 (5 folders) | ||||||||||
Box 185 | Manuscripts purchase cards Jan. 1926-Sept. 1938 (10 folders) | ||||||||||
Box 185 | Manuscripts vouchers Jan. 1938-Dec 1943 (6 folders) | ||||||||||
Box 186 | Manuscripts vouchers Jan 1944-Apr. 1949 (5 folders) | ||||||||||
Manuscripts | |||||||||||
Box 186 | Stories taken from other Street & Smith publications and used in Detective Story Magazine - 2 copies | ||||||||||
Box 186 | Inventories of manuscripts, including charge-offs and memoranda 1933-1947, undated - includes photocopies | ||||||||||
Box 186 | Ambulance to Brooklyn / Grant Lane | ||||||||||
Box 186 | Black Opals / Franklin Gregory | ||||||||||
Box 186 | Blind Allegiance / Gardner Hunting - includes note | ||||||||||
Box 186 | Bogey Man /no author | ||||||||||
Box 186 | The Burnt Chronometer / Harrison Jewell Holt | ||||||||||
Box 186 | Chaotic Clews / [E.]L.K. Gilmore - from 1938 inventory | ||||||||||
Box 186 | Checker Brain Tickler / Millard Hopper - 2 puzzles with vouchers | ||||||||||
Box 186 | Children of Pele / William Campbell Gault | ||||||||||
Box 186 | The Chrysanthemum / Aleen Leslie | ||||||||||
Box 186 | The Circus Slaying / Edward William Murphy | ||||||||||
Box 186 | Cry Your Eyes Out / Richard Lane Bernstein and Alan Roberts Goodrich | ||||||||||
Box 186 | Death Claims 6 [alternate title: DC-6] / Norman Anthony | ||||||||||
Box 186 | Don't Tell Me Anything / Edward Ronns [a.k.a. Edward S. Aarons] | ||||||||||
Box 186 | Farewell, Stranger / John Cleaveland | ||||||||||
Box 187 | A Few Pointers on Murder / Mack Reynolds | ||||||||||
Box 187 | Fingerprints and the Law / Benjamin Call | ||||||||||
Box 187 | The Fire of God / Ruth Wilson | ||||||||||
Box 187 | Five Must Die / William G. Bogart | ||||||||||
Box 187 | A Five-spot Cipher / Geo. C. Jenks | ||||||||||
Box 187 | Fool's Paradise / Inez Sabastian [a.k.a. Inez Gerhard] [cannot find] xxxxx | ||||||||||
Box 187 | Furnished Room, With Corpse / William Tenn | ||||||||||
Box 187 | Geraldine Knew a Word / Charles H. Frederick - no manuscript, R. Oliphant reader report and suggested revisions | ||||||||||
Box 187 | The Heel / Edward Ronns | ||||||||||
Box 187 | Hope Chest for Grandma / Leonard B. Rosborough | ||||||||||
Box 187 | The Human Element / Eugene A. Clancy - includes note | ||||||||||
Box 187 | The Ideals of a Famous Detective / Louise Rice | ||||||||||
Box 187 | If the Shoe Fits / Martha S. Drake | ||||||||||
Box 187 | A Job for the Embalmers! / Edward William Murphy | ||||||||||
Box 187 | The Kitten in the Shroud / D.B. Olsen | ||||||||||
Box 187 | The Man in Gray / C.S. Montanye | ||||||||||
Box 187 | A Masterpiece Mystery / Geo. C. Jenks | ||||||||||
Box 187 | Michael Explains / Polly Simpson MacManus | ||||||||||
Box 187 | Murder Becomes You / Joseph Commings | ||||||||||
Box 187 | Murder in High Heels / Neil Miller - no manuscript, galleys, illustration | ||||||||||
Box 187 | Murder in Wax / Dean Owen | ||||||||||
Box 187 | Murder on the Highway / George Cory Franklin | ||||||||||
Box 187 | Nick Carter at Sword's Points / Geo. C. Jenks | ||||||||||
Box 187 | Nick Carter's Night Club Trail / Geo. C. Jenks | ||||||||||
Box 187 | Nick Carter's Study in Crime Adventure / Geo. C. Jenks | ||||||||||
Box 187 | No Rest for the Dead / Martin Gately | ||||||||||
Box 187 | Once to Every Woman / Dorothy Stockbridge - includes additional carbon copy of manuscript, letter, R. Oliphant reader report | ||||||||||
Box 187 | Optical Illusion / Mack Reynolds | ||||||||||
Box 187 | Perfectly Simple / Victor Maxwell | ||||||||||
Box 188 | Roger Kent : Kidnapped / Kenneth C. Vance (2 folders) | ||||||||||
Box 188 | The Silver Princess / Marguerite Aspinwall - includes R. Oliphant reader report | ||||||||||
Box 188 | The Silver Stiletto / Geo. C. Jenks | ||||||||||
Box 188 | Suicide Squad / G.T. Fleming-Roberts | ||||||||||
Box 188 | Superintendent Crowley of the Boston Police / Thomas S. Phelan | ||||||||||
Box 188 | Telephone Trouble / Elliot Balestier - no manuscript, galleys, R. Oliphant reader report | ||||||||||
Box 188 | The Three Graces / Martha McCullough Williams - from accompanying R. Oliphant reader report | ||||||||||
Box 188 | 3 Redheads Sing Death / Samm S. Baker | ||||||||||
Box 188 | Torn Curtain / Ronald Oliphant | ||||||||||
Box 188 | The Trail of a Face / Oviatt McConnell | ||||||||||
Box 188 | The Trap [alternate title: "The Sleeping Trap"] / Charles Yerkow | ||||||||||
Box 188 | Under the Lamp (3 ciphers) / Henry A. Keller | ||||||||||
Box 188 | U.S. Immigration Inspectors ('Detectives') / Cyrus Chapin | ||||||||||
Box 188 | What Handwriting Reveals / Louise Rice - 6 parts | ||||||||||
Box 188 | What Handwriting Reveals / Shirley Spencer - 3parts | ||||||||||
Box 188 | White Peacocks / Winston Bouve - including galleys, notes (2), R. Oliphant reader report | ||||||||||
Box 188 | Without Mirrors / Frank E. Carson | ||||||||||
Box 188 | Production records Mar.-May 1941 - partial (4 folders) | ||||||||||
Box 189 | Tables of Contents 1930-1941 (6 folders) | ||||||||||
Box 190 | Tables of Contents 1942-Summer 1949 (2 folders) | ||||||||||
Doc Savage | |||||||||||
See Doc Savage Magazine. | |||||||||||
Doc Savage Comics | |||||||||||
Box 190 | Manuscripts voucher for "The Crystal Monsters" 1947 | ||||||||||
Manuscripts | |||||||||||
Box 190 | Inventory of manuscripts charged off Dec. 1944 | ||||||||||
Box 190 | Doc Savage Rents a Gun! - photostat | ||||||||||
Box 190 | Man of Bronze / no author | ||||||||||
Doc Savage Magazine (combines records for Street & Smith's Doc Savage; Doc Savage) | |||||||||||
Box 190 | Manuscripts purchase cards Feb. 1933-Nov. 1938 | ||||||||||
Box 190 | Manuscripts vouchers Jan. 1938-Mar. 1949 (5 folders) | ||||||||||
Manuscripts | |||||||||||
Box 190 | Inventories of manuscripts charged off and memoranda 1944-1945 - includes photocopies | ||||||||||
Box 190 | All in One World / Helmar Burk | ||||||||||
Box 190 | The Black Spot / Kenneth Robeson - copy, pp.1-120 | ||||||||||
Box 191 | The Black Spot / Kenneth Robeson - copy, pp.121-243 | ||||||||||
Box 191 | Tables of Contents Mar. 1933-Summer 1949 (5 folders) | ||||||||||
Excitement | |||||||||||
See Sea Stories Magazine. | |||||||||||
FBI Comics | |||||||||||
Box 191 | Manuscripts and art vouchers 1947 | ||||||||||
Fame and Fortune Magazine | |||||||||||
See Fame and Fortune Weekly. | |||||||||||
Fame and Fortune Weekly (combines records for Fame and Fortune Magazine; Fortune Story Magazine) | |||||||||||
Manuscripts | |||||||||||
Box 191 | Inventory of manuscripts, undated, and memorandum 1966 | ||||||||||
Box 191 | The $500,000 Bond Theft / W.E. Carleton | ||||||||||
Box 192 | Gas Costs Money / Richard Parmenter | ||||||||||
Box 192 | High Salesmanship / Robert V. Kramer | ||||||||||
Box 192 | Panhandle Gas at Crosby's / W.E. Carleton | ||||||||||
Box 192 | The Soda Jerker / W.E. Carleton | ||||||||||
Box 192 | $12,000--Cash [alternate title: "Cornering the Grocery Market"] / Richard P. Knight | ||||||||||
Far West Illustrated | |||||||||||
See True Western Stories. | |||||||||||
Far West Illustrated Magazine | |||||||||||
See True Western Stories. | |||||||||||
Far West Stories | |||||||||||
See True Western Stories. | |||||||||||
Football Pictorial Yearbook | |||||||||||
See Street & Smith's Football Year Book. | |||||||||||
Football Year Book | |||||||||||
See Street & Smith's Football Year Book. | |||||||||||
Fortune Story Magazine | |||||||||||
See Fame and Fortune Weekly. | |||||||||||
Freedom Train | |||||||||||
Box 192 | Manuscripts and art vouchers 1947 | ||||||||||
From Unknown Worlds | |||||||||||
Box 192 | Table of Contents 1948 | ||||||||||
Ghost Breakers | |||||||||||
Box 192 | Manuscripts vouchers Feb.-Aug. 1948 | ||||||||||
Girl Stories | |||||||||||
See Live Girl Stories. | |||||||||||
Live Girl Stories (combines records for Modern Girl Stories; Girl Stories; True Love Stories; Real Love Magazine; Street & Smith's Real Love Magazine) | |||||||||||
Manuscripts | |||||||||||
Box 192 | Inventories of manuscripts 1931, undated | ||||||||||
Box 192 | An (Accidental) Lover to His (Incidental) Lady / H.C. Norris | ||||||||||
Box 192 | Because / Bert Cooksley | ||||||||||
Box 192 | Behind the Mask / Paul Hervey Fox - Drafts A, B, and C, and two additional carbon copies of manuscript (2 folders) | ||||||||||
Box 192 | A Broken Engagement / Rose Henderson | ||||||||||
Box 192 | Effects / Edgar Daniel Kramer | ||||||||||
Box 192 | Explanation / Cristel Hastings | ||||||||||
Box 192 | Flight / Walter Marquiss | ||||||||||
Box 192 | January Lady / Annette Patton Cornell | ||||||||||
Box 192 | Knights in Armour / Beatrice Redpath | ||||||||||
Box 192 | A Matter of Affection / Paul Whitney | ||||||||||
Box 192 | Melange / Beatrice Redpath | ||||||||||
Box 192 | Old Stuff / Edith Tatum - includes letter | ||||||||||
Box 192 | This Younger Generation / Jack Bechdolt | ||||||||||
Box 192 | To a Young Girl on Her Birthday / Robert Withington | ||||||||||
Box 192 | A Very Timid Young Man / Helen E. Brehm | ||||||||||
Living for Young Homemakers | |||||||||||
See Mademoiselle's Living. | |||||||||||
Living's Guide to Home Planning see | |||||||||||
See Living's New Guide to Home Planning/Remodeling. | |||||||||||
Living's New Guide to Home Planning/Remodeling (combines records for Living's Guide to Home Planning) | |||||||||||
Box 192 | Tables of Contents 1958-Fall 1960 - includes memoranda | ||||||||||
Love Story Magazine (combines records for Street & Smith's Love Story Magazine) | |||||||||||
Box 192 | Manuscripts purchase cards 1926 | ||||||||||
Box 193 | Manuscripts purchase cards 1927-1935 (9 folders) | ||||||||||
Box 194 | Manuscripts purchase cards 1936-May 1938 (3 folders) | ||||||||||
Box 194 | Manuscripts vouchers Jan. 1938-Apr 1939 (8 folders) | ||||||||||
Box 195 | Manuscripts vouchers May 1939-Dec 1940 (10 folders) | ||||||||||
Box 196 | Manuscripts vouchers Jan 1941-Sep 1942 (7 folders) | ||||||||||
Box 197 | Manuscripts vouchers Oct 1942-Oct. 1946 (8 folders) | ||||||||||
Manuscripts with invoices | |||||||||||
Box 197 | Manuscripts inventories, including charge-offs and memoranda 1930-1947, undated - includes photocopies | ||||||||||
Box 197 | The Beautiful Hoax / Annette Brunner | ||||||||||
Box 197 | Belle of the Blue Grass / Dick Moreland | ||||||||||
Box 197 | Completely Whacky / Adele Hall | ||||||||||
Box 197 | Cousin Lydia / Elizabeth J. Derringer | ||||||||||
Box 197 | Day-Spring / Nina Purdy | ||||||||||
Box 197 | A Doctor in the House / Foley Martin | ||||||||||
Box 197 | The Girl Who Stayed With Us / Donald Gilbert | ||||||||||
Box 198 | The Home Town Touch / T.T. Flynn | ||||||||||
Box 198 | How Do You Doodle? / Carlotta Cooper - 5 parts; no invoice | ||||||||||
Box 198 | It's a Conspiracy! [alternate title: "Penny Picks a Papa"] / Roger Moore | ||||||||||
Box 198 | A Job for Peter / Mary VanFossen Schwab | ||||||||||
Box 198 | The Lighted Tree / Nina Purdy | ||||||||||
Box 198 | Night Into Day Swinging With the Swing Shift / Alice Colton | ||||||||||
Box 198 | No Future In It / Foley Martin | ||||||||||
Box 198 | Not Chivalry Alone / Vivian Grey - 4parts | ||||||||||
Box 198 | Number, Please! / I.O. Eastwick | ||||||||||
Box 198 | The Parachute Wedding Gown / Ruth L. Frankel | ||||||||||
Box 198 | Playing for Keeps / Helen Klarman | ||||||||||
Box 198 | The Rings That Lied / Charles H. Washburn | ||||||||||
Box 198 | She Aimed to Displease / Stefan Kryvicky | ||||||||||
Box 198 | So Nice to Know / Edna Loree Lee | ||||||||||
Box 198 | Spinster Released / Bab Lincoln | ||||||||||
Box 198 | Transatlantic Wife / Pauline Crawford | ||||||||||
Box 198 | Woman at Work / Paul Kamey | ||||||||||
Box 198 | Wonderland for Two / Julia Anne Rogers | ||||||||||
Box 198 | The Young Heart [is Wise] / Aline Ballard | ||||||||||
Box 198 | Engraving plates and proofs - for stories "All I'll Ever Want" (2); "Kitchen With Geraniums" (2); unknown (1) | ||||||||||
Box 198 | Kodachrome negatives (6 items) | ||||||||||
Box 198 | Tables of Contents 1930-1931 (2 folders) | ||||||||||
Box 199 | Tables of Contents 1932-1936 (5 folders) | ||||||||||
Box 200 | Tables of Contents 1937-1941 - includes TOC for 1941 Annual issue (5 folders) | ||||||||||
Box 201 | Tables of Contents 1942-1947 - includes TOCs for 1943-1944 Annual issue (5 folders) | ||||||||||
Miscellaneous | |||||||||||
Box 201 | "Love Story Notes" column 1940-1941 | ||||||||||
Mademoiselle | |||||||||||
Box 201 | Manuscripts purchase book July 1935-Aug. 1937 | ||||||||||
Box 201 | Manuscripts purchase cards Sept. 1934-Jan. 1935 | ||||||||||
Box 201 | Manuscripts vouchers 1938 | ||||||||||
Box 202 | Manuscripts vouchers Jan 1939-Jun 1943 (10 folders) | ||||||||||
Box 203 | Manuscripts vouchers Jul 1943-Dec 1946 (10 folders) | ||||||||||
Box 204 | Manuscripts vouchers Jan 1947-Apr 1948 (8 folders) | ||||||||||
Box 205 | Manuscripts vouchers May 1948-Aug 1949 (8 folders) | ||||||||||
Box 206 | Manuscripts vouchers Sep 1949-Oct 1950 (9 folders) | ||||||||||
Box 207 | Manuscripts vouchers Nov 1950-Apr 1952 (9 folders) | ||||||||||
Box 208 | Manuscripts vouchers May 1952-Dec 1953 (9 folders) | ||||||||||
Box 209 | Manuscripts vouchers Jan 1954-Dec 1955 (8 folders) | ||||||||||
Box 210 | Manuscripts vouchers Jan 1956-Mar 1958 (9 folders) | ||||||||||
Box 211 | Manuscripts vouchers Apr 1958-Oct 1960 (10 folders) | ||||||||||
Box 212 | Manuscripts vouchers Nov 1960-Nov 1961 (4 folders) | ||||||||||
Manuscripts | |||||||||||
Box 212 | Inventories of manuscripts, editorial costs, including charge offs and memoranda 1936-1948 | ||||||||||
Artwork charged off 1944, 1947-1948 | |||||||||||
Box 212 | Inventories and memorandum of art charged off | ||||||||||
Box 212 | Contact sheet for photographs of Odette Sabetsky #13452 - includes note | ||||||||||
Box 212 | Drawings for "decorating casual" by Pati Hill Long [?[ #16929 (5items) | ||||||||||
Box 212 | Kodachrome of pink dressing table | ||||||||||
Box 212 | Photograph for Design for Living of Pat Smart's bedroom with valentine collection - includes note | ||||||||||
Oversize 10 | Photographs of Elizabeth Ames by Bunny Adler #15150 - includes note | ||||||||||
Box 212 | Photographs of Latin American drawings - includes note (2 items) | ||||||||||
Box 212 | Photographs of Skipper Ross (2) #14682 - includes note | ||||||||||
Box 212 | All Is Not Glamour That Glitters / Anonymous [Kathryn I. Rickman] - copyedited version of original manuscript and 3 re-typed copies of original manuscript incorporating some revision | ||||||||||
Box 212 | As You Were'nt [sic] / Ruth Chandler Moore - original manuscript with light revisions and 3 re-typed copies of original manuscript incorporating some revision | ||||||||||
Box 212 | Battle of the Campuses / Gloria and Lucia Snyder | ||||||||||
Box 212 | The Bicycle Girl / Rion Bercovici | ||||||||||
Box 212 | Bonnets? God Bless 'Em! / Dorothy Conn [Dorothy P. Conroy] - copyedited original manuscript and 2nd and 3rd slightly altered copies of original manuscript | ||||||||||
Box 212 | Bowling feature / Mignon Bushell McLaughlin - idea in letter form with 2 copies of re-typed manuscript | ||||||||||
Box 212 | Boy Wanted / Kay Hosking - copyedited original manuscript with 3 copies of revision, galleys | ||||||||||
Box 212 | Brazilian 'Betty Co-eds' (alternate title: "Brazilian Co-eds") / Helen Randolph and Augusto Rodrigues - original manuscript, lightly revised, and 3 copies of revised manuscript, with notes, photographs | ||||||||||
Box 212 | California's Women Soldiers / Howard E. Jackson - including photographs | ||||||||||
Box 212 | Career Girls in Uruguay / Bianca Marvin | ||||||||||
Box 212 | A Career or Marriage? What's Your Score / Lois Klemm | ||||||||||
Box 212 | Come, Josephine, in My Flying Machine / Oden and Olivia Meeker | ||||||||||
Box 212 | Consider the Startled Faun / Ray Buffum - original manuscript, annotated with editorial comments and 3 re-typed copies of manuscript incorporating some revision, with notes | ||||||||||
Box 212 | Copy on Helen Dettweiler / Jane Haggard - including memorandum, note | ||||||||||
Box 212 | Data (biographical) on Bonnie Farber / Gretchen Van Tassel - including notecard, photographs | ||||||||||
Box 212 | Dawn Drama / Evelyn Hart - original manuscript, revised, and a second copy of manuscript incorporating some revisions, with cross reference sheet, layouts for an unrelated manuscript | ||||||||||
Box 212 | Dear Diary / Katharine Beale - original manuscript and 3 re-typed copies of manuscript, with note | ||||||||||
Box 212 | Digest of Idea for Photographic Spread / submitted by Roberta Richardson | ||||||||||
Box 212 | Do Emotional Enemies Wreck Your Days? / Louise May Snyder | ||||||||||
Box 212 | Do You Love Me or Don't You? / Hildegarde Dolson | ||||||||||
Box 213 | Don't Marry a Cowboy / Betty Preat Iselin - original manuscript with 3 re-typed copies | ||||||||||
Box 213 | Feet of Clay Department / Geraldine Sartain - including note | ||||||||||
Box 213 | Fiesta on a Shoestring / Doris Heydn - copyedited original manuscript, and 4 copies of revised manuscript | ||||||||||
Box 213 | Foreign Language Jobs for Women / Victor W. Burke[?] | ||||||||||
Box 213 | Free Woman / Frances Minturn Howard | ||||||||||
Box 213 | Freshman Dean / Paul Jones | ||||||||||
Box 213 | From Us to Him / Robert Fontaine | ||||||||||
Box 213 | Fun in Finance / Pearl Anoe - original manuscript and 2 re-typed copies, with correspondence, notes | ||||||||||
Box 213 | Good Neighbor / Ann Holmes | ||||||||||
Box 213 | Good Neighbor Fiesta [title from inventory #3 and old folder heading] / Doris Heydn [Doris Waller] | ||||||||||
Box 213 | Grandma Never Called It That [alternate title: "Inside Information or I'm So Gland to See You"] / Louise Brandon - original copyedited manuscript with editorial comments, and 3 re-typed copies of manuscript incorporating some revisions | ||||||||||
Box 213 | Graphology Career Detector / Lucy Stanton - including 2 re-typed copies of manuscript | ||||||||||
Box 213 | Gun Girls on the Job / no author | ||||||||||
Box 213 | Gus and Edith Erker - Ladue Bar Catering Service / no author | ||||||||||
Box 213 | Hell Bent for Nowhere, or Mrs. Crosby Resents / Kate Sproehnle - including letter | ||||||||||
Box 213 | How a Woman Can Swing Two Jobs / Mary G. Phillips - including 5 re-typed copies of manuscript, memoranda, notes | ||||||||||
Box 213 | How Articles Get That Way / Elinore Denniston - including note | ||||||||||
Box 213 | How to Travel with a Husband / Elizabeth Stafford - includes 3 re-typed copies of manuscript, letter, Skyway luggage catalog | ||||||||||
Box 213 | I Am a Brazilian / Teddy Hecht [Edwina Baboza-Carneiro?] - original manuscript and copy, June 1942 revision, and 3 re-typed copies of revised ms | ||||||||||
Box 213 | I Am a WAAC / Mera Galloway - including memorandum | ||||||||||
Box 213 | I Want a Doll for Christmas / Peter Lind Hayes - including memorandum, voucher | ||||||||||
Box 213 | I Was a Dress / Peggy Sykes - including note | ||||||||||
Box 213 | I'm Allergic to Health / Henrietta Fort Holland - copyedited manuscript, with 2 sets of galleys | ||||||||||
Box 213 | In Defense of Vanity / Carola de Peyster Kip | ||||||||||
Box 213 | Intercollegiate Broadcasting / Andre Emmerich - correspondence, memoranda, notes, issue of IBS Bulletin for Summer 1946, no manuscript | ||||||||||
Box 213 | Is It Glasses vs. Glamour? / Peggy Gillan - original copyedited manuscript and 2 re-typed copies of revision, with note | ||||||||||
Box 213 | Jim and Elaine Cannon / no author | ||||||||||
Box 213 | Job News [title from inventory of manuscripts charged off] / no author Dec. 31, 1946 | ||||||||||
Box 213 | Juvenile Writing as a Career / Marian King - original copyedited manuscript and re-typed copy of manuscript | ||||||||||
Box 213 | The Kidnapping of Anne Vanderham / Ellis Parker Butler | ||||||||||
Box 213 | Let's Pretend / George R. Pilgrim | ||||||||||
Box 213 | Look Before You Teach / Cathleen Burns - including note | ||||||||||
Box 213 | The Lure of the Wilderness / Theodora Stanwell-Fletcher - including notes | ||||||||||
Box 213 | Mademoiselle Matchmaker / no author - layout materials, no manuscript | ||||||||||
Box 213 | March Wind / Gladys Taber - copyedited manuscript | ||||||||||
Box 213 | Married Wave / Alice Martens McHugh - including memoranda, photographs | ||||||||||
Box 213 | The Masked Ladies of Lima / Jorge Guardia-Berdecio and Peter Jefferson Packer - including 3 re-typed copies of manuscript, illustration | ||||||||||
Box 213 | Material on Francis Mahier / Harold Rubin - 2 copies of manuscript, with photographs | ||||||||||
Box 213 | A Matter of Poise / Cornelia Otis Skinner | ||||||||||
Box 214 | Memorandum re [Red Cross] Humor Spread - Nov. 17, 1941 | ||||||||||
Box 214 | Music for Madame - publicity, photographs, no manuscript | ||||||||||
Box 214 | My Old Man / Faith Flagg - including note | ||||||||||
Box 214 | The National Police Gazette's Editor / Prudencio de Pereda - including additional re-typed copy of manuscript, note, photograph | ||||||||||
Box 214 | [New Yorker] / Brokaw - partial manuscript | ||||||||||
Box 214 | No More Opportunities! / Lorena Ann Olmsted - with 2 re-typed copies of manuscript | ||||||||||
Box 214 | Not-So-White Collars / Margaret Petsch - including letter, and 2 re-typed copies of manuscript | ||||||||||
Box 214 | Palestine's Young Women / Beatrice Oppenheim | ||||||||||
Box 214 | Personal Book Shop / Margaret Kane | ||||||||||
Box 214 | Postscript for Beginner [alternate title: "Your Bid for Success"] / Esther Eberstaat Brooke - original copyedited manuscript and 2 re-typed manuscripts incorporating some revisions, with 2 sets of galleys, note | ||||||||||
Box 214 | Printing as a Career / Leonora de Lima Andrews - including 2 re-typed copies of manuscript, with notes | ||||||||||
Box 214 | Reno---With No Thought of Divorce / William B. Powell - original copyedited manuscript and 3 re-typed copies, with photographs and page of captions, and companion piece "Vacation in Nevada" / EEB | ||||||||||
Box 214 | Research material re maid situation / H.B. Harvey - including 3 re-typed copies of manuscript | ||||||||||
Box 214 | The Return of Grace / Frederick Van Ryn - including re-typed copy, letter | ||||||||||
Box 214 | Road Closed / Lyta Jorgensen - including 2 re-typed copies | ||||||||||
Box 214 | [Robert] Taylor / Geraldine Sartain - including notes | ||||||||||
Box 214 | The Sandals That Made Mexico Famous / Betty-Lee Beatty - original copyedited manuscript and 5 copies of manuscript incorporating some revision, with 2 sets of galleys, notes | ||||||||||
Box 214 | Script-Tease-es / Dorothy Sara [from old folder heading] | ||||||||||
Box 214 | Service - Deluxe / Mary Helen Hubbell - including 2 re-typed copies of manuscript, note | ||||||||||
Box 214 | Shameful Avery / Lionel Wiggam - including re-typed copy of manuscript | ||||||||||
Box 214 | Ski article (Travel) [title from inventory of manuscripts charged off / Pati Hill Meservey - including noteDec. 31, 1948 | ||||||||||
Box 214 | Skipper Ross / Edwin M. Hunt - including publicity, notes | ||||||||||
Box 214 | Son and Heir / Merriam Modell - including re-typed copy of manuscript, galleys, note | ||||||||||
Box 214 | State Rights / Mary Parker - including note | ||||||||||
Box 214 | Tailor's Dummy / Dorothy Ducas - including note, photographs | ||||||||||
Box 214 | Ten Little Onguks / Julia Brainard Carson | ||||||||||
Box 214 | They Also Serve / Margaret Jameson - including 2 re-typed copies of manuscript | ||||||||||
Box 214 | Those Ozarks in Arkansas / Martha Barry - original copyedited manuscript and 3 re-typed copies of manuscript, one with layout, source material, cross reference sheet | ||||||||||
Box 214 | Turtle at the Seashore / Louise Julia Johnsen - copyedited original manuscript and re-typed copy of manuscript | ||||||||||
Box 214 | Twelve at Eight / Audacia [Bess F. Armstrong?] - including 2 sets of galleys, note | ||||||||||
Box 214 | Two Timing / Esther W.S. Prosser - including 3 re-typed copies of manuscript | ||||||||||
Box 214 | Vice Versa / Oden and Olivia Meeker | ||||||||||
Box 214 | Visit to a Psychiatrist [title from inventory of manuscripts charged off] / Nancy Battle Palmer Dec. 31, 1947 - | ||||||||||
Box 215 | Want a Kitten? / Elsie Sara Farr - copyedited original manuscript and with 2 re-typed copies of manuscript, with photograph | ||||||||||
Box 215 | Wayward Girl / Dorothy Dayton | ||||||||||
Box 215 | We the Good Neighbors / Piedad Levi Castillo - original manuscript in Spanish, with English translation | ||||||||||
Box 215 | What a Soldier Thinks of the WAACS / Anonymous | ||||||||||
Box 215 | What Kind of a Boss Will You Be? / Katherine Johnson | ||||||||||
Box 215 | Whoa Up, Nellie! / Mildred Gang Hackney - original manuscript with editorial comments, and 3 re-typed copies of manuscript incorporating some revision, with note | ||||||||||
Box 215 | Why Get Married? And Why Not? / Rosemary Sheehan and David Donovan - no manuscript, idea only | ||||||||||
Box 215 | Why Some People Fail / I. Luther Purdom | ||||||||||
Box 215 | Why You Should Not Be a Writer / Lila Hannah Thomson - including 3 re-typed copies | ||||||||||
Box 215 | A Woman Comes Home / Lee Harriman | ||||||||||
Box 215 | Woman's Place / Harry Salpeter - with galleys | ||||||||||
Box 215 | Women Are O.K. But Not to Work For / Lois Whitcomb - including 2 re-typed copies of manuscript | ||||||||||
Box 215 | Women Conservationists / Edwin J. Becker | ||||||||||
Box 215 | Yoicks for Dianas of the Chase / Marta Mantey - original manuscript with editorial comments, and 2 re-typed copies of manuscript incorporating some revision, with note | ||||||||||
Box 215 | Young America Designs / Sibilla Skidelsky - including cross reference sheet, note | ||||||||||
Box 215 | A Young Woman Who Makes Money from Spiders / Edwin Baird - including 2 re-typed copies of manuscript | ||||||||||
Box 215 | Untitled fiction fragment - p. 7-23 | ||||||||||
Box 215 | Photographs of paintings executed by different artists of women / Various photographers (5items) | ||||||||||
Box 215 | Rights information Feb. 1961-July 1972 | ||||||||||
Box 215 | Tables of Contents Feb 1935-Dec 1953 (5 folders) | ||||||||||
Box 216 | Tables of Contents Jan 1954-Feb 1963, Feb 1966-Aug 1972 (6 folders) | ||||||||||
Mademoiselle's Living (combines records for Living for Young Homemakers) | |||||||||||
Manuscripts | |||||||||||
Box 216 | Inventories of art and manuscripts charged off 1948 | ||||||||||
Box 216 | California Beach House / Fay Becket - including galleys, layout dummy, page proofs, photographs (4 folders) | ||||||||||
Box 216 | Gifts photos (from inventory) voucher #13207 - includes note | ||||||||||
Box 216 | The Huckleberry Hill Story / Stanley Mills Haggart - includes captions, illustration, correspondence, invoice, layout dummy, notes, and additional manuscripts for "We Live on Huckleberry Hill" / Helen Leopold | ||||||||||
Box 216 | King Weese still life photos (8, from inventory) voucher #13177 | ||||||||||
Box 217 | Kitty Perkins photos (2) and contact sheet (from inventory) voucher #12430 - includes note | ||||||||||
Box 217 | Montalvo Art Foundation story / Rita Davidson - no manuscript, correspondence, memorandum | ||||||||||
Box 217 | Panel House photos (5, from inventory) voucher #14658 - includes note | ||||||||||
Box 217 | Pick a Card (from inventory) voucher #14674 - captions, galleys, layout | ||||||||||
Box 217 | Tables of Contents Autumn 1947-Nov. 1961 (5 folders) | ||||||||||
Magnet Detective Library | |||||||||||
See Nick Carter titles. | |||||||||||
Magnet Library | |||||||||||
See Nick Carter titles. | |||||||||||
Modern Girl Stories | |||||||||||
See Live Girl Stories. | |||||||||||
Mystery Magazine | |||||||||||
See Crime Busters. | |||||||||||
Mystery Story Magazine | |||||||||||
See Crime Busters. | |||||||||||
National Magazine | |||||||||||
See Street & Smith's National Magazine. | |||||||||||
New Buffalo Bill Weekly (combines records for Western Story Magazine; Street & Smith's Western Story Magazine) | |||||||||||
Box 217 | Manuscripts purchase cards Jan 1926-Dec 1929 (4 folders) | ||||||||||
Box 218 | Manuscripts purchase cards Jan 1930-Oct 1938 (9 folders) | ||||||||||
Box 218 | Manuscripts vouchers Jan 1938-Feb 1938 | ||||||||||
Box 219 | Manuscripts vouchers Mar 1938-Feb 1940 (12 folders) | ||||||||||
Box 220 | Manuscripts vouchers Mar 1940-Dec 1941 (11 folders) | ||||||||||
Box 221 | Manuscripts vouchers Jan 1942-Dec 1944 (14 folders) | ||||||||||
Box 222 | Manuscripts vouchers Jan 1945-Mar 1949 (13 folders) | ||||||||||
Manuscripts | |||||||||||
Box 222 | Inventories of art and manuscripts charged off and memoranda 1933-1946 | ||||||||||
Box 222 | Memorandum of Lifted Stories Used in Western Story Magazine | ||||||||||
Box 222 | Advice to Photographers / Clyde C. Belknap - 2 parts | ||||||||||
Box 222 | Cowboys---and Hearts / Stephen A.D. Cox | ||||||||||
Box 222 | The Curse of the Black Death / Reginald C. Barker | ||||||||||
Box 222 | The 11th (Eleventh) Hour / W.S. [or A.?] Wolf - pp. 1-85; with note | ||||||||||
Box 223 | The 11th (Eleventh) Hour / W.S. [or A.?] Wolf - pp. 86-255; with note (2 folders) | ||||||||||
Box 223 | A Horse in the Family / Lynne Raven | ||||||||||
Box 223 | Margate / Frederick Faust - from card index; a.k.a. Nicholas Silver, Max Brand | ||||||||||
Box 223 | Marshall's Death Brand / Kent Bennett (a.k.a. W.E. Carleton, J.L. Considine?) - includes 2 vouchers, partial page proof | ||||||||||
Box 223 | The Saddle Dude [alternate titles "The Big Auger of Bar ?"; "The Mail Order Ranch King"] / George Gilbert | ||||||||||
Box 223 | Western Wild Flowers / D.C. Hubbard (4parts) | ||||||||||
Box 223 | When the Cub Came to the Bear Cat / James Edward Hungerford | ||||||||||
Box 223 | The White Mouse / George Owen Baxter [a.k.a. Max Brand] | ||||||||||
Box 223 | Illustration proofs for art charged off Dec. 31, 1946 (6items) | ||||||||||
Box 223 | Tables of Contents Jan 1930-Dec 1932 (3 folders) | ||||||||||
Box 224 | Tables of Contents Jan 1933-Dec 1937 (5 folders) | ||||||||||
Box 225 | Tables of Contents Jan 1938-Dec 1942 (6 folders) | ||||||||||
Box 226 | Tables of Contents Jan 1943-Aug/Sep 1949 (6 folders) | ||||||||||
New Magnet Library | |||||||||||
See Nick Carter titles. | |||||||||||
New Nick Carter Library | |||||||||||
See Nick Carter titles. | |||||||||||
New Nick Carter Weekly (New York, N.Y. 1897) | |||||||||||
See Nick Carter titles. | |||||||||||
New Nick Carter Weekly (New York, N.Y. 1903) | |||||||||||
See Nick Carter titles. | |||||||||||
Nick Carter Radio Series | |||||||||||
See Nick Carter titles. | |||||||||||
Nick Carter titles (combines records for New Nick Carter Library; New Nick Carter Weekly (New York, N.Y. 1897); Nick Carter Weekly; New Nick Carter Weekly (New York, N.Y. 1903); Magnet [Detective] Library; New Magnet Library; Nick Carter Radio Series) | |||||||||||
Magnet [Detective] Library manuscripts | |||||||||||
Box 226 | List of Nick Carter's [sic] in stock undated | ||||||||||
Box 226 | List of Stories Published and to Be Published in Magnet Library | ||||||||||
Box 226 | Notes,miscellaneous | ||||||||||
New Magnet Library manuscripts - "revisions of Nick Carters by St. George Rathborne" | |||||||||||
Box 226 | Labels, notes | ||||||||||
Box 226 | 928 "The Great Enigma" | ||||||||||
Box 226 | 938 "Nick Carter and the Greengoods Men" | ||||||||||
Box 226 | 940 "Tracked Across the Atlantic" | ||||||||||
Box 226 | 944 "The Great Money-Order Swindle" | ||||||||||
Box 226 | 946 "A Wall Street Haul" | ||||||||||
Box 226 | 948 "Sealed Orders" | ||||||||||
Box 226 | 952 "Fighting Against Millions" | ||||||||||
Box 226 | 954 "The Old Detective's Pupil" | ||||||||||
Box 226 | 956 "The Mysterious Mail Robbery" | ||||||||||
Box 226 | 958 "A Fair Criminal" | ||||||||||
Box 226 | 960 "The Piano Box Mystery" | ||||||||||
Box 226 | 962 "A Millionaire Partner" | ||||||||||
Box 226 | 966 "The Double Shuffle Club" | ||||||||||
Box 226 | 970 "At Thompson's Ranch" | ||||||||||
Box 226 | 974 "An Accidental Password" | ||||||||||
Box 226 | 978 "A Clever Celestial" | ||||||||||
Box 226 | 980 "Gideon Drexel's Millions" | ||||||||||
Box 226 | 982 "A Stolen Identity" | ||||||||||
Box 226 | 983 "Evidence by Telephone" | ||||||||||
Box 226 | 986 "Lady Velvet" | ||||||||||
Box 226 | 987 "Playing a Bold Game" | ||||||||||
Box 226 | 988 "A Dead Man's Ghost" | ||||||||||
Box 226 | 990 "A Deposit Vault Puzzle" | ||||||||||
Box 226 | 991 "The Crescent Brotherhood" | ||||||||||
Box 226 | 994 "Wanted by Two Clients" | ||||||||||
Box 226 | 995 "The Van Alstine Case" | ||||||||||
Box 227 | 996 "Check No. 777" | ||||||||||
Box 227 | 999 "The Sign of the Crossed Knives" | ||||||||||
Box 227 | 1004 "Caught in the Toils" | ||||||||||
Box 227 | 1010 "The Gamblers' Syndicate" | ||||||||||
Box 227 | 1011 "A Chance Discovery" | ||||||||||
Box 227 | 1012 "Among the Counterfeiters" | ||||||||||
Box 227 | 1014 "At Odds with Scotland Yard" | ||||||||||
Box 227 | 1016 "Found on the Beach" | ||||||||||
Box 227 | 1018 "The Detective's Pretty Neighbor" | ||||||||||
Box 227 | 1038 "Man Against Man" | ||||||||||
Box 227 | 1047 "The Man of Iron" | ||||||||||
Box 227 | 1065 "The Price of a Secret" | ||||||||||
Box 227 | 1074 "Behind a Mask" | ||||||||||
Box 227 | 1078 "Run to Earth" | ||||||||||
Box 227 | Inventory of series #1187-1369 1926-1933 - photocopies | ||||||||||
Nick Carter Radio Series | |||||||||||
Box 227 | Memoranda on scripts and notes 1945, 1964, undated | ||||||||||
Box 227 | Inventory/packing material notes for "Nick Carter Triplet" and Nick Carter Weekly #683-4-5" | ||||||||||
Nick Carter Triplet manuscript | |||||||||||
Box 227 | A Strange Turning; or Nick Carter and the G.A.R. Badge / W. Bert Foster (3 folders) | ||||||||||
Nick Carter Weekly #683-4-5 manuscripts | |||||||||||
Box 227 | Playing a Shrewd Game; or Patsy and the French Detective / W. Bert Foster | ||||||||||
Box 227 | The Signet of the Dagger; or Nick Carter and Reynard in Partnership / W. Bert Foster | ||||||||||
Box 227 | Solving a Cable Puzzle [alternate titles A Dash for the Coal"; "The Mystic Mark"; Chick Carter and Reynard, the Mystery"] / W. Bert Foster | ||||||||||
Other manuscripts | |||||||||||
Box 227 | The Dog That Became an Elephant; or Nick Carter in Deepening Waters - packing labels and notes | ||||||||||
Box 227 | The Dog That Became an Elephant; or Nick Carter in Deepening Waters - pp. 1-167 (2 folders) | ||||||||||
Box 228 | The Dog That Became an Elephant; or Nick Carter in Deepening Waters - pp. 168-243 | ||||||||||
Box 228 | The Wild Women; or Nick Carter and the Manufactured Evidence (3 folders) | ||||||||||
Nick Carter-related | |||||||||||
Box 228 | Correspondence 1912, 1938 | ||||||||||
Nick Carter Weekly | |||||||||||
See Nick Carter titles. | |||||||||||
People's | |||||||||||
See People's Magazine. | |||||||||||
People's Favorite Magazine | |||||||||||
See People's Magazine. | |||||||||||
People's Ideal Fiction Magazine | |||||||||||
See People's Magazine. | |||||||||||
People's Magazine (combines records for People's Ideal Fiction Magazine; People's; People's Favorite Magazine) | |||||||||||
Manuscripts | |||||||||||
Box 228 | Inventories of manuscripts | ||||||||||
Box 228 | By the Breadth of a Hair / Elizabeth Strong Worthington | ||||||||||
Box 228 | The Climax / Geoffrey Harris [a.k.a. Edwin Bliss?] - includes note | ||||||||||
Box 228 | The End of the Search / Ellis Paul [a.k.a. Edwin Bliss?] - includes note | ||||||||||
Box 228 | The Treasuries of Kings / R.H. Poole - includes note | ||||||||||
Box 228 | Tables of Contents Jan. 1923-Aug. 1924 | ||||||||||
Pic (New York, N.Y.) (combines records for Pic Quarterly; Street & Smith's All Star Sports) | |||||||||||
Box 228 | Manuscripts vouchers Oct 1944-Sep 1946 (5 folders) | ||||||||||
Box 229 | Manuscripts vouchers Oct 1946-Sep 1949 (9 folders) | ||||||||||
Manuscripts | |||||||||||
Box 229 | Inventories of manuscripts and art charged off 1945, undated | ||||||||||
Box 229 | Biography of Celeste Holm - text, "from Harry Brand," with 21 photographs, memorandum | ||||||||||
Box 229 | Blue Book Models - photos only - 7 photographs | ||||||||||
Box 229 | Cart Art in Italy - text, 23 photographs, Francis C. Fuerst | ||||||||||
Box 229 | Crime Laboratory That Travels at 60 Miles an Hour - text, 13 photographs "Globe Feature" | ||||||||||
Oversize 11 | Dan Dailey, a Lucky Hoofer - layout and photographs (5) | ||||||||||
Box 229 | Ghost Towns - text, 19 photographs "Gunther-Frost for Pic" | ||||||||||
Box 229 | Gorillas - background and captions, W. Bridges; 19 photographs, Arthur Sasse | ||||||||||
Box 230 | Hollywood Comes to Us - text, 40 photographs, 9 contact prints | ||||||||||
Box 230 | Jimmy Wong Howe - photographs (16) | ||||||||||
Box 230 | Miracle Mould Still Mystery - text, Haskell Cohen, 10 photographs | ||||||||||
Box 230 | Movies at War Will Help to Build the Peace - text, 19 photographs, Lucien Aigner | ||||||||||
Box 230 | Some Helpful Hints, in Season, to Hay Fever Victims - text, Albert Deutsch, 12 photographs | ||||||||||
Box 230 | Summer Resorts Don't Hibernate - text, ??? photographs "Gunther-Frost for Pic" | ||||||||||
Box 230 | Tennessee Gun Maker - text "from Warner Ogden", 10 photographs | ||||||||||
Box 230 | Tricks - 12 photographs | ||||||||||
Box 230 | Unusual Postal Route - text, 15 photographs "Globe Feature" | ||||||||||
Box 230 | Art charged off Dec. 31, 1948 | ||||||||||
Kodachromes of the California homes of Whitney Bolton (3), Lucille Bremer (1), Joan
Leslie (2), Janis Paige (1), Esther Williams (1) Kodachrome of fashions (1) Photographs of Don Ameche's home (1), home of unidentified person (1), and various California construction sites (14) |
|||||||||||
Oversize 11 | Watercolor and ink, "Broadway" #13690 - note on back: "Artist in Charm Magazine 3/48-8/48 - 7/48 pg. 56" | ||||||||||
Box 230 | Tables of Contents Sept. 1945-Spring 1951 (3 folders) | ||||||||||
Pic Quarterly | |||||||||||
See Pic (New York, N.Y.). | |||||||||||
Picture-Play Magazine | |||||||||||
See Picture-Play Weekly. | |||||||||||
Picture-Play (New York, N.Y. 1926) | |||||||||||
See Picture-Play Weekly. | |||||||||||
Picture Play (New York, N.Y. 1938) | |||||||||||
See Picture-Play Weekly. | |||||||||||
Picture-Play Weekly (combines records for Picture-Play Magazine; Picture-Play (New York, N. Y. 1926); Street & Smith's Picture Play; Picture Play (New York, N.Y. 1938); Your Charm; Charm) | |||||||||||
Box 230 | Manuscripts purchase cards 1926 | ||||||||||
Box 231 | Manuscripts purchase cards 1927-Sep 1938 (11 folders) | ||||||||||
Box 231 | Manuscripts vouchers Jan 1938-Jun 1939 (4 folders) | ||||||||||
Box 232 | Manuscripts vouchers Jul 1939-Dec 1945 (13 folders) | ||||||||||
Box 233 | Manuscripts vouchers Jan 1946-Dec 1955 (13 folders) | ||||||||||
Box 234 | Manuscripts vouchers Jan 1956-Aug 1959 (4 folders) | ||||||||||
Manuscripts | |||||||||||
Box 234 | Inventories of manuscripts charged off and memoranda 1942-1948 | ||||||||||
Box 234 | Alteration Job / Virginia Earle and Romilda Dilley - includes layout, including illustration, payment note | ||||||||||
Box 234 | Be Your Own U.S.O. [alternate title: "You Can Be Your Own U.S.O"] / Norton Hughes Jonathan - includes letters, 2 versions of manuscript, layout | ||||||||||
Box 234 | Beauty on the Battlefront / Dorothy Emerson White | ||||||||||
Box 234 | Between the Wooing and the Wedding / M. Hayden | ||||||||||
Box 234 | The Black Pearl / Grace B. Martin - 2 versions | ||||||||||
Box 234 | Blueprint for Barbara and Bill / Jessica Ryan - includes payment note on index card | ||||||||||
Box 234 | The Boss of Your Dreams / Rene W.P. Leonhardt | ||||||||||
Box 234 | Boy Loses Girl / Robert Fontaine - includes payment note and carbon copy of manuscript | ||||||||||
Box 234 | Breakfast Is a Must! or Try Some Morning Magic / Ruth K. Bock - includes payment note | ||||||||||
Box 234 | Budget Article / Sheila L. Blystone - re-write; includes payment note on index card, voucher | ||||||||||
Box 234 | Calling All Career Girls / Sally Warren - includes note | ||||||||||
Box 234 | Chilly? Try Chinchilla / Alfred S. Campbell | ||||||||||
Box 234 | Christmas Story / Marian Rhea - includes voucher | ||||||||||
Box 234 | Conventions Are What You Make Them [alternate title: "Chats at Midnight Conventions Are What You Make Them"] / Thyra Samter Winslow - 2 versions | ||||||||||
Box 234 | Deathless Music / Fredda Dudley | ||||||||||
Box 234 | Delia and the Cock-eyed Monster / Robert Fontaine - includes payment note and carbon copy of manuscript | ||||||||||
Box 234 | A Doggie Job . . . or a Canine Career / Etna M. Kelley - includes payment note, photographs, printed material | ||||||||||
Box 234 | Double Duty / Frances Tyler Matlaf | ||||||||||
Box 234 | The Dynamite Queen / Pearl P. Puckett - includes photograph | ||||||||||
Box 234 | Finding a Job / Bebe Cass - includes 2 notes, one indicating payment | ||||||||||
Box 234 | Florida Here We Come! / Georgina Campbell - includes 2 notes, one indicating payment | ||||||||||
Box 234 | Go Adventuring Near Home / Laura Van Zandt | ||||||||||
Box 234 | The Great Men's Ladies / Barbara Berch - includes note | ||||||||||
Box 234 | I Work for a Living Among Flowers / Herb Saltford - includes correspondence, memorandum, photograph | ||||||||||
Box 234 | Identity Unknown / Fredda Dudley | ||||||||||
Box 234 | It's All in the Foxy Business / Pearl P. Puckett | ||||||||||
Box 234 | Know Your Own Body / Louise Fox Connell - includes payment note on index card | ||||||||||
Box 234 | Lady Boss / Lillian Frances Wandor | ||||||||||
Box 234 | Lost Girl / Betty Booth - includes payment note | ||||||||||
Box 234 | March - In' Step / Ruth K. Bock - includes payment note | ||||||||||
Box 234 | Mark on the Evening Sky / Stanley Altman | ||||||||||
Box 234 | Never Say No / Richard English | ||||||||||
Box 234 | Next Door to Heaven / Robert Fontaine - includes payment note and carbon copy of manuscript | ||||||||||
Box 234 | Nine Year Old Knock-out / Fredda Dudley | ||||||||||
Box 234 | Not to Be Entered Into Unadvisedly / Robert Fontaine - includes payment note and carbon copy of manuscript | ||||||||||
Box 234 | Occupation Housewife / Elizabeth C. Hodges | ||||||||||
Box 234 | Orchids in the Moonlight / Fredda Dudley | ||||||||||
Box 234 | Perfumes, from the Store, and from Your Garden / Frances Turner | ||||||||||
Box 234 | Pioneer Without Peers / Pearl P. Puckett | ||||||||||
Box 234 | Postwar Memorizing / Frances B. Audette | ||||||||||
Box 234 | Psychic Summons / Fredda Dudley | ||||||||||
Box 234 | Pursuit of Happiness / Margaret J. Baker | ||||||||||
Box 234 | Rendezvous with Death / Marian Rhea - includes carbon copy | ||||||||||
Box 234 | Start the Gang Singing [alternate title: It's Fun to Sing"] / Crystal Waters | ||||||||||
Box 234 | Vicious Circle / Kitty Parsons | ||||||||||
Box 234 | What Page of the Newspaper Do You Belong On? / Gay Churchill | ||||||||||
Box 234 | What's in a Glove? [alternate titles "Your Gloves Tell a Story" ; "Your Gloves, Milady"] / Maymie R. Krythe | ||||||||||
Box 234 | Why Not Try Dog-Dressmaking? / Etna M. Kelley - includes illustration, payment note, photographs | ||||||||||
Box 234 | You Can't Lose / Patty de Roulf - 2 versions, with payment note on index card, voucher | ||||||||||
Box 234 | Your Hands Tell the Story / Ray Shaw | ||||||||||
Manuscripts artwork | |||||||||||
Box 235 | Inventory of art charged off 12/31/48 | ||||||||||
Oversize 10 | Elliot, Michael - photographs (6) #5587 (from inventory) | ||||||||||
Box 235 | Heilbron/Photo Associates - drawings (3) "BG with animals" #10076 (from accompanying note and inventory); voucher no. 14654 on drawings | ||||||||||
Box 235 | Howard, Richard - drawing (1) #5716 (from inventory) | ||||||||||
Box 235 | Howland, Wm. F. - photographs (4) of closet accessories #11365 (from inventory) | ||||||||||
Box 235 | Johnstone & Cushing - O'Sann[?] spots (8) #1647 (from inventory) | ||||||||||
Box 235 | Lowe, S. - spot illustration (3) #5258 (from inventory) | ||||||||||
Oversize 11 | Plucer glass photographs (3) - #10249 (from note) | ||||||||||
Box 235 | Tables of Contents May 1926-Dec 1941 (6 folders) | ||||||||||
Box 236 | Tables of Contents Jan 1942-Oct. 1959 (7 folders) | ||||||||||
Pocket Western | |||||||||||
See Pocket Western Magazine. | |||||||||||
Pocket Western Magazine (combines records for Pocket Western) | |||||||||||
Manuscripts | |||||||||||
Box 236 | Inventory of manuscripts 1937, undated | ||||||||||
Box 236 | The Dead Can Wait / Rex Langford [a.k.a. Christopher Booth] - includes R. Oliphant reader report | ||||||||||
The Popular | |||||||||||
See The Popular Magazine (New York, N.Y. 1903). | |||||||||||
The Popular Complete Stories | |||||||||||
See Complete Story Magazine. | |||||||||||
The Popular Magazine (New York, N.Y. 1903) (combines records for The Popular Stories; The Popular; The Popular Magazine (New York, N.Y. 1928) | |||||||||||
Manuscripts | |||||||||||
Box 236 | List of "Popular stories reprinted in Sea Stories" [Magazine] | ||||||||||
Box 236 | List of "Popular stories reprinted in Sport Stories" [Magazine] | ||||||||||
Box 236 | Publicity | ||||||||||
The Popular Magazine (New York, N.Y. 1928) | |||||||||||
See The Popular Magazine (New York, N.Y. 1903). | |||||||||||
The Popular Stories | |||||||||||
See The Popular Magazine (New York, N.Y. 1903). | |||||||||||
Real Love Magazine | |||||||||||
See Live Girl Stories. | |||||||||||
Red Dragon Comics (New York, N.Y. 1947) | |||||||||||
Box 236 | Manuscripts and art vouchers 1947-1948 | ||||||||||
Romance Range - combines records for Romantic Range, Street & Smith's Romantic Range | |||||||||||
Box 236 | Manuscripts purchase cards Aug. 1935-Sept. 1938 | ||||||||||
Box 237 | Manuscripts vouchers Jan 1938-Dec 1944 (12 folders) | ||||||||||
Box 238 | Manuscripts vouchers Jan 1945-Nov 1946 (2 folders) | ||||||||||
Manuscripts - includes vouchers | |||||||||||
Box 238 | Inventories of charge-offs and memoranda 1942-1947 | ||||||||||
Box 238 | Age Nine / Mary Weingarth | ||||||||||
Box 238 | All or Nothing / Ray Vicker | ||||||||||
Box 238 | Arizona Moonrise / Grace Meredith | ||||||||||
Box 238 | Brigand Bob Rides Again [alternate title: "Treasure Hunt for Hearts"] / Lytle Shannon - includes galleys | ||||||||||
Box 238 | Cactus Flower / Ray Vicker | ||||||||||
Box 238 | Calico Cupid / Beatrice Shaw Chapel | ||||||||||
Box 238 | Congo the Cat / Garrison K. Rumford | ||||||||||
Box 238 | The Cosmos and Letty Buckle [alternate title: "Aggravatin' Jasper"] / Giff Cheshire | ||||||||||
Box 238 | The Courtship of Ike Beamish / Thomas Calvert [a.k.a. Patsy Perrigorde?] - no voucher | ||||||||||
Box 238 | Cupid Stacks the Deck / Damaris Beckstead | ||||||||||
Box 238 | Deep Hills / L.P. Holmes | ||||||||||
Box 238 | Drought in Her Heart / Thomas Calvert - no voucher | ||||||||||
Box 238 | Dusk / Grace Sayre | ||||||||||
Box 238 | Eyes on Tomorrow / Ray Vicker | ||||||||||
Box 238 | The Girl in Three Cornered Pants / Agatha Gandy | ||||||||||
Box 238 | The Golden Arrow / T.C. McClary and Massard Kur-Zhene - no voucher | ||||||||||
Box 238 | Hank an' His Hoss / Carmen Malone - no voucher | ||||||||||
Box 238 | Hoofbeats and the Gospel / Damaris Beckstead | ||||||||||
Box 238 | It's a Far Piece Home / Garrison K. Rumford | ||||||||||
Box 238 | Josie Takes Sandy Hill / Jan Young | ||||||||||
Box 238 | Lariat of Love) / Shawn Arlow - 2 parts | ||||||||||
Box 238 | Let's Play Checkers / Millard Hopper - 3parts; includes illustration | ||||||||||
Box 238 | Man from the Rio Grande / Ernest Jones | ||||||||||
Box 238 | New Heart for Hart [alternate title: "Wrangling Isn't Enough"] / Geoffrey Mapes | ||||||||||
Box 238 | Party Line Feb.-Nov. 1943 - in 8 parts, no author or voucher | ||||||||||
Box 238 | Renegade's Romance / James B. McLean - no voucher | ||||||||||
Box 238 | Saddle Bum from the Nueces / Patsy Perrigorde - no voucher | ||||||||||
Box 238 | Sikak's Secret / Patsy Perrigorde - no voucher | ||||||||||
Box 238 | Solitudes / Paul T. Gilbert - no voucher | ||||||||||
Box 238 | Sourdoughs and Love / Carmen Malone - no voucher | ||||||||||
Box 238 | Trouble with the Cook / Leta Zoe Adams | ||||||||||
Box 238 | Tuh Weight-Gainin' Gals / Carmen Malone - no voucher | ||||||||||
Box 239 | Us Pokes Don't Like Thet Dude / Carmen Malone - no voucher | ||||||||||
Box 239 | When the Buzzards Fly / Ken Cooper | ||||||||||
Box 239 | Whistle in Her Heart / Giff Cheshire | ||||||||||
Box 239 | Whodonit Didn't / Carmen Malone - no voucher | ||||||||||
Box 239 | Winter Range / Scott Ellsworth | ||||||||||
Box 239 | Engraving plates (2), one with proof | ||||||||||
Box 239 | Kodachromes (2) | ||||||||||
Box 239 | Tables of Contents Nov. 1935-Jan. 1947 (6 folders) | ||||||||||
Romantic Range | |||||||||||
See Romance Range. | |||||||||||
Science Is in the Air | |||||||||||
Box 239 | Manuscripts vouchers May 1947, Sept. 1947 | ||||||||||
Box 239 | Table of Contents undated | ||||||||||
Science World | |||||||||||
Box 239 | Manuscripts vouchers Oct 1956-Dec 1957 (4 folders) | ||||||||||
Box 240 | Manuscripts vouchers Jan 1958-Apr 1959 (3 folders) | ||||||||||
Box 240 | Voucher information by issue (partial) Feb. 5, 1957-May 19, 1959 | ||||||||||
Box 240 | Cumulative indexes, printed, volumes 1-5 | ||||||||||
Box 240 | Tables of Contents Feb 1957-May 1959 - includes undated pilot issue | ||||||||||
Sea Stories | |||||||||||
See Sea Stories Magazine. | |||||||||||
Sea Stories Magazine (combines records for Sea Stories; Excitement; Street & Smith's College Stories) | |||||||||||
Manuscripts | |||||||||||
Box 240 | List[s] of stories from various magazines reprinted in Sea Stories Magazine - includes carbon copy annotated in ink | ||||||||||
Box 240 | Inventories of manuscripts for [Sea Stories Magazine], Sea Story [Stories], Excitement, [Street & Smith's] College Stories | ||||||||||
Box 240 | Arms of the Beast [alternate title: "The Torturing Hammer Lock"] / Kenneth Rand | ||||||||||
Box 240 | Arthur Duffey Says | ||||||||||
Box 240 | Back from the Dead / [Paul Chadwick?] | ||||||||||
Box 240 | Barnard / Helen Block - includes galleys | ||||||||||
Box 240 | The Big Shot from Philly [alternate title: "A Night in the Sporting Club"] / Kingsley Moses - includes note | ||||||||||
Box 240 | The Bottled Mystery / J. Allan Dunn - includes note | ||||||||||
Box 240 | The Campus Big Shot / Leo Shull - includes galleys | ||||||||||
Box 240 | Canyon of the Devil Bird / Franklin M. Ritchie - includes note | ||||||||||
Box 240 | The 'Cenci's' Gold / Frank Bisson - includes illustration, galley, note | ||||||||||
Box 240 | Cinnabar for Kwala Sekor [alternate title: "The Cinnabar Row at Kwala Sekor"] / Warren Hastings Miller - includes note | ||||||||||
Box 240 | Coeds Rise Slowly [alternate title: "Rise of Coeds Not Sensational"] / [John L.] Nanovic | ||||||||||
Box 240 | Cold Turkey / Edgar L. Cooper - includes note | ||||||||||
Box 240 | Colleg[e] 5 Fillers - galleys | ||||||||||
Bigger and Better Dates Coeds Don't Hunt Husbands If You Whistle You're a Dumb-Bell |
|||||||||||
Box 240 | Collegiana / no author | ||||||||||
Box 240 | The Count / P.M. Mongan - includes note | ||||||||||
Box 240 | Death Deals Last / Robert Carse - includes note | ||||||||||
Box 240 | The Death Ship / J. Allan Dunn | ||||||||||
Box 240 | Disappearing Men / Edwin L. Zinn - includes note | ||||||||||
Box 240 | Do Only Saps Work -- Their Way Through College? / [John L.] Nanovic | ||||||||||
Box 240 | Drum Fire / Harold F. Cruickshank | ||||||||||
Box 240 | Exciting Moments in Lives of the Great : George Washington / Paul Chadwick - galleys only | ||||||||||
Box 240 | Exciting Moments in Lives of the Great : Theodore Roosevelt / Paul Chadwick | ||||||||||
Box 240 | Exciting Moments in Science / D.E. Wheeler - 5 parts | ||||||||||
Conquering the Air Electric Light Pasteur and Germs The Telphone Wireless |
|||||||||||
Box 240 | The Fifth Ace / Harry U. Biggs | ||||||||||
Box 240 | Fires of Hatred / Harry Harrison Kroll - includes note | ||||||||||
Box 240 | Girls Growing Taller [alternate title: "The Girls Are Growing Taller"] / no author | ||||||||||
Box 240 | Heads or Diamonds / Franklin M. Ritchie | ||||||||||
Box 240 | Heroes Are Made / no author | ||||||||||
Box 240 | 'Higher' Education / no author | ||||||||||
Box 241 | High-Rollin' Kid / Robert Carse - includes note | ||||||||||
Box 241 | Hot Justice [alternate title: "Six-Gun Justice"] / J.R. Johnston - includes notes | ||||||||||
Box 241 | The Irish Navy / Barry McCarthy - includes galleys, illustrations, memorandum | ||||||||||
Box 241 | The Jahid Buster / Wilson S. Freesland - includes note | ||||||||||
Box 241 | Kafufu / W.S. Chadwick - includes note | ||||||||||
Box 241 | Killers of Murder Mountain / Harry Harrison Kroll - includes note | ||||||||||
Box 241 | Lights on the North Pacific / H. Glynn-Ward - galley only | ||||||||||
Box 241 | Mail Pouch a 'Roads' Scholar / [John L.] Nanovic | ||||||||||
Box 241 | The Man Who Stayed [alternate title: "The Men Who No One Knew"] / Frederick Schlick - includes galleys, illustration, notes | ||||||||||
Box 241 | Mardi / Neil Moran - includes music score | ||||||||||
Box 241 | Meals by the Mile / John Montague | ||||||||||
Box 241 | Mr. Death's Diamond [alternate title: "Death's Diamond"] / Gerald Norman-Jones - includes note | ||||||||||
Box 241 | My Mother's Serenade / Neil Moran - includes music score, note | ||||||||||
Box 241 | No Landslides / Sam Carson - includes note | ||||||||||
Box 241 | A Noose for Chuck Cordray [alternate title: "Hanging Chuck-line Cordray"] / Phil Richards - includes note | ||||||||||
Box 241 | Off Cape Horn [alternate title: "Seven Weeks Off Cape Horn"] / Gerald Norman-Jones - includes galleys, illustration, note | ||||||||||
Box 241 | Old Warhorse [alternate title: "One of the Fifth"] / Lee Robinson | ||||||||||
Box 241 | Polynesian Lagoons [alternate title: "Wonder Lagoons of the South Seas"] / Duncan Alexander | ||||||||||
Box 241 | Puzzles - crossword | ||||||||||
Box 241 | Rebellion! [alternate title: The Killers"] / Eugene de Barre | ||||||||||
Box 241 | Red Bayonets / Harold F. Cruickshank - includes note | ||||||||||
Box 241 | Red Darkness / Jack Stradling - includes note | ||||||||||
Box 241 | The Rescue of a Shipmate / Paul Chadwick | ||||||||||
Box 241 | The Ricksha Murder [alternate title: "The Ricksha Mystery"] / Marie Louise Eliott - includes note | ||||||||||
Box 241 | The Romoff Pearls / Ross Annett | ||||||||||
Box 241 | Running Wild / Sam Carson - no manuscript, galleys, illustration, note | ||||||||||
Box 241 | The Sea-Slug Bracelet / Edwin L. Zinn | ||||||||||
Box 241 | Shooting for the Moon / no author | ||||||||||
Box 241 | Shots at San Lebano [alternate title: "Two for Justice"] / Jacland Marmur | ||||||||||
Box 241 | The Silver Flame (in 6 parts) / Geoffrey North | ||||||||||
Box 241 | Spanish Gold / J. Allan Dunn | ||||||||||
Box 242 | Sparks in the Sky / Franklin M. Ritchie | ||||||||||
Box 242 | The Sword from Carolina [alternate title: "Tulwars of the Hindu Kush"] / Wilson S. Freesland - includes note | ||||||||||
Box 242 | Tiger in the Street [alternate title: "The Man and the Man-eater"] / Srinivas Ram Wagel - includes note | ||||||||||
Box 242 | The Timber Wolf / Clay Perry - includes illustration, note | ||||||||||
Box 242 | Too Much Fan Mail / [John L.] Nanovic | ||||||||||
Box 242 | The Trouble with the Double / Geoffrey North - includes note | ||||||||||
Box 242 | 'Which College' contest replies and essays on "My Favorite College" - includes illustration | ||||||||||
Box 242 | White Feathers / Raoul Whitfield | ||||||||||
Box 242 | Working Their Way [alternate title: "Working Their Way for $26,000,000] / [John L.] Nanovic | ||||||||||
Sea Story Annual (combines records for Sea Story Anthology) | |||||||||||
Box 242 | Manuscripts voucher 1943 | ||||||||||
Box 242 | Tables of Contents 1943-1944, 1948 | ||||||||||
Sea Story Anthology | |||||||||||
See Sea Story Annual. | |||||||||||
The Shadow (New York, N.Y. 1931) (combines records for The Shadow Detective Monthly; The Shadow Magazine; The Shadow (New York, N.Y. 1937); Shadow Mystery; The Shadow (New York N.Y. 1948) | |||||||||||
Box 242 | Manuscripts purchase cards Jan 1931-Nov 1938 (2 folders) | ||||||||||
Box 242 | Manuscripts vouchers Feb 1938-Dec 1943 (7 folders) | ||||||||||
Box 243 | Manuscripts vouchers Jan 1944-Apr 1949 (4 folders) | ||||||||||
Manuscripts | |||||||||||
Box 243 | Copyright registration for selected titles 1939-1955 - photocopies | ||||||||||
Box 243 | Inventories of manuscripts charged off and memoranda 1947-1948 | ||||||||||
Box 243 | Lists of novels by periodical date | ||||||||||
Box 243 | Fall Guys / Edgar Daniel Kramer | ||||||||||
Box 243 | Mercy Killing / Ann Lightley - includes engraving plate, illustration proof | ||||||||||
Box 243 | My Poor Willie [alternate title: "With Benefit of Casket"] / Talmage Powell - includes engraving plate, illustration proof, layout | ||||||||||
Box 243 | Tables of Contents Apr/Jun 1931-Dec 1936 (3 folders) | ||||||||||
Box 244 | Tables of Contents Jan 1937-Summer 1949 (9 folders) | ||||||||||
The Shadow (New York, N.Y. 1937) | |||||||||||
See The Shadow (New York, N.Y. 1931). | |||||||||||
The Shadow (New York, N.Y. 1948) | |||||||||||
See The Shadow (New York, N.Y. 1931). | |||||||||||
The Shadow Annual | |||||||||||
Box 244 | Tables of Contents 1942-1943 | ||||||||||
The Shadow Comics | |||||||||||
Box 244 | Art vouchers Nov 1943-Mar 1949 (4 folders) | ||||||||||
Box 245 | Manuscripts vouchers Jan 1945-Apr 1949 (4 folders) | ||||||||||
The Shadow Detective Monthly | |||||||||||
See The Shadow (New York, N.Y. 1931). | |||||||||||
The Shadow Magazine | |||||||||||
See The Shadow (New York, N.Y. 1931). | |||||||||||
Shadow Mystery | |||||||||||
See The Shadow (New York, N.Y. 1931). | |||||||||||
The Shadow Radio Series | |||||||||||
Box 245 | Lists of scripts - partial | ||||||||||
Box 245 | Memoranda 1940-1971 (3 folders) | ||||||||||
Box 245 | Research notes undated | ||||||||||
Box 245 | Notes, miscellaneous undated | ||||||||||
Box 245 | Printed material 1941-1970, undated - photocopies | ||||||||||
Smart Love Stories | |||||||||||
See Ainslee's. | |||||||||||
Special comics - manuscripts purchased possibly for inclusion in Army & Navy Comics | |||||||||||
Manuscripts | |||||||||||
Box 245 | Inventory of manuscripts and memoranda 1943-1944 | ||||||||||
Box 245 | Army [from inventory] / Phil R. Sheridan | ||||||||||
Box 245 | Naval Heroes / [Pat] O'Neill | ||||||||||
Sport Story Annual (combines records for Street & Smith's Sport Story Year Book) | |||||||||||
Box 245 | Tables of Contents 1942-1943 | ||||||||||
Sport Story Magazine (combines records for Street & Smith's Sport Story Magazine) | |||||||||||
Box 245 | Manuscripts purchase cards Jan 1926-Jun 1929 (4 folders) | ||||||||||
Box 246 | Manuscripts purchase cards Jul 1929-Oct 1938 (10 folders) | ||||||||||
Box 246 | Manuscripts vouchers Jan 1938-Dec 1939 (5 folders) | ||||||||||
Box 247 | Manuscripts vouchers Jan 1940-Jun 1943 (7 folders) | ||||||||||
Manuscripts | |||||||||||
Box 247 | List of stories from various magazines reprinted in Sport Story Magazine - 2 copies | ||||||||||
Box 247 | Inventories of manuscripts, including charge-offs and memoranda 1938-1944 | ||||||||||
Box 247 | All to the Mustered / Arthur Mann - includes voucher | ||||||||||
Box 247 | Bat Shy [alternate title: "Curve Ball Hitter"] / Mack Donlan [a.k.a. Donald John MacLauchlan] | ||||||||||
Box 247 | The Battle of the Ages / William Inglis - no manuscript, voucher with note | ||||||||||
Box 247 | The Best Policy / John H. Compton | ||||||||||
Box 247 | Down the Middle / Donald MacLauchlan | ||||||||||
Box 247 | For Elect / no author | ||||||||||
Box 247 | Four Outs=One Inning / Arthur Mann | ||||||||||
Box 247 | 4-F at First / Arthur Mann | ||||||||||
Box 247 | Fresh Fish [alternate title: "He Wouldn't Fight"] / J. Anton Burchard - includes R. Oliphant reader report | ||||||||||
Box 247 | International Grid Gamble / Stanley C. Vickers | ||||||||||
Box 247 | Into the Playoffs / Donald John MacLauchlan | ||||||||||
Box 247 | It's a Wonderful Age / Donald John MacLauchlan | ||||||||||
Box 247 | The Kick-Off / Bertram Lebhar | ||||||||||
Box 247 | Lone Star Kokinatos [alternate title from inventory, voucher: "Sleepy Time Where the Resin Blooms"] / Phil R. Sheridan - includes voucher | ||||||||||
Box 247 | Minor League Greats / [Donald John] MacLauchlan | ||||||||||
Box 247 | More Fighters / John Graham | ||||||||||
Box 247 | The Old Army Game / Arthur Mann - includes voucher | ||||||||||
Box 247 | One for the Money / Arthur Mann | ||||||||||
Box 247 | One Game Pitcher / Arthur Mann | ||||||||||
Box 248 | Only the Brave / Bennett Ladd [a.k.a. Clifford Dowdey?] - includes reader report | ||||||||||
Box 248 | Paradise for Peanuts / Phil R. Sheridan [a.k.a. Ted O'Meara] - includes galleys | ||||||||||
Box 248 | Ring Around Rosie / Arthur Mann | ||||||||||
Box 248 | Shanty Shares a Ship / Ross Russell | ||||||||||
Box 248 | Short Shorts of Sport / Harold C. Burr [et al.?] | ||||||||||
Box 248 | Skull Practice / Stanley C. Vickers | ||||||||||
Box 248 | Sportsword Puzzle / Stanley C. Vickers | ||||||||||
Box 248 | The Story of Starcher / Philip Scruggs - includes R. Oliphant reader report | ||||||||||
Box 248 | Sudden Life / Arthur Mann | ||||||||||
Box 248 | The Sweep-Swingers / Edgar Daniel Kramer - includes R. Oliphant reader report | ||||||||||
Box 248 | Three Times and Out / Donald MacLauchlan | ||||||||||
Box 248 | Two for Tea / Donald MacLauchlan | ||||||||||
Box 248 | Why Mr. Cobb / [Donald John] MacLauchlan | ||||||||||
Box 248 | Tables of Contents May 1926-Dec 1933 (8 folders) | ||||||||||
Box 249 | Tables of Contents Jan 1934-July 1943 (8 folders) | ||||||||||
Street & Smith's Air Trails | |||||||||||
See Air Trails (New York, N.Y. 1928). | |||||||||||
Street & Smith's All Star Sports | |||||||||||
See Pic (New York, N.Y.). | |||||||||||
Street & Smith's Baseball Pictorial Yearbook | |||||||||||
See Street & Smith's Baseball Year Book. | |||||||||||
Street & Smith's Baseball Year Book (combines records for Street & Smith's Pictorial Baseball Yearbook; Street & Smith's Baseball Pictorial Yearbook; Street and Smith's Baseball Yearbook) | |||||||||||
Box 249 | Manuscripts vouchers Nov. 1940-Feb. 1948, Jan. 1950-Feb. 1961 (2 folders) | ||||||||||
Box 249 | Manuscripts vouchers Nov 1940-Feb 1948, Jan 1950-Feb 1961 (3 folders) | ||||||||||
Box 249 | Tables of Contents 1941-1948, 1952-1953, 1955-1962 | ||||||||||
Street & Smith's Baseball Yearbook | |||||||||||
See Street & Smith's Baseball Year Book. | |||||||||||
Street & Smith's Basketball Year Book | |||||||||||
Box 249 | Tables of Contents 1957-1958 | ||||||||||
Street & Smith's Clues Detective Stories | |||||||||||
See Clues (New York, N.Y.). | |||||||||||
Street & Smith's College Stories | |||||||||||
See Sea Stories Magazine. | |||||||||||
Street & Smith's Complete Magazine | |||||||||||
See Complete Story Magazine. | |||||||||||
Street & Smith's Complete Stories (New York, N.Y. 1931) | |||||||||||
See Complete Story Magazine. | |||||||||||
Street & Smith's Complete Stories (New York, N.Y. 1932) | |||||||||||
See Complete Story Magazine. | |||||||||||
Street & Smith's Detective Story Annual (combines records for Detective Story Annual) | |||||||||||
Box 250 | Correspondence 1 Nov. 1940 - letter of permission, Steve Fisher | ||||||||||
Box 250 | Tables of Contents 1941-1949 | ||||||||||
Street & Smith's Detective Story Magazine | |||||||||||
See Detective Story Magazine. | |||||||||||
Street & Smith's Doc Savage | |||||||||||
See Doc Savage Magazine. | |||||||||||
Street & Smith's Far West Romances | |||||||||||
See True Western Stories. | |||||||||||
Street & Smith's Far West Stories | |||||||||||
See True Western Stories. | |||||||||||
Street & Smith's Football Year Book (combines records for Street & Smith's Pictorial Football Yearbook; Street & Smith's Football Pictorial Yearbook; Street and Smith's Football Yearbook) | |||||||||||
Box 250 | Manuscripts vouchers May 1940-Jun 1949, Apr 1951-May 1961 (2 folders) | ||||||||||
Box 250 | Tables of Contents 1940-1948, 1951-1961 | ||||||||||
Street & Smith's Football Pictorial Yearbook | |||||||||||
See Street & Smith's Football Year Book. | |||||||||||
Street & Smith's Football Yearbook | |||||||||||
See Street & Smith's Football Year Book. | |||||||||||
Street & Smith's Love Story Annual (combines records for Street & Smith's Love Story Anthology) | |||||||||||
Box 250 | Tables of Contents 1946-1947 | ||||||||||
Street & Smith's Love Story Anthology | |||||||||||
See Street & Smith's Love Story Annual. | |||||||||||
Street & Smith's Love Story Magazine | |||||||||||
See Love Story Magazine. | |||||||||||
Street & Smith's Mystery Magazine | |||||||||||
See Crime Busters. | |||||||||||
Street & Smith's National Magazine | |||||||||||
Box 250 | Manuscripts vouchers 1941 | ||||||||||
Manuscripts | |||||||||||
Box 250 | Inventories of manuscripts, correspondence, memoranda 1941-1943, undated | ||||||||||
Box 250 | Death from the Sky / Frank Gruber - includes art order, note, voucher | ||||||||||
Box 250 | Dennie [Slade]--Cupid / Harold Montanye - includes blurb | ||||||||||
Box 250 | Excerpts of the Month from Camp Publications Throughout the Nation [alternate title from vouchers: "Camp Digest"] / Herbert E. Smith - galleys, vouchers, no manuscript | ||||||||||
Box 250 | The Fighting First [Division] / Allan Keller - includes blurb, note, voucher | ||||||||||
Box 250 | How the Medal Was Won / John Galbraith [a.k.a. J.G. Forrest? from voucher] | ||||||||||
Box 250 | How to Be a Weather Prophet [alternate title from voucher: "Weather Report"] / H. Allen Smith - includes clipping, note | ||||||||||
Box 250 | The Ice Patrol / R. de S. Horn - includes payment note, and two others | ||||||||||
Box 250 | In This Issue Number 1 Soldier / Herbert E. Smith - includes voucher | ||||||||||
Box 250 | Mail Call / Herbert E. Smith - includes note, voucher | ||||||||||
Box 250 | The Patriot / Moran Tudury - includes note, voucher | ||||||||||
Box 250 | Peace at Any Price / Jim Kjelgaard - includes correspondence, note, voucher | ||||||||||
Box 250 | Profiles [2] Regular"; "Rookie" / Herbert E. Smith - includes note, voucher | ||||||||||
Box 250 | Ready on the Smiling Line / Herbert E. Smith - includes note, voucher | ||||||||||
Box 250 | The Rooster Crows / Frank Gruber - includes note, voucher | ||||||||||
Box 250 | Ships / Allan Keller - includes notes, voucher | ||||||||||
Box 250 | ["Soldier's Delight"] [alternate title: "Java, Not Geography"] / John Galbraith - a.k.a. J.G. Forrest from voucher, galleys, no manuscript | ||||||||||
Box 250 | A Soldier's Holiday / Herbert E. Smith - captions, with layout, memoranda, notes, voucher | ||||||||||
Box 250 | Tank Trouble / Frank Gruber - includes note, voucher | ||||||||||
Box 250 | Top Notch Performers / William Winter - includes note | ||||||||||
Box 251 | The War of Nerves and an American Mother and Her Son / J.E. Grear - includes note | ||||||||||
Box 251 | What It Takes to Feed the Army / A. Leviero - includes note, voucher | ||||||||||
Box 251 | 'Wyoming' to the Rescue! / Herbert E. Smith - includes notes, photograph | ||||||||||
Box 251 | Galleys - Sep1941 | ||||||||||
Box 251 | Photographs (26) , U.S. Army Signal Corps | ||||||||||
Box 251 | Tables of Contents July, Aug. 1941 | ||||||||||
Street & Smith's Pictorial Baseball Yearbook | |||||||||||
See Street & Smith's Baseball Year Book. | |||||||||||
Street & Smith's Pictorial Football Yearbook | |||||||||||
See Street & Smith's Football Year Book. | |||||||||||
Street & Smith's Picture Play | |||||||||||
See Picture-Play Weekly. | |||||||||||
Street & Smith's Real Love Magazine | |||||||||||
See Live Girl Stories. | |||||||||||
Street & Smith's Romantic Range | |||||||||||
See Romance Range. | |||||||||||
Street & Smith's Sport Comics (combines records for True Sport Picture-Stories; True Sport Picture Stories) | |||||||||||
Box 251 | Art vouchers Aug 1942-Dec 1947, undated (2 folders) | ||||||||||
Box 251 | Manuscripts vouchers Jun 1941-Apr 1949 (4 folders) | ||||||||||
Manuscripts | |||||||||||
Box 251 | Inventory of manuscripts charged off and memoranda Dec. 1944 | ||||||||||
Box 251 | Color / Arthur L. Rafter | ||||||||||
Box 251 | Golf for Jitters / Arthur L. Rafter | ||||||||||
Box 251 | Heroes in Sports Walter (Pop) Scholl / John Graham - from art voucher 7/29/43 #13882 | ||||||||||
Box 251 | Heroes of Sport [Hank] Luisetti / John Graham - from art voucher 8/18/42 #13910 | ||||||||||
Box 251 | Heroes of Sport [Jean] Witter / John Graham - from art voucher 7/29/43 #13882 | ||||||||||
Box 251 | Heroes of Sport Nile Kinnick / John Graham - from art voucher 10/1/43 #20753 | ||||||||||
Box 251 | One Man Down / Arthur L. Rafter | ||||||||||
Box 251 | A Pugilistic Goat / Arthur L. Rafter | ||||||||||
Box 251 | Sports Boners Base Runners / John Graham - from art voucher 8/26/43 #13898 | ||||||||||
Box 251 | Sports Boners the Rules Are Half the Battle / John Graham - from art voucher 8/26/43 #13898 | ||||||||||
Street & Smith's Sport Story Magazine | |||||||||||
See Sport Story Magazine. | |||||||||||
Street & Smith's Sport Story Year Book | |||||||||||
See Sport Story Annual. | |||||||||||
Street & Smith's Top-Notch | |||||||||||
See Top-Notch Magazine. | |||||||||||
Street & Smith's Top-Notch Magazine | |||||||||||
See Top-Notch Magazine. | |||||||||||
Street & Smith's Unknown (combines records for Unknown Worlds) | |||||||||||
Box 251 | Manuscripts vouchers Sep 1938-Dec 1940 (2 folders) | ||||||||||
Box 252 | Manuscripts vouchers Jan 1941-July 1943 (2 folders) | ||||||||||
Manuscripts | |||||||||||
Box 252 | Inventories of manuscripts and memoranda 1943-1944, undated | ||||||||||
Box 252 | Belled Cat / Frances Hall | ||||||||||
Box 252 | The Cats / Jane Rice - includes illustration proofs | ||||||||||
Box 252 | Housing Problem - no manuscript, illustration proofs only | ||||||||||
Box 252 | Lycanthropy / Alexander M. Phillips | ||||||||||
Box 252 | The Wellwisher / E.M. Hull | ||||||||||
Box 252 | Tables of Contents - Mar. 1939-Oct. 1943 | ||||||||||
Street & Smith's Western Story Annual | |||||||||||
See Western Story Annual. | |||||||||||
Street & Smith's Western Story Magazine | |||||||||||
See New Buffalo Bill Weekly. | |||||||||||
Street & Smith's Wild West | |||||||||||
See Wild West Weekly. | |||||||||||
Street & Smith's Wild West Weekly | |||||||||||
See Wild West Weekly. | |||||||||||
Super Magician Comics | |||||||||||
See Super-Magic Comics. | |||||||||||
Super-Magic Comics (combines records for Super-Magician Comics; Super Magician Comics) | |||||||||||
Box 252 | Art vouchers May 1944-Aug. 1946, undated | ||||||||||
Box 252 | Manuscripts vouchers Dec. 1944-Sept. 1946 | ||||||||||
Manuscripts | |||||||||||
Box 252 | Inventory of manuscripts charged off 1946 | ||||||||||
Box 252 | Tao Anwar 'Eggstraordinary' / Bruce Elliott - includes manuscript voucher #26664 | ||||||||||
Box 252 | Tao Anwar 'Four Whom the Belle Told!' / Bruce Elliott - includes copy of manuscript and manuscript voucher #26740 | ||||||||||
Super-Magician Comics | |||||||||||
See Super-Magic Comics. | |||||||||||
Supersnipe Comics | |||||||||||
See Army & Navy Comics. | |||||||||||
The Thrill Book | |||||||||||
Manuscripts - includes R. Oliphant reader reports | |||||||||||
Box 252 | Inventories of manuscripts and memoranda 1940-1941, undated | ||||||||||
Box 252 | After Fiffteen [sic] Years / Marbury L. Thompson [a.k.a. E.E. Dorchester] | ||||||||||
Box 252 | The Evil Men Do / Edmund Elliot [a.k.a. Elliot Balestier] | ||||||||||
Box 252 | The Hate That Outlasts Life / Wyndham Martyn | ||||||||||
Box 252 | In Memory of Sara Clewitt / no author | ||||||||||
Box 252 | Love at First Sight / Marbury L. Thompson [a.k.a. E.E. Dorchester] | ||||||||||
Box 252 | The Man Who Wouldn't Stay Buried / Florence Marian Tabor | ||||||||||
Box 252 | Out of Egypt [alternate title: "The Curse of Aa"] / G. Alexander Phare | ||||||||||
Box 252 | The Revenant / J. Allan Dunn | ||||||||||
Box 252 | Their Pasts / Marbury L. Thompson [a.k.a. E.E. Dorchester] | ||||||||||
Box 252 | Was She the Right One? / Marbury L. Thompson [a.k.a. E.E. Dorchester] | ||||||||||
Top Secrets | |||||||||||
Box 252 | Manuscripts and art vouchers May 1947-Apr. 1949 | ||||||||||
Top-Notch | |||||||||||
See Top-Notch Magazine. | |||||||||||
Top-Notch Magazine (combines records for Top-Notch; Top-Notch Twice-a-Month Magazine; Top-Notch Three-a-Month Magazine; Street & Smith's Top-Notch Magazine; Street & Smith's Top-Notch) | |||||||||||
Box 252 | Manuscripts purchase cards Jan 1926-Dec 1927 (2 folders) | ||||||||||
Box 253 | Manuscripts purchase cards Jan 1928-Aug 1937 (10 folders) | ||||||||||
Manuscripts | |||||||||||
Box 253 | Inventories of manuscripts, undated, and memorandum 1930 | ||||||||||
Box 253 | The Baratarian / Marsh Singleton [a.k.a. Hilliard Booth] - includes letter | ||||||||||
Box 253 | Calling / Neil Moran - includes music, reader report | ||||||||||
Box 253 | Cleared for Jedda / D.C. O'Flaherty | ||||||||||
Box 253 | Death Stalked in Cariboo / H. Glynn-Ward | ||||||||||
Box 253 | Geraldine Knew a Word / Charles H. Frederick [a.k.a. Carl F. Happel] | ||||||||||
Box 253 | Horses and Men / Robert Ginsburgh | ||||||||||
Box 253 | In Colors of Doubt / Marsh Singleton (2 folders) | ||||||||||
Box 253 | Meals By the Mile / John Montague | ||||||||||
Box 254 | Paid! [alternate titles: "The Better Way"; "In Full"; "In Full of Account"] / Hapsburg Liebe | ||||||||||
Box 254 | Pilot Wanted / E.W. Chess - no manuscript, galleys | ||||||||||
Box 254 | The 'Queen Liz' / Warren Elliot Carleton | ||||||||||
Box 254 | Scourge of the Desert / Ferdinand Berthoud | ||||||||||
Box 254 | Tables of Contents Jan 1930-Sep 1937 (8 folders) | ||||||||||
Top-Notch Three-a-Month Magazine | |||||||||||
See Top-Notch Magazine. | |||||||||||
Top-Notch Twice-a-Month Magazine | |||||||||||
See Top-Notch Magazine. | |||||||||||
True Love Stories | |||||||||||
See Live Girl Stories. | |||||||||||
True Sport Picture Stories | |||||||||||
See Street & Smith's Sport Comics. | |||||||||||
True Sport Picture-Stories see Street & Smith's Sport Comics | |||||||||||
See Street & Smith's Sport Comics. | |||||||||||
True Western Stories (combines records for Far West Illustrated Magazine; Far West Illustrated; Far West Stories; Street & Smith's Far West Stories; Street & Smith's Far West Romances) | |||||||||||
Manuscripts | |||||||||||
Box 254 | Inventories of manuscripts 1932, 1938, undated | ||||||||||
Box 254 | Adventuring in the Canadian Rockies / W.F. Gerhardt - includes note | ||||||||||
Box 254 | Bigotry / C. Wiles Hallock [a.k.a. Hale Wentworth] | ||||||||||
Box 254 | The Buckaroo System / HW [Hale Wentworth] | ||||||||||
Box 254 | Call of the Hills / Jack Bechdolt | ||||||||||
Box 254 | A Camera for Cupid / Marjorie B. Peregrine | ||||||||||
Box 254 | Chiquita / Joseph C. Drum | ||||||||||
Box 254 | Deep Stuff / H.W. [a.k.a. C. Wiles Hallock] | ||||||||||
Box 254 | Desert Fugitive / Bacon - partial manuscript with note bearing designation "extra pages" | ||||||||||
Box 254 | Desert Moon / Isabel Stewart May | ||||||||||
Box 254 | Double Trouble / H.W. [a.k.a. C. Wiles Hallock] | ||||||||||
Box 254 | Down Danger Trail / James Edward Hungerford | ||||||||||
Box 254 | The Forty-niner / C.B. [a.k.a. C. Wiles Hallock] | ||||||||||
Box 254 | From Oven to Matrimony / Floyd T. Wood | ||||||||||
Box 254 | Gettin' in Love / Clay Bassler [a.k.a. C. Wiles Hallock] | ||||||||||
Box 254 | Ghost Camps of the West / Reginald C. Barker - no manuscript, illustration, captions | ||||||||||
Box 255 | Heartbreak Valley / Ellen Hogue - includes synopsis of plot | ||||||||||
Box 255 | Hearts at Floodtide [alternate title: "Romance on the Red Rocks"] / Marjorie B. Peregrine | ||||||||||
Box 255 | High Climber / Hammond Davis [a.k.a. Eleanor Hammond?] | ||||||||||
Box 255 | The Home Ranch / no author | ||||||||||
Box 255 | Horse Sense / Harry R. Keller | ||||||||||
Box 255 | I Lived Four Months / Herbert Farris "Little Cowgirl" [alternate title: "Forgotten Range"] / Hammond Davis - including note | ||||||||||
Box 255 | Love Locoed [alternate title: "The Call of Love"] / Mary Ann Armstrong | ||||||||||
Box 255 | Mother's Boy / Donald Van Riper | ||||||||||
Box 255 | New Friends and New Places conducted by Uncle Jud / Edna Erle Wilson | ||||||||||
Box 255 | Nobody's Girl / Agnes Best | ||||||||||
Box 255 | Panther Stories / Kenneth Gilbert | ||||||||||
Box 255 | Partners in Woe / Harry R. Keller | ||||||||||
Box 255 | Poems / C. Wiles Hallock [under various pseudonyms] | ||||||||||
Box 255 | Poems / [C. Wiles Hallock?] - galleys only | ||||||||||
Box 255 | Riders to Paradise / Jack Bechdolt | ||||||||||
Box 255 | Romance Rides Wild [alternate title: "Wild Horses"] / Jack Bechdolt | ||||||||||
Box 255 | Sinner's Dross [alternate title: "Robbing a Gold Mine"] / E.A. Apple - includes editorial direction sheet | ||||||||||
Box 255 | Star Trail / Agnes Best | ||||||||||
Box 255 | Substitute Lover [alternate title: "Sunny's Gift of Gold"] / Marjorie B. Peregrine | ||||||||||
Box 255 | Time for Love [alternate title: "When a Girl Marries"] / Ruth Knight | ||||||||||
Box 255 | Top-hand Milly / C.B. [a.k.a. C. Wiles Hallock] | ||||||||||
Box 255 | Trailing Love [alternate title: "The Dude Wrangler"] / George Cory Franklin | ||||||||||
Box 255 | What Animals' Noses Know / Clem Yore - no manuscript, illustration, captions | ||||||||||
Box 255 | What's in a Name? / Jean Tucker | ||||||||||
Box 255 | Where the West is Woolly [alternate title: "Woolies at a Water Hole"] / Ronald Oliphant - two versions of manuscript, with note, photograph | ||||||||||
Box 255 | Fragments - mostly manuscripts title pages | ||||||||||
Box 255 | Miscellaneaous fragments | ||||||||||
Box 255 | Layout illustration | ||||||||||
Box 255 | Photographs - Wheeler National Monument (3); "Minnesota wolfer" (1) | ||||||||||
Unknown | |||||||||||
See Street & Smith's Unknown. | |||||||||||
Unknown Worlds | |||||||||||
See Street & Smith's Unknown. | |||||||||||
Western Adventures | |||||||||||
Box 255 | Manuscripts vouchers Apr 1940-Aug 1943 (2 folders) | ||||||||||
Box 255 | Tables of Contents Oct 1940-Dec 1943 | ||||||||||
Western Romance Anthology | |||||||||||
Box 256 | Tables of Contents 1948 | ||||||||||
Western Story Annual (combines records for Street & Smith's Western Story Annual) | |||||||||||
Box 256 | Tables of Contents 1941, 1943-1946, 1948 | ||||||||||
Western Story Magazine | |||||||||||
See New Buffalo Bill Weekly. | |||||||||||
The Whisperer (New York, N.Y. 1936) | |||||||||||
Box 256 | Tables of Contents Oct 1936-Dec 1937 | ||||||||||
The Whisperer (New York, N.Y. 1940) | |||||||||||
Box 256 | Manuscripts vouchers May-Nov 1940 | ||||||||||
Manuscripts | |||||||||||
Box 256 | Memoranda 1943 - photocopies | ||||||||||
Box 256 | Tables of Contents Oct 1940-Apr 1942 | ||||||||||
Wild West Weekly (combines records for Street & Smith's Wild West Weekly; Street & Smith's Wild West) | |||||||||||
Box 256 | Manuscripts purchase cards Aug 1926-Dec 1934 (9 folders) | ||||||||||
Box 257 | Manuscripts purchase cards Jan 1935-Oct 1938 (4 folders) | ||||||||||
Box 258 | Manuscripts vouchers Jan 1938-Apr 1939 (11 folders) | ||||||||||
Box 259 | Manuscripts vouchers May 1939-Jul 1940 (14 folders) | ||||||||||
Box 260 | Manuscripts vouchers Aug 1940-Dec 1942 (12 folders) | ||||||||||
Box 261 | Manuscripts vouchers Jan 1943-Aug 1943 | ||||||||||
Manuscripts | |||||||||||
Box 261 | Inventories of manuscripts, including charge-offs and memoranda 1938-1948, undated | ||||||||||
Box 261 | By the Neck Until Dead / Ward M. Stevens [a.k.a. Paul S. Powers] | ||||||||||
Box 261 | Chip Laramie and the Injun Devil / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie at Bar Z / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie at Roarin' River / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Blocks the Law / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Gets a Surprise / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Horns In / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Loses a Herd / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Loses a Prisoner / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Loses His Credentials [alternate title: from voucher "Chip Laramie's Colt Credentials"] / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Loses the Trail / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Plays a Hunch / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Quits the Posse / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Rides Home / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Ropes a Stray [alternate title: from voucher "Chip Laramie Plays Out His Hand"] / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Stops a Lynching / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Swaps Hosses / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Swings a Loop / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Trails Road Agents / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie Trails Slow Elk / W.E. Carleton - includes voucher | ||||||||||
Box 261 | Chip Laramie's Owl-Hoot Amigo / W.E Carleton - includes voucher | ||||||||||
Box 261 | Come on, Buck / A.L.H. Bucklin | ||||||||||
Box 261 | Night Hawks of Black Basin / Cleve Endicott | ||||||||||
Box 261 | Rampagin' Ransom / Cleve Endicott | ||||||||||
Box 261 | A Six-Gun Ranch Deal / Houston Irvine - includes R. Oliphant reader report | ||||||||||
Box 261 | Wild Horses [alternate title: "The Flea-Bitten Gray"] / Justin Pate - includes memorandum | ||||||||||
Box 261 | Tables of Contents Jan 1930-Jun 1932 (3 folders) | ||||||||||
Box 262 | Tables of Contents Jul 1932-Dec 1936 (9 folders) | ||||||||||
Box 263 | Tables of Contents Jan 1937-Jun 1941 (9 folders) | ||||||||||
Box 264 | Tables of Contents Jul 1941-Nov 1943 (4 folders) | ||||||||||
The Wizard (combines records for Cash Gorman (the Wizard)) | |||||||||||
Box 264 | Manuscripts vouchers May 1940-May 1942 | ||||||||||
Manuscripts | |||||||||||
Box 264 | Manuscripts inventory and memoranda 1942-1944 - includes photocopies | ||||||||||
Box 264 | Dollars and Scents / Arthur Mann | ||||||||||
Box 264 | Iowa's First Millionaire / Simpson M. Ritter | ||||||||||
Box 264 | Just About Money / Frank Blighton | ||||||||||
Box 264 | Ulysses Simpson Grant Commercial Consultant / Simpson M. Ritter | ||||||||||
Box 264 | Tables of Contents Oct. 1940-Aug. 1941 | ||||||||||
The Yellow Book (New York, N.Y. 1897) | |||||||||||
See The Yellow Kid. | |||||||||||
The Yellow Kid (combines records for The Yellow Book (New York, N.Y. 1897) | |||||||||||
Artwork | |||||||||||
Oversize 13 | R.F. Outcault drawings - original watercolors (6 items) | ||||||||||
Oversize 14 | R.F. Outcault drawings - original watercolors (5 items) | ||||||||||
You the Magazine of Beauty | |||||||||||
Box 264 | Table of Contents Apr./June 1937 | ||||||||||
Young Men (New York, N.Y. 1955) | |||||||||||
See Bill Barnes Air Adventurer. | |||||||||||
Your Charm | |||||||||||
See Picture-Play Weekly. | |||||||||||
Miscellaneous manuscripts | |||||||||||
Box 264 | Inventories of manuscripts, including charge-offs, memoranda 1937-1945 | ||||||||||
Box 264 | Again, in a Stable / Robert Davis - no manuscript, galleys, with editorial note | ||||||||||
Box 264 | All Rights Reserved / Charles Alexander - includes printed rejection | ||||||||||
Box 264 | Ambush / Warren E. Schutt - includes R. Oliphant reader report, letter, payment note on index card | ||||||||||
Box 264 | American Silk / T.T. Flynn - 2 copies | ||||||||||
Box 264 | Anglo-Mania and Its Effects on American Society / no author | ||||||||||
Box 264 | As It Is Written / DeLysle Ferree Cass | ||||||||||
Box 264 | Balance All! / Olin Lyman - 2 copies | ||||||||||
Box 264 | The Battle to the Strong / Dorothy Stockbridge - includes another untitled piece | ||||||||||
Box 264 | Beans and Potatoes / Stephen A.D. Cox | ||||||||||
Box 264 | The Beast of Bitronto / Dorothy Stockbridge - 2 versions | ||||||||||
Box 264 | Between Two Stations / Marjorie Parkinson Berle | ||||||||||
Box 265 | Beyond Life / R.V. Young | ||||||||||
Box 265 | Bird of Darkness / R.V. Young | ||||||||||
Box 265 | Black Handed Murder / Lee Fredericks | ||||||||||
Box 265 | Blood-Mad / Ro Vere Scott | ||||||||||
Box 265 | Bogus Antiques and American Millionaires / no author | ||||||||||
Box 265 | The Bracelet / Greye La Spina | ||||||||||
Box 265 | Brown Magic / Andre Maurois [translated by Lindley] | ||||||||||
Box 265 | Canadian National Railways; "Canadian Pacific Railways" / no author | ||||||||||
Box 265 | The Cap of Kao Tsu / M.L. Eliott | ||||||||||
Box 265 | Captain Darwin's Strange Adventures [alternate title: "The Strange Adventures of Captain Darwin"] / F.H. Goodell - 6 parts; includes letter | ||||||||||
Box 265 | Cashing in on Enthusiasm / Fred C. Kelly | ||||||||||
Box 265 | The Cat and the Cobra / Srinvas Ram Wagel - includes editorial note | ||||||||||
Box 265 | The Cavalier / Clifford Dowdey | ||||||||||
Box 265 | The Celestial Choir / Tod Robbins | ||||||||||
Box 265 | Chameleon / Paul Francis Kerwin | ||||||||||
Box 265 | The Chief Who Ran Away / Jesse F. Gelders - includes editorial note | ||||||||||
Box 265 | Chinook / Gertrude LeWarne Parker | ||||||||||
Box 265 | Circumstances Alter Cases / Bertram Lebhar | ||||||||||
Box 265 | Come Back to Me / R.V. Young | ||||||||||
Box 265 | The Come-Back - unauthored synopsis | ||||||||||
Box 265 | A Corner in Mules / D.C. O'Flaherty | ||||||||||
Box 265 | Courtney Knows / R.V. Young | ||||||||||
Box 265 | Coward's Courage / Jack D'Arcy - includes editorial note | ||||||||||
Box 265 | The Crook Detective Agency / Johnston McCulley | ||||||||||
Box 265 | The Cruise of 'Angel-Cat' Ketcham / Bolard Blighton | ||||||||||
Box 265 | Cruise Wife / Leona Fredericks | ||||||||||
Box 265 | Darkest Africa - partial manuscript, no author | ||||||||||
Box 265 | Dead Giveaway / Theodore Spence | ||||||||||
Box 265 | Deadwood Dick / Karl Stefan - includes letters, memorandum | ||||||||||
Box 265 | Death on Wheels / Christopher B. Booth - includes note | ||||||||||
Box 265 | Death Was a Countersign / Jack Curran | ||||||||||
Box 265 | The Debatable Ground / Eric A. Darling | ||||||||||
Box 265 | The Decision / L.M. Hussey | ||||||||||
Box 265 | Deep-Sea Evidence / Dorothy Stockbridge - from pages of Top-Notch, with memorandum | ||||||||||
Box 265 | The Diamond Devil - partial manuscript, no author | ||||||||||
Box 265 | The Disease of Position / Carrolton Carey | ||||||||||
Box 265 | The Double Mission / Paschal N. Strong | ||||||||||
Box 265 | Down Below [alternate title: "The Robber"] / Bertrand L. Shurtleff | ||||||||||
Box 265 | The Duchess in Pursuit / I.A.R. Wylie - includes erratum | ||||||||||
Box 266 | The Dynamite Special / R.V. Young | ||||||||||
Box 266 | The Enchanted Canyon / Frank Blighton - includes memorandum | ||||||||||
Box 266 | The Engagement Present / Harry J. Flinkman | ||||||||||
Box 266 | The Exiles of Warsaw; or The Prisoners of the Czar / Bracebridge Hemyngs - holographs (4 folders) | ||||||||||
Box 266 | Exit / Ben Botkiss - includes editorial note | ||||||||||
Box 266 | The Falling Death / George L. Eaton | ||||||||||
Box 266 | Fate Walks in Silence / R.V. Young | ||||||||||
Box 266 | Fear There Was / R.V. Young | ||||||||||
Box 266 | Flight of the Soul / R.V. Young | ||||||||||
Box 266 | The Flower of Suda; a Tale of the Cretan Revolution / Harriet Lewis - paste-up from unidentified periodical | ||||||||||
Box 266 | Follow a Shadow / R.V. Young | ||||||||||
Box 266 | Foolish Virgin / Herbert J. Salomon | ||||||||||
Box 266 | Fortune Gets Sidetracked / Ferdinand Berthoud | ||||||||||
Box 266 | Friend of a Friend / Frank L. Parke | ||||||||||
Box 266 | Frozen Death / Norman H. White | ||||||||||
Box 266 | Fugitive / William Tibbetts Brannon | ||||||||||
Box 266 | Fugitive / Judson Mobley | ||||||||||
Box 266 | Futility [alternate title: "A Song About Nothing"] / Kenneth P. Wood | ||||||||||
Box 266 | Gallows Key / Christopher B. Booth - includes galleys, layout | ||||||||||
Box 266 | The Gem of Kublai Khan [alternate title: "The Pagan Ruby"] / J. Allan Dunn - including memorandum (2 folders) | ||||||||||
Box 266 | The Gilded Death / Bacon [title from verso of p. 73 and manuscripts inventory #13] - re-numbered pages from "Chapter III The Beautiful Adventure" | ||||||||||
Box 266 | The Gilded Youth / Dorothy Stockbridge - from pages of Ainslee's | ||||||||||
Box 267 | A Glass of Beer / Edward Stevenson | ||||||||||
Box 267 | The Goblin's Treasure House / Robert Welles Ritchie - paste-up from the pages of The Popular Magazine | ||||||||||
Box 267 | The Golden Spider / "after J. Joseph-Renaud by Robert Sneddon" | ||||||||||
Box 267 | Good Woman / James Weber Linn | ||||||||||
Box 267 | Grand Slam / Paul Ellsworth Triem (4 folders) | ||||||||||
Box 267 | The Graveyard That Paid / Peri Patein | ||||||||||
Box 267 | The Great Catastrophe / Murray Leinster - includes editorial note | ||||||||||
Box 267 | The Grin of Chang-Hi / Eric A. Darling | ||||||||||
Box 267 | Guiding Shadows / Beulah Poynter | ||||||||||
Box 267 | The Hands of Nelse Ruhl / Edgar Daniel Kramer | ||||||||||
Box 267 | The Hat Doctor / C.A.R. | ||||||||||
Box 267 | Heads Will Fall / Nathaniel Nitkin | ||||||||||
Box 267 | A Healthy Looking Corpse / Pauline Crawford | ||||||||||
Box 267 | Heritage of Death / Clifford Goodrich - includes another partial version of manuscript (3 folders) | ||||||||||
Box 267 | The Hermit of Bald-Top Mountain / Elliot Balestier | ||||||||||
Box 267 | His Noble Failures / George M.A. Cain - includes editorial note | ||||||||||
Box 267 | Home Town Boy Makes Good / Ellis Parker Butler | ||||||||||
Box 267 | How To Run Bases / no author | ||||||||||
Box 267 | The How When and Where of Success / Rutherford Scott - 5parts | ||||||||||
Box 267 | I Believe / Tod Robbins | ||||||||||
Box 267 | I Like Men Best / Ruth Abeling | ||||||||||
Box 267 | I'll Marry You If / Helen Ahern | ||||||||||
Box 268 | In Her Own Hand / Christopher B. Booth | ||||||||||
Box 268 | In the Cards / Joseph H. Hernandez | ||||||||||
Box 268 | Josh Billings' Philosophy - "copied for Mr. Nanovic from New York Weekly" (6 folders) | ||||||||||
Box 268 | Key West Stop-Over / Gladys Wood | ||||||||||
Box 268 | Kicks Come High / William Merriam Rouse | ||||||||||
Box 268 | The King's Man / Olaf Aarrestad [a.k.a. O.N. Massey] - includes editorial note | ||||||||||
Box 268 | King's Ransom / Dorothy Stockbridge - from the pages of The Popular Magazine | ||||||||||
Box 268 | The King's Vow / Bessie Feldman Brown | ||||||||||
Box 268 | The Lady Had a Method / James B. Dunne | ||||||||||
Box 268 | Lap-Dogs [alternate title: "Our Lap-Dogs"] / Carolyn Carter [a.k.a. Carolyn Rapelyea] | ||||||||||
Box 268 | The Lavender Ghost / W.B.M. Ferguson | ||||||||||
Box 268 | A Leaf from the Kaiser's Book. Chapter One The Bomb Thrower / no author - manuscript bears designation "The omitted Chapter of Episode V" | ||||||||||
Box 268 | The Legends of Rockymount, Virginia / O.V. Gundlach | ||||||||||
Box 269 | The Legion Calls the Roll / S.G. Pond | ||||||||||
Box 269 | Light and Darkness / R.V. Young | ||||||||||
Box 269 | The Lobbygow / Idwal Jones | ||||||||||
Box 269 | The Man of the Forty Faces Second Series no. 2: The Riddle of the Tenth Day / T.W. Hanshew? | ||||||||||
Box 269 | The Man of the Forty Faces Second Series no. 5: The Riddle of the Amsterdam Diamonds / T.W. Hanshew? - includes editorial note | ||||||||||
Box 269 | The Man Who Saw the Sea on Fire / Carroll E. Robb | ||||||||||
Box 269 | A Man's Making / S.S. Gordon [S.G. Shaw] - includes editorial note | ||||||||||
Box 269 | Many Are the Ways / R.V. Young | ||||||||||
Box 269 | A Marriage of Honor / John Chancellor (3 folders) | ||||||||||
Box 269 | Melting Point / R.V. Young | ||||||||||
Box 269 | The Men With the Scars / Howard Fitzalan - paste-up from the pages of The Popular Magazine | ||||||||||
Box 269 | The Militant Meekling [alternate title: "Yaller"] / Lester Lear - includes another version | ||||||||||
Box 269 | Mimi Pinson / Alfred de Musset - includes Contes, VI in series Oeuvres Completes de Alfred de Musset, nouv. ed., from which selection has been translated | ||||||||||
Box 269 | Miscast [alternate title: "The Wrong Role"] / Henry Leverage | ||||||||||
Box 269 | Mr. Davy Jones Jr. / Edmund Elliot [a.k.a. Elliot Balestier] | ||||||||||
Box 269 | The Moving Points / R.V. Young | ||||||||||
Box 269 | Murder By Mail a Pinklin West Story / Thorne Miller [a.k.a. Chris B. Booth?] - partial manuscript | ||||||||||
Box 269 | Museum Piece / Beverley Owen | ||||||||||
Box 269 | Muskeeters [sic] of the Marne / A.B. Ility [a.k.a. H. Bedford-Jones] | ||||||||||
Box 269 | The Narrative of 'Z. Roe Cypher, Esq.' [alternate title: "The Good in the Worst of Us"] / George Bronson-Stoward - includes editorial notes | ||||||||||
Box 270 | Navy Cross / Dale DeV. Kier | ||||||||||
Box 270 | New Wine Skins / J. Irby Koon | ||||||||||
Box 270 | Next Move? / John Fellows - includes editorial note | ||||||||||
Box 270 | No Pawn for Glamour / Edward J. McKinney | ||||||||||
Box 270 | On Asgard's Brink / Olaf Aarrestad [a.k.a. O.N. Massey] - includes editorial note | ||||||||||
Box 270 | On Society and the American Navy / Frank S. Arnett - including an Interview with Rear Admiral Joseph B. Coghlan | ||||||||||
Box 270 | On Society in the American Army / Frank S. Arnett - including an Interview with Major General Frederick D. Grant | ||||||||||
Box 270 | On Society in the Land of the Sultan / Frank S. Arnett - including an Interview with Hon. Oscar S. Straus | ||||||||||
Box 270 | On Strollers and Society / Frank S. Arnett - including an Interview with the Late Sir Henry Irving | ||||||||||
Box 270 | On the Dog / Olaf Aarrestad [a.k.a. O.N. Massey] | ||||||||||
Box 270 | One Ear and the Man / Frank J. Leahy | ||||||||||
Box 270 | One Leg in Limbo / Clint Osborne and Elizabeth Evans | ||||||||||
Box 270 | One Man's Valley / Van Cort - includes rejection | ||||||||||
Box 270 | One Must Be Chosen / Hal Annas | ||||||||||
Box 270 | The Open Door / Dorothy Bennett | ||||||||||
Box 270 | The Orchid of Romance [alternate title: "The Orchid of Creeping Terror"] / Donald Bayne Hobart - includes editorial note | ||||||||||
Box 270 | The Other Way / Clifford Dowdey | ||||||||||
Box 270 | Our Fingerprint Department / Benjamin Call | ||||||||||
Box 270 | The Oxidization of Inspector Swinny / Frank Blighton | ||||||||||
Box 270 | Perilous Street / Jesse F. Gelders | ||||||||||
Box 270 | Piano Jim / Bertrand W. Sinclair - paste-up from the pages of The Popular Magazine | ||||||||||
Box 270 | The Pin of Death, Chapter 1: A Legacy of Mystery / Christopher B. Booth - partial manuscript | ||||||||||
Box 270 | Po'h Boy / Mary Stoddard MacFee | ||||||||||
Box 270 | Port o' London [alternate title: Ships from Seven Seas"] / M.L. Eliott [Marie Louise Eliott] | ||||||||||
Box 270 | Port of Call / J.M. Hoffman | ||||||||||
Box 270 | Practical Detective Talks / Cyrus Chapin | ||||||||||
Box 270 | The Prey / R.V. Young | ||||||||||
Box 270 | The Price of Success / Bertrand Royal | ||||||||||
Box 270 | The Quests of Matthew Quaintance / Mattock Hurlingham | ||||||||||
Box 270 | Reason Versus Sentiment / Lillian Beynon Thomas - includes R. Oliphant reader report | ||||||||||
Box 270 | The Reign of Misrule / Jesse F. Gelders | ||||||||||
Box 270 | The Report of Byan Jay / Russ Meservey | ||||||||||
Box 270 | Retreat / Clifford Dowdey - includes editorial note | ||||||||||
Box 270 | Richard David Morton, Soldier of Chance / Mark Miller - from inventory | ||||||||||
Box 271 | Richard Wagner's Baton / Frederick R. Burton | ||||||||||
Box 271 | The St. Nicholas 'Gig' / Oscar Hatch Hawley | ||||||||||
Box 271 | Santa Claws / Theodore Seixas Solomons | ||||||||||
Box 271 | The Scarlet Dragon / Philip [L.] Scruggs | ||||||||||
Box 271 | Seaman's Doom / H.S. Derrickson | ||||||||||
Box 271 | Secret Service Stories / Andrew Craig | ||||||||||
Box 271 | Seven Ages of Woman / Robert E. Dean - together with other witicisms/fillers by L.D. Kerns, Bill Levine | ||||||||||
Box 271 | Shanghai Nights / Edgar Daniel Kramer | ||||||||||
Box 271 | She Knew She Was Good / Henri Duvernois | ||||||||||
Box 271 | Sheltered Daughters / Howard Fitzalan | ||||||||||
Box 271 | The Silent Witness / Nicholas Silver [a.k.a. Frederick Faust] | ||||||||||
Box 271 | Silver Street / Edward L. McKenna | ||||||||||
Box 271 | The Sinking Swamp / William MacMillan | ||||||||||
Box 271 | Sketchbook of drawings by H. Edwards - includes letter | ||||||||||
Box 271 | The Slave of Sacramento / Horace Fish | ||||||||||
Box 271 | The Smart Guy / Edward J. McKinney - includes printed rejection | ||||||||||
Box 271 | Smouldering Fires / R.V. Young | ||||||||||
Box 271 | A Son of Old Eli / Charles Kroth Moser - including editorial notes (2 folders) | ||||||||||
Box 271 | The Songs of the Spheres / Frank Blighton - 2 copies | ||||||||||
Box 271 | Sorrow in Sin / R.V. Young | ||||||||||
Box 271 | Speed / Mary N.S. Whiteley | ||||||||||
Box 271 | The Striking Fate / R.V. Young | ||||||||||
Box 271 | Sugar Is Sweet / Gyneth Y. Johnson | ||||||||||
Box 271 | Sunrise / H. Charles McDermott | ||||||||||
Box 271 | The Swamp Outlaw; or Life in the Louisiana Lowlands / Edward Sylvester Ellis [a.k.a. Captain Emerson Rodman] - with unsigned holograph reader report (2 folders) | ||||||||||
Box 272 | The Taste of Life / Georges Surdez | ||||||||||
Box 272 | Teeth of War / Lee Fredericks - includes Newsweek clipping | ||||||||||
Box 272 | The Three Pellets / Adele de Leeuw | ||||||||||
Box 272 | Thrills Without Frills / J.R. Henderson | ||||||||||
Box 272 | To a May Fly at Dusk / Lydia Kingsway | ||||||||||
Box 272 | To Hell With Horses / Lewis Ort | ||||||||||
Box 272 | The Train Dispatcher / Marlbury L. Thompson | ||||||||||
Box 272 | Tremble, My Love / Contessa Fairfax Colt a.k.a. H.C. Colt] | ||||||||||
Box 272 | The Trials of Commander McTurk / C.J. Cutcliffe Hynes - preliminary sketch | ||||||||||
Box 272 | Troubled Waters / William MacLeod Raine | ||||||||||
Box 272 | The Truth About the Advertising Profession / Roy Kammerman | ||||||||||
Box 272 | Twenty -- Twenty-four / John H. Compton - includes editorial note | ||||||||||
Box 272 | Twenty-five Thousand Dollars / Jack Woodford - includes re-typed version incorporating some revisions | ||||||||||
Box 272 | The Twisted Room / Vail Vernon - includes E.C. Richards reader report | ||||||||||
Box 272 | Under False Colors / Harry J. Flinkman | ||||||||||
Box 272 | W.W. Protects Posterity / Sheldon Wills - includes re-typed version | ||||||||||
Box 272 | Wanted Angel / Ria A. Niccoli | ||||||||||
Box 272 | What It Was / R.V. Young | ||||||||||
Box 272 | When I Remember Marcia / Margaret Manners | ||||||||||
Box 272 | When Last Seen . . . / Mortimer Braus | ||||||||||
Box 272 | Whirlwind / R.V. Young | ||||||||||
Box 272 | The White Dove / Perry E. Hackett | ||||||||||
Box 272 | The White Draught / James Barr - from the pages of The Red Magazine, with card to editor of The Popular Magazine suggesting inclusion, and indicating the initiation of a copyright search | ||||||||||
Box 272 | The White-Goat Sacrifice [alternate title: "The Spitting Swede"] / Charles M. Boone - includes editorial note | ||||||||||
Box 272 | Who Made That Match? / Eleanor O'Malley Dillon | ||||||||||
Box 272 | Who's Loony Now? / R.E. Dupuy | ||||||||||
Box 272 | Wild-Fire [alternate titles "Atoms and the Man"; "The Atomic Gun"; "The Atomic Menace"; "The Brass Camera"; "The Red-Eyes"; "The Irresistibles"] / no author | ||||||||||
Box 272 | Sowers of Strife) / L.H. Robbins | ||||||||||
Box 272 | With the Rattle / R.V. Young | ||||||||||
Box 272 | The Wolf Pack Chapter XXII Heart and Hand / Caroline Lockhart | ||||||||||
Box 272 | The Wood Phantom [alternate title: "The Spectre of the Woods"] / Edward Sylvester Ellis [a.k.a. R.M. Hawthorne] - ch. 1-25 (3 folders) | ||||||||||
Box 273 | The Wood Phantom (alternate title: "The Spectre of the Woods") / Edward Sylvester Ellis [a.k.a. R.M. Hawthorne] - ch. 26-34 | ||||||||||
Box 273 | Woodland Lore / Morton A. Howard - 7parts | ||||||||||
Box 273 | Writhing Branches [alternate titles "Nero's Villa"; "The Man Eating Tree"] / J. Joseph-Renaud | ||||||||||
Box 273 | Yankees Chivalrous [alternate titles "A Yankee Knight"; "Sam Dutton, Knight"; "The Chivalry of Sam Dutton"; "Yankee Gallants"; "Yankees Gallant"] / L.H. Robbins - partial manuscript of Chapter I, The Miracle | ||||||||||
Box 273 | A Yellow Hero? / M. Henderson | ||||||||||
Box 273 | The Yellow Mark of Courage / Philip Scruggs - includes editorial note | ||||||||||
Box 273 | Untitled manuscript / Frank W. Chase - partial; includes letter, edited pp. 23-40, new last chapter | ||||||||||
Box 273 | Untitled manuscript / Frederick Faust for Western Story Magazine | ||||||||||
Box 273 | Untitled / Ruth Jones | ||||||||||
Box 273 | Untitled / I. M. Marsal - includes printed rejection | ||||||||||
Box 273 | Untitled manuscript / no author | ||||||||||
Box 273 | Untitled manuscript / no author - p. 1 lacking | ||||||||||
Box 273 | Fragments from 3 unidentified manuscripts - p. 30; pp. 17, 18, 20; pp. 26-44 | ||||||||||
Motion Picture Department manuscripts | |||||||||||
Box 273 | Contracts 1914-1935 (3 folders) | ||||||||||
Box 273 | Inventory of "transactions of Carl Milligan around 1920" | ||||||||||
Box 273 | Inventories of manuscripts 1937, undated | ||||||||||
Box 274 | The Black Company / W.B.M. Ferguson - originally appeared in The Popular Magazine (5 copies in 2 folders) | ||||||||||
Box 274 | The Blucher of Wheat / George Bronson-Howard - published under name Howard Fitzallan | ||||||||||
Box 274 | The Chase of the Christmas Gold Brick / Francis Lynde - published under name Edmund Dagobert in The Popular Magazine (3 copies) | ||||||||||
Box 274 | The Detour / L.H. Robbins - originally appeared in The Popular Magazine | ||||||||||
Box 274 | Devised and Bequeathed / Donn Byrne (2 copies) | ||||||||||
Box 274 | Feet of Clay / W.B.M. Ferguson - published under name William Morton in The Popular Magazine (2 copies) | ||||||||||
Box 274 | Flat Gold / James B. Hendryx (2 copies) | ||||||||||
Box 274 | The Forty-Ninth Talesman / Holman Day - originally appeared in The Popular Magazine (2 copies) | ||||||||||
Box 274 | The Gashing Fiddlers / Holman Day - originally appeared in The Popular Magazine (2 copies) | ||||||||||
Box 274 | It's a Man's Country / Arthur Chapman - originally appeared in The Popular Magazine | ||||||||||
Box 274 | The Keeper of the Keys / W. Beall Baldwin [a.k.a. Louis Joseph Vance] - originally appeared in The Popular Magazine | ||||||||||
Box 274 | Little Sister of the Stars / A.M. Chisholm | ||||||||||
Box 274 | Mock Don Yuen Meditates / Lemuel L. Le Bra - published under name Lemuel L. De Bra | ||||||||||
Box 275 | One Day's Work / Peter B. Kyne | ||||||||||
Box 275 | The Psychomancers / Holman [F.] Day - originally appeared in The Popular Magazine (3 copies) | ||||||||||
Box 275 | Robber's Roost / William McLeod Raine - published under name William MacLeod Raine in The Popular Magazine (3 copies) | ||||||||||
Box 275 | The Springs of Youth / William H. Hamby (2 copies) | ||||||||||
Box 275 | The Test / Louis Joseph Vance - originally appeared in The Popular Magazine | ||||||||||
Box 275 | The Tolliver Tangle / Louis Joseph Vance - published under name George Parsons Bradford | ||||||||||
Box 275 | The Treasure and the Secret Word / Thomas McMorrow (3 copies) | ||||||||||
Box 275 | A Two-Spot in the Big Game / Holman Day - originally appeared in The Popular Magazine (3 copies) | ||||||||||
Box 275 | The Unknown Quantity / Howard Fielding - originally appeared in The Popular Magazine | ||||||||||
Box 275 | The Yield / Louis Joseph Vance - published under name J. Colville-Johnston (2 copies) |
Editorial files, miscellaneous | |||||||||||
Box 275 | Atlas Publishing & Distributing Co. Ltd. 1950-1962, undated | ||||||||||
Bindery estimates | |||||||||||
Box 275 | American Book Bindery | ||||||||||
Box 275 | Butler-Ward Company | ||||||||||
Box 275 | Decorative Designers | ||||||||||
Box 275 | Ives | ||||||||||
Box 275 | North River | ||||||||||
Box 275 | Wolf/Wolfe/Wolff | ||||||||||
Box 275 | Miscellaneous | ||||||||||
Box 275 | Bragin, Charles 1943-1958, undated | ||||||||||
Box 275 | Brown, Curtis - list of stories sold | ||||||||||
Chelsea House | |||||||||||
Box 276 | Book rights purchased 1924-Mar. 1935 | ||||||||||
Catalog of publications | |||||||||||
See Promotional material: Catalogs. | |||||||||||
Box 276 | Contracts with authors 1921-1927, undated | ||||||||||
Box 276 | Copyright transfers to authors (2) 1930 | ||||||||||
Box 276 | Correspondence, memoranda 1924-1935, 1951, undated | ||||||||||
Box 276 | Destruction of printing plates, alphabetical by author - 1934 | ||||||||||
Authors: Beale, Will Booth, Christopher Buck, Charles Neville Chisholm, A. M. Clark, Ellery H. Daniels, J. E. Faust, Frederick Fellom, James Ferguson, W. B. M. Gilbert, George Hamby, William H. Hankins, Arthur Preston Kauffman, Reginald W. Landon, Herman Livingston, Armstrong Lynde, Francis MacIsaac, Fred Perry, Clay Poate, Ernest M. Treynor, Albert N. Winter, William West |
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Box 276 | Inventories of books | ||||||||||
Box 276 | Inventories of sheet stock, American Book Bindery 1940-1942, undated | ||||||||||
Popular copyright contracts | |||||||||||
Box 276 | Miscellaneous 1923-1938 (4 folders) | ||||||||||
Box 276 | A.L. Burt 1921-1927, 1942 - includes correspondence | ||||||||||
Box 276 | Translations 1928-1934 | ||||||||||
Box 276 | Royalty statements 1924-1927 (4 folders) | ||||||||||
Box 276 | Clippings, re: cessation of pulp publishing 1949 | ||||||||||
Contracts | |||||||||||
Box 276 | Certificate of incorporation of PicPix, Inc. | ||||||||||
Popular copyright contracts | |||||||||||
See Chelsea House. | |||||||||||
Box 276 | Miscellaneous - 1905-1919 | ||||||||||
Box 276 | Standard form for the sale of magazine rights | ||||||||||
Copyright renewals, by series | |||||||||||
Box 276 | Memo - 1937? | ||||||||||
Box 277 | Border #138-#206 - [1937-1939] | ||||||||||
Box 277 | Eagle and New Eagle #676, #730 - [1937-1938] | ||||||||||
Box 277 | Great Western #48-#156 [1937-1939] | ||||||||||
Box 277 | Magnet and New Magnet #726-#1351 - [1937-1942] | ||||||||||
Box 277 | Merriwell #179-#245 - [1937-1942] | ||||||||||
Critiques | |||||||||||
Assigned | |||||||||||
Box 277 | Arrow Library | ||||||||||
Box 277 | Bertha Clay Library | ||||||||||
Box 277 | Boys of Liberty Library | ||||||||||
Box 277 | Dr. Jack Series | ||||||||||
Box 277 | Harkaway Library | ||||||||||
Box 277 | Magnet Library | ||||||||||
Unassigned, by author | |||||||||||
Box 277 | Cobb, Benjamin F. | ||||||||||
Box 277 | Cobb, Sylvanus | ||||||||||
Box 277 | De Morgan, John | ||||||||||
Box 277 | Fleming, May Agnes | ||||||||||
Box 277 | Hardenbrook, William Ten Eyck | ||||||||||
Box 277 | Hawks, Wells | ||||||||||
Box 277 | Hornung, Ernest William | ||||||||||
Box 277 | Lee, Margaret | ||||||||||
Box 277 | McCardell, Roy | ||||||||||
Box 277 | Raymond, Evelyn | ||||||||||
Box 277 | Sheldon, Georgie | ||||||||||
Box 277 | Unassigned, by title (2 folders) | ||||||||||
[Alexandre] Dumas translations | |||||||||||
Box 277 | Correspondence of and memoranda relating to Henry Llewellyn Williams 1902-1903, undated | ||||||||||
Box 277 | Critique, The Lovely Lady Hamilton | ||||||||||
Box 277 | Hints to artist re Dumas' The Tower of Nesle | ||||||||||
Box 277 | Miscellaneous | ||||||||||
Financial | |||||||||||
Box 277 | Art vouchers, alphabetical by originator, A-Q (7 folders) | ||||||||||
Box 278 | Art vouchers, alphabetical by originator, S-Z | ||||||||||
Box 278 | Manuscript vouchers, alphabetical by author | ||||||||||
Box 278 | Calculations and notes 1904, 1937, undated | ||||||||||
Inventory of series | |||||||||||
Disbound notebooks are listed first, followed by other material. | |||||||||||
Box 278 | Adventure Library 1926-1931 - notebook, disbound | ||||||||||
Box 278 | Alger Series 1926-1933 - notebook, disbound | ||||||||||
Box 278 | Great Western Library 1927-1932 - notebook, disbound | ||||||||||
Box 278 | Love Story Library 1926-1932 - notebook, disbound | ||||||||||
Box 278 | Merriwell/Standish 1921-1933 - notebook, disbound | ||||||||||
Box 278 | New Bertha Clay Library 1926-1932 - notebook, disbound | ||||||||||
Box 278 | New Eagle Series 1926-1932 - notebook, disbound | ||||||||||
Box 278 | New Magnet Library 1926-1933 - notebook, disbound | ||||||||||
Box 278 | Round the World Library 1926-1931 - notebook, disbound | ||||||||||
[Burt L.] Standish Library | |||||||||||
See Merriwell/Standish. | |||||||||||
Box 278 | Western Story Library 1927-1930 - notebook, disbound | ||||||||||
Box 278 | [Bertha] Clay Library 1904 - no.s 241-249 | ||||||||||
Box 278 | Favorite Library undated - no.s 251-325 | ||||||||||
Box 278 | Harkaway Library circa 1904 | ||||||||||
Box 278 | Miscellaneous | ||||||||||
Box 278 | Lists of authors' stories from Street & Smith publications, individual authors (2 folders) | ||||||||||
Authors included: Adams, Cleve F. Alger, Horatio Apple, A. E. Archibald, Joe Bond, Lee Bradbury, Ray Breslauer, Bernard Buck, Charles Neville Cartmill, Cleve Chapel, Charles E. Chapin, Cyrus Chester, George Randolph Cook, William Wallace Dent, Lester Dingle, A. E. Dunning, Hal England, George Allan Ervin, Patrick - see Howard, Robert Ervin Fearn, John Russell Ferguson [W. B. M.?] Ferrill, Benjamin F. Gelzer, Jay (Mrs.) [a.k.a. John Paul Mitchell] Gibson, Walter B. Gregory, Jackson Gross, Michael Heinlein, Robert A. Holmes, Mary J. Howard, Robert Ervin Irvine, Houston Jenkins, Will F. Lewis, Alfred Henry Liebe, Hapsburg Lincoln, Joseph C. Lockhart, Caroline Mann, Arthur McClary, Thomas Calvert [a.k.a. Calvin Peregoy] McNutt, William Slavens Mitchell, John Paul - see Gelzer, Jay (Mrs.) Page, Norvell Pape, Lee Penrose, Bernard Lee Peregoy, Calvin - see McClary, Thomas Calvert Phillips, Roland Ashford Powers, Paul S. (a.k.a. Ward M. Stevens) Randall, William Herbert Rathborne, St. George Ridge, Lola Rohmer, Sax Rothenberger, Paul Saltus, Edgar Sheridan, Phil R. Smith, Edward H. Stebbins, Francis L. Stevens, Ward M. - see Powers, Paul S. Stillman, Donald Terhune, Albert Payson Tinsley, Theodore Tompkins, Walker Tuttle, W. C. Ward, John Lawrence Ward, J. R. Wells, H. G. Whiteley, Mary N. S. Wire, H. C. Witwer, H. C. |
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Box 278 | Lists of authors' stories from Street & Smith publications, multiple authors | ||||||||||
Box 278 | Lists of newspapers for review copies 1901, undated (2 folders) | ||||||||||
Box 278 | Literary Features Ltd. 1962 | ||||||||||
Box 278 | Luzzato, Jack 1944-1949, undated - regarding word puzzles) with "What's in a Brand?" puzzles | ||||||||||
Manuscript transferrals | |||||||||||
Box 278 | By periodical title, A-Z on cards (3 folders) | ||||||||||
Box 278 | By date 1930-1937, undated | ||||||||||
Memoranda | |||||||||||
Box 278 | Editorial Department organization Sept. 27, 1937 | ||||||||||
Box 278 | Internal inquiries and reports about stock 1903-1904, undated | ||||||||||
Box 278 | Literary agents who submit to Street and Smith Jan. 20, 1939 | ||||||||||
Box 278 | Manuscripts titles, miscellaneous (i.e. not assigned to a particular periodical) 1940, undated | ||||||||||
Box 278 | Revised series lists sent to various departments 1903-1905 - cover notes only, no lists attached | ||||||||||
Box 278 | Miscellaneous 1927, 1934, 1938-1939, 1944 | ||||||||||
[F. Tennyson] Neely, Publisher/Roth, H. William | |||||||||||
Box 279 | Correspondence 1899 | ||||||||||
Notebooks | |||||||||||
Box 279 | Compilation of information on competitors and distributors, as well as data on Street & Smith periodicals 1939-1940 - disbound | ||||||||||
Box 279 | Personnel and publications records undated | ||||||||||
Orders | |||||||||||
Box 279 | Ainslee's/Select Fiction 1903-1904, undated (5 folders) | ||||||||||
Box 279 | American News Co. 1903-1905, 1932 | ||||||||||
Box 279 | Federal Book Company 1904-1905, undated (3 folders) | ||||||||||
Box 279 | Kaufman Advertising Agency 1903 | ||||||||||
Box 279 | Miscellaneous 1903-1904 | ||||||||||
Box 279 | Daily report, Stock and Returned Goods Department June 18, 1900 | ||||||||||
Photographs | |||||||||||
Box 279 | Indexed (21 items) | ||||||||||
1. 79 Seventh Ave., NY - exterior of building 2. Reception room at 15th St., 79 Seventh Ave. 3. Corridor outside general offices (1906) 4. General office, from the SE (1906) 5. Clarence Vernon's office (1906) 6. Ormond G. Smith's office, from the NW 7. Private office, for out-of-town friends (1906) 8. Accounting Department, cashier's office (1906) 9. Composing room 10. Linotype room, from the SE 11. Pressroom, from the SE 12. Pressroom, from the SW (1906) 13. Feeding press, showing flyboy and pressman (1906) 14. Flatbed press 15. Foundry (1906) 16. Paper stock room (1906) 17. Bindery, showing folding machines (1910) 18. Bindery 19. Book Department (1906) 20. Book Department 21. Freight elevator, 15th Street |
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Box 280 | Indexed, in binder - same as above (21 items) | ||||||||||
Oversize 12 | Street & Smith interior offices and production spaces - same as above, but larger; includes some photocopies | ||||||||||
Box 279 | Unidentified (5 items) | ||||||||||
Plate stock inventories | |||||||||||
Box 279 | Books by classification undated | ||||||||||
Box 279 | Books by Edgar Saltus undated | ||||||||||
Box 279 | Books [for] which Dillingham has the right to use our plates 1904 | ||||||||||
Box 279 | Duplicate plates undated | ||||||||||
Box 279 | List of unpublished books arranged alphabetically by titles undated | ||||||||||
Box 279 | Lists arranged by series titles 1904, undated (2 folders) | ||||||||||
Box 279 | Miscellaneous undated | ||||||||||
Promotional material | |||||||||||
Catalogs | |||||||||||
Box 279 | 1899 Street & Smith's Complete Catalogue and Order List of Popular Ten Cent Books | ||||||||||
Box 279 | 1903 Cloth Book Department Descriptive List of Publications | ||||||||||
Box 279 | 1930 News Trade Bulletin | ||||||||||
Box 279 | 1933 Publications of Chelsea House | ||||||||||
Box 279 | 1940? Subscription Price List of Magazines | ||||||||||
Box 279 | Undated Street & Smith's Arrow Library | ||||||||||
Other | |||||||||||
Box 279 | Advertising copy for Campaigning with Tippecanoe / John H. Whitson | ||||||||||
Box 279 | The Bookseller complimentary directory of representatives for exhibit July 1903 | ||||||||||
Box 279 | The Greatest Publishing House in the World circa 1905 - booklet commemorating the 50th anniversary of Street & Smith, edited for possible later use | ||||||||||
Box 279 | Submission form for The Publisher's Weekly | ||||||||||
Purchases | |||||||||||
American Publishers Corporation | |||||||||||
Box 279 | List of books sold us carrying royalties | ||||||||||
[Robert] Bonner's Sons | |||||||||||
Box 279 | Catalogue of publications - printed material, with annotations | ||||||||||
Box 279 | Inventory of "Illustrations received from Bonne'rs Sons" | ||||||||||
Box 279 | Inventory of plates purchased | ||||||||||
Box 279 | Inventories of plates purchased, with additional pages indicating royalty agreements | ||||||||||
Box 281 | Inventories of titles in The Ledger Library and The Popular Series | ||||||||||
Box 281 | Inventory of "used or discontinued Bonner books" | ||||||||||
[N.L.] Munro | |||||||||||
Golden Hours | |||||||||||
Assignments | |||||||||||
Box 281 | Might and Main Library undated | ||||||||||
Box 281 | New Ten-Cent Library undated | ||||||||||
Box 281 | Reserved for book publication Nov. 16, 1906 | ||||||||||
Box 281 | Various Nov. 16, 1906, undated | ||||||||||
Box 281 | Inventory of titles arranged by author | ||||||||||
Box 281 | Inventories of titles selected for purchase 1902-1908, undated (3 folders) | ||||||||||
Box 281 | Inventories of titles not purchased or unavailable 1905, undated | ||||||||||
Old Cap. Collier Library | |||||||||||
Assignments | |||||||||||
Box 281 | Boys of America undated | ||||||||||
Box 281 | Magnet Library 1903, undated | ||||||||||
Box 281 | New Secret Service Series 1903, undated | ||||||||||
Box 281 | Nick Carter Weekly 1903-1904 | ||||||||||
Box 281 | Old Broadbrim Weekly 1904, undated | ||||||||||
Box 281 | The Jesse James Stories undated | ||||||||||
Box 281 | Various 1904, undated | ||||||||||
Box 281 | Inventories of numbers sold 1902-1907, undated | ||||||||||
Box 281 | Inventories of numbers wanted, reserved, used, not used, in stock, etc. | ||||||||||
Box 281 | Inventories of titles - printed material | ||||||||||
Box 281 | Inventories of titles sold (481) | ||||||||||
Box 281 | Inventories of titles sold, 1st-5th selections | ||||||||||
Box 281 | Inventory of "23 selected serials from Golden Hours in place of 69 Old Cap Collier stories" | ||||||||||
Box 281 | Notes, miscellaneous | ||||||||||
Box 281 | Queries, by date of reply 1937-1969 (6 folders) | ||||||||||
See also Bragin, Charles. | |||||||||||
Record books - publication and statistical data | |||||||||||
There are three different Nick Carter title sequences, each with its own numbering, but they are most often referred to in the Record Books as simply "Nick Carter." As they first appear in the Record Books, the title sequences are: [1] Nick Carter Detective Library/ Nick Carter Library; [2] New Nick Carter Library/New Nick Carter Weekly/ Nick Carter Weekly/New Nick Carter Weekly; and [3] Nick Carter Stories (Record Book 3). Similarly, the Tip Top series has two distinct numbering sequences: Tip Top Weekly/Tip Top Library/Tip Top Weekly; and: New Tip Top Weekly (Record Book 3). | |||||||||||
Box 281 | Description | ||||||||||
Box 281 | Record Book [1], 100 pp. 1889-1898 | ||||||||||
Log Cabin [Library] no. 1-456 Nick Carter [Detective Library] (no. 1-3)/Nick Carter [Library] (no. 4-282) no. 1-282 New Nick Carter Library (no. 1-7)/New Nick Carter Weekly (no. 8-42)/Nick Carter Weekly (no. 43-320) no. 1-84 New York Five Cent [Library] no. 1-206 Diamond Dick Jr. no. 1-92 Tip Top Weekly (no. 1-13)/Tip Top Library (no. [18]-39)/Tip Top Weekly (no. 40-850) no. 1-120 Klondike Kit [Library] no. 1-15 True Blue no. 1-15 Red, White and Blue no. 1-59 Adventure Weekly no. 1-19 Starry Flag Weekly no. 1-10 |
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Box 282 | Record Book [2], 200 pp. 1898-1909 | ||||||||||
Buffalo Bill Stories no. 226-405 are referred to incorrectly as Buffalo Bill Weekly. Nick Carter Weekly (no. 43-320)/New Nick Carter Weekly (no. 321-819) no. 85-384 Tip Top Weekly no. 121-420 Diamond Dick Jr. no. 93-392 True Blue no. 16-50, no. 51 listed but not published Shield Weekly no. 1-22 [New] Nick Carter Weekly no. 385-459 Starry Flag Weekly no. 11-20 Diamond Dick Jr. no. 393-527 Klondike Kit [Library] no. 16-19 Diamond Dick Jr. no. 528-536 Comrades no. 1-72 Old Broadbrim [Weekly] no. 1-51 Young Broadbrim [Weekly] no. 52-81 Diamond Dick Jr. no. 537-641 Do and Dare [Weekly] no. 1-65 Buffalo Bill Stories no. 1-225 My Queen no. 1-37 Jesse James Stories no. 1-121 Young Rough Riders Weekly (no. 1-78)/Rough Rider Weekly (no. 79-[175]) no. 1-84 Buffalo Bill Weekly (i.e. Stories) no. 226-405 Brave and Bold [Weekly] no. 1-195 Red Raven [Library] no. 1-38 Rover Boy Library (no. 1-3)/Young Rover Library (no. 4-[52]) no. 1-50 All-Sports Library no. 1-45 Tip Top Weekly no. 421-607 |
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Box 282 | Record Book [3], 176 pp. 1905-1918 | ||||||||||
New Nick Carter Weekly no. 460-819 Nick Carter Stories no. 1-160, with projected no. 161-165 Tip Top Weekly no. 608-850 New Tip Top Weekly no. 1-136 Diamond Dick Jr. no. 642-762 Buffalo Bill Stories no. 406-591 New Buffalo Bill Weekly no. 1-299 Brave and Bold [Weekly] no. 196-429 |
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Box 282 | Record Book [4], 59 pp. 1886-1897 | ||||||||||
Eagle Library no. 1-144 Atlantic Series no. 1-13 Arrow Library no. 1-97 Magnet Library no. 1-114 Daisy Library no. 1-35 Medal Library no. 1-34 Historical Series no. 1-11 New York Weekly Supplements no. 1-24 New York Weekly Complete Novels no. 25-43 Rose Series no. 1-12 Columbia Library no. 1-23 Order blank record (p. 56) indicates style, remarks (last number listed on blank), quantity, order and proof received dates, distribution date and agent Alliance [Library] no. 1-5 |
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Box 282 | Record Book [5], 86 pp. 1887-1901 | ||||||||||
Rockspur no. 1-3 Eagle Library no. 100-319 Arrow Library no. 75-183 Magnet Library no. 100-253 Medal Library no. 1-205 Alliance Library no. 1-20 Columbia Library no. 1-34 Welcome Series no. 1-10 Alford Series no. 1-50 Historical Series no. 1-17 Atlantic Series no. 1-22 Princess Series no. 1-25 Der Deutsche-Amerikanische Bibliothek no. 1-5 Diamond Hand-Book [Series] no. 1-7 Romance Series no. 1-18 Eden Series no. 1-103 Bertha Clay Library no. 1-44 Undine no. 1-9 Bertha Clay Library no. 141-145 Rose Series no. 1-15 Bertha Clay Library no. 45-130 Gold Series no. 1-26 Perfection no. 1-12 |
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Box 282 | Record Book [6], 196 pp. 1878-1904 | ||||||||||
Eagle [Library] no. 207-375 Arrow [Library] no. 173-315 Magnet [Library] no. 179-348 Medal [Library] no. 96-261 Columbia [Library] no. 34-44 Eden [Series] no. 12-143 Bertha Clay [Library] no. 67-240 Diamond Hand-Book [Series] no. 1-15 Monogram Series no. 1-3 New Secret Service Series no. 1-78 Humor Library no. 1-6 Bound-to-Win [Library] no. 1-66 Dr. Jack Series no. 1-26 Laura Series no. 1-23 |
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Box 282 | Record Book [7], 201 pp. 1870-1903 | ||||||||||
Eagle [Library] no. 340-424 Arrow [Library] no. 299-342 Magnet [Library] no. 310-400 Medal [Library] no. 228-316 Eden [Series] no. 132-168 [Bertha] Clay [Library] no. 223-253 Dr. Jack [Series] no. 16-26 Cobb no. 1-23 Star Library no. 1-14 New Secret Service [Series] no. 58-72 Bound-to-Win [Library] no. 50-126 Boys of Liberty [Library] no. 1-32 Harkaway [Library] no. 1-34 Humor [Library] no. 1-7 Diamond Hand-Book Series (laid in) no. 1-15 Special 3 titles Monogram [Series] no. 4-5 |
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Box 283 | Record Book [8], 151 pp. 1864-1906 | ||||||||||
Eagle [Library] no. 300-480 Arrow [Library] no. 280-342 Magnet [Library] no. 280-456 [Medal Library] no. 187-362 Columbia no. 34-44 Medal [Library] no. 363-372 Bertha Clay [Library] no. 174-266 Eden [Series] no. 105-173 Diamond Hand-Book Series (listed: "D.H.B.") no. 1-13 Bound-to-Win Library (listed: "B-T-W") no. 1-167 New Secret Service [Series] no. 1-72 Humor Library no. 1-7 Monogram Series no. 1-5 Dr. Jack Series no. 1-26 Laura Series no. 1-23 Boys of Liberty [Library] no. 1-32 Woodville Stories 6 titles Cobb Library no. 1-22 Harkaway Library no. 1-34 Star Library Monthly no. 1-21 Select Library no. 1-74 |
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Box 283 | Record Book [9], 198 pp. 1894-1908 | ||||||||||
Eagle [Library] no. 474-605 Magnet [Library] no. 450-581 Medal [Library] no. 365-496 [Bertha] Clay [Library] no. 265-330 Bound-to-Win [Library] no. 160-192 Star no. 21-26 New Romance [Library] no. 1-6 Far West [Library] no. 1-44 Select [Library] no. 75-112 |
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Box 283 | Record Book [10], 153 pp. 1873-1915 | ||||||||||
Eagle Library no. 606-837 Magnet Library no. 698-922 Medal Library no. 497-670 Eagle Library no. 838-947 Magnet Library no. 582-697 Medal Library no. 671-838 Bertha Clay [Library] no. 319-486 Far West Library no. 48-211 Select [Library] no. 107-166 New Sheldon no. 1-40 Popular Fiction Library no. 1-41 New Surprise no. 1-49 New Romance [Library] no. 7-17 Select [Library] no. 167-178 Republished Books (10 Cents) (Mar. 8, 1912-Jan. 18, 1916) Medal Library (Frank Merriwell titles) no. 150-377 Eagle [Library] (Mrs. Georgie Sheldon titles) no. 1-520 Eagle [Library] (Charles Garvice titles) no. 531-548 Magnet [Library] (Nick Carter titles) no. 1-482 |
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Box 283 | Record Book [11], 142 pp. 1890-1922 | ||||||||||
Eagle [Library] no. 948-1096 Magnet [Library] no. 923-1069 Medal [Library] no. 839-858 Merriwell Baseball Stories no. 1-8 Merriwell Football Stories no. 1-6 Bertha Clay [Library] no. 480-512 New Bertha Clay [Library] no. 1-171 Far West [Library] no. 201-211 Buffalo Bill Border Stories no. 1-121 Select [Library] no. 173-245 Alger Series no. 1-123 Merriwell Series no. 1-29 Southworth no. 49-85 New Southworth [Library] no. 1-91 New Romance Library no. 18-71 Harkaway Series (numbers do not match those for Harkaway Library) no. 1-26 Optic titles from Lake Shore, Starry Flag, Cheerful Hour, Happy Thought, and Welcome Friend Series' (6 titles each) Picture Play no. 1-33 20th Century Hand Books no. 1-8 New [20th Century Hand Books] no. 1-4 |
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Box 283 | Record Book [12], 200 pp. 1908-1936 | ||||||||||
[Nick Carter Weekly] (no. 43-320)/New Nick Carter Weekly (no. 321-819) no. 50-819 Nick Carter Stories no. 1-160 Tip Top Weekly no. 818-850 New Tip Top Weekly no. 1-136 Tip Top Weekly no. 621-850 [New] Tip Top Weekly no. 1-20 [New] Nick Carter Weekly no. 585-819 Nick Carter Stories no. 1-15 Magnet/New York Weekly: Nick Carter titles only 4 pages, no stats Magnet/New Magnet correlation 1 page, no stats Diamond Dick [Jr.] no. 595-762 Buffalo Bill [Stories] no. 357-591 [New Buffalo Bill Weekly] no. 1-16 Brave and Bold [Weekly] no. 273-429 New York Weekly v. 63, no. 25-v. 68, no. 13 (1909-1912) Motor Stories no. 1-32 Top-Notch [Magazine] no. 1-7 Eagle [Library] no. 554-811 Magnet [Library] no. 529-787 Medal [Library] no. 445-702 [Bertha] Clay [Library] no. 295-414 Far West [Library] no. 17-146 Select [Library] no. 89-150 New Fiction no. 1-40 New Romance [Library] no. 7-17 [Old] Broadbrim [Weekly] (no. 1-51)/[Young] Broadbrim [Weekly] (no. 52-81) no. 1-81 Motor Stories no. 1-30 Union Jack (use in Magnet, etc.) 2 pages True Blue (includes 3 not published) no. 1-52 Half-Holiday no. 1-20 Do and Dare [Weekly] no. 1-47 Army & Navy [Weekly] (no. 1-20)/Army & Navy (no. 21-33) no. 1-33 Old Cap. Collier [Library] (use in S&S lines) no. 1-817 Old Nick Carter Library (i.e. Nick Carter [Detective Library] (no. 1-3)/Nick Carter Library (no. 4-282) no. 1-282 New Nick Carter Library (no. 1-7)/New Nick Carter Weekly (no. 8-42)/Nick Carter Weekly (no. 43-320)/New Nick Carter Weekly (no. 321-819) no. 1-819 New Nick Carter Crop of 1912 (i.e. Nick Carter Stories) no. 1-93 Tip Top Weekly (no. 1-13)/Tip Top Library (no. [18]-39)/Tip Top Weekly (no. 40-850) no. 1-817 Buffalo Bill Weekly (i.e. Stories) no. 1-591 [New] Buffalo Bill Weekly no. 1-11 Beadle's Dime [Library] (use in S&S lines) no. 52-1029 Beadle's Half-Dime [Library] (use in S&S lines) no. 2-1052 All-Sports [Library] no. 1-58 Comrades no. 1-73 [Young] Rough Rider[s Weekly] (no. 1-78)/Rough Rider [Weekly] (no. 79-[175]) no. 1-172 Do and Dare [Weekly] no. 1-47 Additional sheets with lists of Beadle's Dime [Library] and Beadle's Half-Dime [Library] used by Street and Smith, a list of Buffalo Bill Stories numbers, and a list of titles by Mrs. Alex McVeigh Miller and others |
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Box 284 | Record Book [13], 201 pp. 1912-1925 | ||||||||||
Tip Top [Library] (no. 18-39)/Tip Top Weekly (no. 40-850) no. 21-136 Picture-Play Weekly v. 1, no. 1-v. 2, no. 8 Nick Carter [Stories] no. 16-160 [New] Buffalo Bill [Weekly] no. 16-356 Western Story Magazine no. 357-364 New York Weekly v. 68, no. 14-v. 71, no. 9 Western Stories (i.e. Story Library] no. 1-43 Round the World [Library] no. 1-38 Sport Stories no. 1-15 Adventure [Library] no. 1-37 New Eagle [Series] no. 812-1219 New Magnet [Library] no. 788-1195 New Medal [Library] no. 703-858 Bertha Clay [Library] no. 415-512 New Bertha Clay [Library] no. 1-292 Far West [Library] no. 147-211 Picture Play Library no. 1-34 Select [Library] no. 167-239 Select [Library] no. 151-166 Southworth no. 1-72 New Southworth [Library] no. 1-91 New Fiction no. 39-41 Sheldon no. 1-39 New "Alger Series" no. 1-159 untitled no. 92-125 Merriwell Series no. 1-147 Republished Garvice (Eagle) 2 pages Specials 1 page New Romance no. 51-71 Harkaway no. 13-24 Optic: Cheerful Hour Stories no. 1-6 Optic: Happy Thought Stories no. 1-6 Optic: Welcome Friend Series no. 1-6 Detective Library no. 1-51 Buffalo Bill Border Stories no. 1-211 [20th Century] Hand Books no. 1-8 New [20th Century] H[and] B[ooks] no. 1-4 Merriwell Baseball Stories no. 1-8 Merriwell Football Stories no. 1-6 |
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Box 284 | Index to record books - for subject analysis of and index to Record Books, see pp. 66-79 | ||||||||||
Re-issues | |||||||||||
Box 284 | Checklist, handwritten, of stories from Good News, possibly for re-use | ||||||||||
Box 284 | List of "'Bound-to-Win' stories used in Brave and Bold and Might and Main" | ||||||||||
Box 284 | List of stories from Half-Holiday, Army & Navy, and Good News available for books | ||||||||||
Box 284 | List of "stories in sets edited for Cloth Book Department" | ||||||||||
Box 284 | Miscellany - unidentified notes, fragments, and printed material |
Films | |||||||||||
Reel | Antrim Production: The Shadow #1: The Case of the Cotton Kimono, Reel 1 04/13/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_018_01) | ||||||||||
Unidentified reel. Old can labeled: "Cut Pix [pictures] and SND [sound] Neg - Reel 1." Includes: Printed Index Card; Negative Cleaning Report; handwritten note; scenes log. | |||||||||||
Reel | Antrim Production: The Shadow #1: The Case of the Cotton Kimono, Reel 1 [sound reel] 04/13/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_018_02) | ||||||||||
Reel | Antrim Production: The Shadow #1: The Case of the Cotton Kimono, Reel 2 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_019_01) | ||||||||||
Sound reel. Old can labeled: "Cut Pix [pictures] and SND [sound] Neg, Reel - 2." Includes: Printed Index Card; handwritten note; scenes log. | |||||||||||
Reel | Antrim Production: The Shadow #1: The Case of the Cotton Kimono, Reel 2 [sound reel] 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_019_02) | ||||||||||
Reel | Antrim Production: The Shadow #1: The Case of the Cotton Kimono, Reel 3 04/13/1954 - all film credits listed in street_smith_001; (35mm film) (ID#: street_smith_020_01) | ||||||||||
Sound reel. Includes: Printed Index Card; scenes log; handwritten note from J. Randolph Cox, 7 Nov. 1980, identifying that this is a sound reel; Packing List from Charles Michelson, Inc. shipped to Miss Easter Ford, Conde-Nast Publications; Negative Cleaning report | |||||||||||
Reel | Antrim Production: The Shadow #1: The Case of the Cotton Kimono, Reel 3 04/13/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_020_02) | ||||||||||
Old can labeled: "Cut Pix [pictures] and SND [sound] Neg, Reel - 3." | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono (T-Opt.) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_025) | ||||||||||
The reel includes scenes of Lamont Cranston and Margot Lane at Detective Harris's apartment talking to the Landlady; Margot Lane questioning Detective Harris and him pointing a gun at her; Lamont Cranston talking to the Landlady; Detective Harris scared of the strange light. Scenes are not in order. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono (T-Opt.) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_026_01) | ||||||||||
The reel includes scenes of Lamont Cranston in his office reading a book; open book in the air; Lamont Cranston having a conversation in his office with Detective Harris, next is a scene of the suspected in the murder case Alex Bromm talking to Lamont Cranston and Margot Lane in his apartment; Rollo Grimbauer talking to Lamont Cranston; the voice instructor on the phone and the strange light next to him; some random cuts from various scenes. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono (T-Opt.) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_026_02) | ||||||||||
The reel includes scenes of Lamont Cranston and Margot Lane talking; Rollo Grimbauer talking to Lamont Cranston; Detective Harris pointing a gut at Margot Lane; some random cuts from various scenes. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono (T-Opt.) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_026_03) | ||||||||||
The reel includes scenes of Lamont Cranston and Margot Lane talking; L. Cranston in Detective Harris apartment talking to the land lady; L. Cranston reading a book; bookshelf; title and cast; some random cuts from various scenes. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Dailies (CC 812, Take 1) 03/03/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_022_01) | ||||||||||
Sound reel. Includes scene/take/sound: 96-1-47. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Dailies (CC 812, Take 1) 03/03/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_022_02) | ||||||||||
Sound reel. Includes scene/take/sound: 96-1-48. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Dialog, Reel 1 (CC 838, Take 1) 03/09/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_023) | ||||||||||
Sound reel. Includes scenes log sheet. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Dialog, Reel 2 [sound reel] 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_015) | ||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Dialog, Reel 3 (CC 838, Take 2) [sound reel] 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_017) | ||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Extra [Outtakes] 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_005_01) | ||||||||||
Outtakes not included in the final print. A camera assistant with a clapperboard of Antrim Prod. appears at each scene. Includes scenes of a flying book; the dead girl laying on the floor; the voice instructor Rollo Grimbauer looking scared. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Extra [Outtakes] 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_005_02) | ||||||||||
Outtakes not included in the final print. Includes: an outdoor view of a window; a bookshelf scene; a dark curtain; a few slides of the actress Paula Raymond; a lot of empty frames. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, FX "A" & "B", Reel 2; Narration, Reel 3 [FX - sound or visual effects] 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_016) | ||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Laughs [sound reel] 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_021) | ||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Narration Trims 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_027_01) | ||||||||||
Sound reel. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Narration Trims 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_027_02) | ||||||||||
Sound reel. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Narration, Reel 2 (CC 1141, Take 10, three times) 03/24/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_024) | ||||||||||
Antrim sound reel | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Neg. for [Fine Grain] (24813/7) 03/25/1954 - all film credits listed in street_smith_001; includes production log (35mm film) (ID#: street_smith_006) | ||||||||||
Most of the fragments include a camera assistant holding a clapperboard of Antrim Prod. with scenes and takes numbers. The reel includes scenes of Lamont Cranston in his office reading a book titled "Hypnosis and Invisibility"; an opened book in the air held by a few barely visible strings; a book moving from a bookshelf; the murder scene; newspaper article about the murder; Lamont Cranston having a conversation in his office with Detective Harris. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Neg. for [Fine Grain] (24815) 03/25/1954 - all film credits listed in street_smith_001; includes production log (35mm film) (ID#: street_smith_008) | ||||||||||
The film fragments include a camera assistant holding a clapperboard of Antrim Prod. with scenes and takes numbers. The reel includes scenes of Lamont Cranston and Margot Lane at Detective Harris's apartment talking to the Landlady; Margot Lane questioning Detective Harris and him pointing a gun at her; Lamont Cranston talking to the Landlady; the Shadow appearance as a bright light in front Detective Harris; Detective Harris scared of the strange light. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Neg. Pix. for Fine Grain (2 prints, Reel 1) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_013_01) | ||||||||||
Includes Antrim Prod. scene A1, take 2: outside view of a window. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Neg. Pix. for Fine Grain, Reel 1 04/01/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_013_02) | ||||||||||
Includes Audio Prod. No. 2832, scenes Titles and Cast Title, take 1: Title and Cast list. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Neg. Pix. for Fine Grain, Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_013_03) | ||||||||||
Includes Antrim Prod., scene/take/sound:100-2-[?]: scene of Margot Lane. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Neg. Pix. for Fine Grain, Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_013_04) | ||||||||||
Includes Antrim Prod., scene/take/sound: 1-12-[?]: scene of a bookshelf and window with curtain. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Neg. Pix. for Fine Grain, Reel 1 04/01/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_013_05) | ||||||||||
Includes Audio Prod. No. 2832, scenes Titles and Cast Title, take 1: Title and Cast list. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Neg. Pix. Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_011) | ||||||||||
The reel includes scenes of Lamont Cranston having a conversation in his office with Detective Harris; a scene of the suspected in the murder case Alex Bromm talking to Lamont Cranston and Margot Lane in his apartment. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Neg. Pix. Reel 1 1954 - multiple film fragments found out of order; all film credits listed in street_smith_001; includes memo note from Lawrence F. Sherman Jr. (35mm film) (ID#: street_smith_012_01) | ||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Neg. Pix. Reel 1 1954 - all film credits listed in street_smith_001; includes memo note from Lawrence F. Sherman Jr. (35mm film) (ID#: street_smith_012_02) | ||||||||||
Individual film fragment with a clapperboard of Antrim Prod., noting that this is insert No. 1 including the newspaper article scene about the murder of the Cotton Kimono. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_029_01) | ||||||||||
The reel includes a camera assistant holding a clapperboard of Antrim Prod. scene/take 100-1: scene of Margot Lane entering and exiting a room. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_029_02) | ||||||||||
Sound reel | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_029_03) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the picture reel for street_smith_029_04, includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 101-6-122: scene of Margot Lane questioning Detective Harris and him threatening Margot Lane with a gun. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_029_04) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the sound reel for street_smith_029_03 with scene/take/sound number 101-6-122. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_029_05) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the picture reel for street_smith_029_06, includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 82-4-98: scene of Detective Harris and other inspectors questioning Alex Bromm in the Police department. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_029_06) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the sound reel for street_smith_029_05 with scene/take/sound number 82-4-98. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (CC 869, Take 1) 03/08/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_030_01) | ||||||||||
Individual film fragment with a clapperboard of Antrim Prod., noting that this is insert No. 1 including the newspaper article scene about the murder of the Cotton Kimono. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (CC 869, Take 1) 03/08/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_030_02) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the picture reel for street_smith_030_03, includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 60B-2-68: scene of Rollo Grimbauer talking on the phone and running away. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (CC 869, Take 1) 03/08/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_030_03) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the sound reel street_smith_030_02 with scene/take/sound number 60B-2-68. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (CC 869, Take 1) 03/08/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_030_04) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the picture reel for street_smith_030_05, includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 60A-1-66: scene of Rollo Grimbauer talking on the phone while a strange light appears next to him, Rollo Grimbauer is running away. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (CC 869, Take 1) 03/08/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_030_05) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the sound reel for street_smith_030_04 with scene/take/sound number 60A-1-66. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (CC 869, Take 1) 03/08/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_030_06) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the picture reel for street_smith_030_07, includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 21-1-35: scene of Lamont Cranston. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (CC 869, Take 1) 03/08/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_030_07) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the sound reel for street_smith_030_06 with scene/take/sound number 21-1-35. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_01) | ||||||||||
Sound reel with illegible scene/take/sound number written on it. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_02) | ||||||||||
Sound reel with illegible scene/take/sound number written on it. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_03) | ||||||||||
Sound reel with partially legible scene/take/sound number 108B-[?]-147. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_04) | ||||||||||
Sound reel with partially legible scene/take/sound number 35-[?]-[?] | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_05) | ||||||||||
Sound reel with scene/take/sound number 107-1-139. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_06) | ||||||||||
Sound reel with partially legible scene/take/sound number 107-3-14[?]. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_07) | ||||||||||
Sound reel with scene/take/sound number 37-6-84. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_08) | ||||||||||
Sound reel with scene/take/sound number 20A-1-34-Extra. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_09) | ||||||||||
Sound reel with partially legible scene/take/sound number 35-[?]-7. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_10) | ||||||||||
Sound reel with partially legible scene/take/sound number 108-1-116[?]. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_11) | ||||||||||
Sound reel with partially legible scene/take/sound number 21-1-35. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_12) | ||||||||||
The reel includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 85-1-105: scene of Detective Harris questioning Alex Bromm in the police department. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_13) | ||||||||||
The reel includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 85-2-[?]: scene of Detective Harris questioning Alex Bromm in the police department. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_14) | ||||||||||
The reel includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 83-1-102: scene of Detective Harris talking to another policeman in the police department. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_15) | ||||||||||
The reel includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 86-1-108: scene of Detective Harris in the police department. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_16) | ||||||||||
The reel includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 86-2-109: scene of Detective Harris and other police officers talking to Alex Bromm in the police department. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_17) | ||||||||||
The reel includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 86-3-110: scene of Detective Harris and other police officers talking to Alex Bromm in the police department. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_18) | ||||||||||
The reel includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 60-1-64: scene of Rollo Grimbauer talking on the phone while the strange light appears. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs (Printed by Mistake) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_028_19) | ||||||||||
The reel includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 68-1-71: scene of Rollo Grimbauer scared hiding in the dark. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_031_01) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the picture reel for street_smith_031_02: scene of Lamont Cranston and Margot Lane talking in his office. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_031_02) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the sound reel for street_smith_031_01. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_031_03) | ||||||||||
Multiple picture and sound film fragments wound together without a core, related to different scenes. This is a combined picture reel for street_smith_031_04, scenes are not in order. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_031_04) | ||||||||||
Multiple picture and sound film fragments wound together without a core, related to different scenes. This is a combined sound reel for street_smith_031_03, fragments are not in order. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_031_05) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the picture reel for street_smith_031_06: scene of Detective Harris talking to another policeman in the Police department. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_031_06) | ||||||||||
Picture and sound film fragments wound together without a core, related to the same scene. This is the sound reel for street_smith_031_05. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_031_07) | ||||||||||
Multiple picture and sound film fragments wound together without a core, related to different scenes. This is a combined picture reel for street_smith_031_08, scenes are not in order. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_031_08) | ||||||||||
Multiple picture and sound film fragments wound together without a core, related to different scenes. This is a combined sound reel for street_smith_031_07, fragments are not in order. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_031_09) | ||||||||||
Multiple picture and sound film fragments wound together without a core, related to different scenes. This is a combined picture reel for street_smith_031_010, scenes are not in order. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Outs Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_031_10) | ||||||||||
Multiple picture and sound film fragments wound together without a core, related to different scenes. This is a combined sound reel for street_smith_031_09, fragments are not in order. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Pix, Reel 2 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_014) | ||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Pix, Reel 3 1954 (35mm film) (ID#: street_smith_001) | ||||||||||
This is an editing print of the last part of the film with many notes and cuts. Includes scenes of Margot Lane questioning Detective Harris; Detective Harris threatening Margot Lane with a gun, scenes of Lamont Cranston talking to the Landlady, scene of the Shadow appearance as a bright light and resolving the case. Credits listed at the end. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Pix. Reel 1 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_010) | ||||||||||
Editing print of the first part of the film with many film fragments. The reel begins with an outdoor view of a window followed by a scene of Lamont Cranston in his office reading a book titled "Hypnosis and Invisibility" while fading into a bright light; next is a scene of an opened book in the air held by a few barely visible strings; a bookshelf scene; next are the film title and the credits. The film continues with the murder scene; a scene of Lamont Cranston having a conversation in his office with Margot Lane and Commissioner Weston, followed by the arrival of Detective Harris, next is a scene of the suspected in the murder case Alex Bromm talking to Lamont Cranston and Margot Lane in his apartment. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Print Pix. (CC 838, Take 3) 03/04/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_009_01) | ||||||||||
A camera assistant with a clapperboard of Antrim Prod. appears at the beginning of the scene No. 96-1: Lamont Cranston and Margot Lane in Detective Harris's apartment talking to the Landlady. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Print Pix. (CC 838, Take 3) 03/04/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_009_02) | ||||||||||
A camera assistant with a clapperboard of Antrim Prod. appears at the beginning of the scene No. 96-2: Lamont Cranston and Margot Lane at Detective Harris apartment talking to the Landlady. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Reel 1 (2832) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_002) | ||||||||||
Editing print of the first part of the film with many film fragments. Most of the fragments include a camera assistant holding a clapperboard of Antrim Prod. with scenes and takes numbers. The film reel begins with the murder scene; continues with a scene of Lamont Cranston having a conversation in his office with Detective Harris, next is a scene of the suspected in the murder case Alex Bromm talking to Lamont Cranston and Margot Lane in his apartment. Separated with a leader film fragment shows a scene of an opened book in the air held by a few barely visible strings; followed by a scene of Lamont Cranston in his office reading a book titled "Hypnosis and Invisibility"; scene of an outdoor view of a window. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Reel 2 (2832) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_003) | ||||||||||
Editing print of the second part of the film. At the beginning of each scene a camera assistant holds a clapperboard of Antrim Prod. with the scenes and takes numbers. Includes scenes of a singing lady; Lamont Cranston and Margot Lane having a conversation; Lamont Cranston in the voice instructor's studio; Alex Bromm in his apartment; Detective Harris and other inspectors questioning Alex Bromm in the Police department. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Reel 2, Neg. for [Fine Grain] (24814) 03/25/1954 - all film credits listed in street_smith_001; includes production log (35mm film) (ID#: street_smith_007) | ||||||||||
The film fragments include a camera assistant holding a clapperboard of Antrim Prod. with scenes and takes numbers. The reel includes scenes of a singing lady; Lamont Cranston in the voice instructor's studio; Lamont Cranston and Margot Lane having a conversation; Rollo Grimbauer and the appearance of the strange light; Alex Bromm in his apartment; Detective Harris and other inspectors questioning Alex Bromm in the Police department. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Reel 3 (2832) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_004) | ||||||||||
Editing print of the third part of the film. At the beginning of each scene a camera assistant holds a clapperboard of Antrim Prod. with the scenes and takes numbers. Includes scenes of: Lamont Cranston and Margot Lane at Detective Harris apartment talking to the Landlady; Margot Lane questioning Detective Harris and him pointing a gun at her; Lamont Cranston talking to the Landlady; the Shadow appearance as a bright light in front Detective Harris; Detective Harris scared of the strange light. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (1-9) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_032_01) | ||||||||||
The reel includes a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 1-8-[silent] and 1-9-[silent]: scene of a bookshelf with a-self-moving book. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (1-9) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_032_02) | ||||||||||
The reel includes a scene of a window from an outside view. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (1-9) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_032_03) | ||||||||||
Two film fragments wound together. The reel includes two scenes: a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 1A-2-[silent], scenes of Lamont Cranston reading a book in his office; scene of an opened in the air book. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (1-9) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_032_04) | ||||||||||
Two film fragments wound together. The reel includes two scenes: a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number [?]-5-[silent] of a set up for a book in the air scene; scene of a landscape view. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (1-9) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_032_05) | ||||||||||
The reel includes: a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 1A-1-[silent]: scene of outside view of a window and landscape. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (1-9) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_032_06) | ||||||||||
The reel includes a scene of a long heavy curtain. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (1-9) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_032_07) | ||||||||||
Five film fragments wound together. The reel includes scenes: a camera assistant holding a clapperboard of Antrim Prod. scene/take/sound number 3-1-silent: scene of Lamont Cranston reading a book; an opened in the air book held by slightly visible strings; a book chapter. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (1-9) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_032_08) | ||||||||||
Two picture and two sound film fragments wound together without a core, related to the same scenes. This is a combined picture reel for street_smith_032_09 with scene/take/sound number 7-2-114: scene of the victim at her home, setting up dinner table before her murder. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (1-9) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_032_09) | ||||||||||
Two picture and two sound film fragments wound together without a core, related to the same scenes. This is a combined sound reel for street_smith_032_08 with scene/take/sound number 7-2-114. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (1-9) 1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_032_10) | ||||||||||
Multiple picture film fragments (total of 22) wound together without a core, related to the "book" scene. This is a combined picture reel, fragments are not in order. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_01) | ||||||||||
Two picture film fragments wound together without a core, related to the same scene [Inserts]: photo of the victim and the newspaper article about the murder. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_02) | ||||||||||
Multiple picture and sound film fragments (total of 6) wound together without a core, related to the same scene. This is a combined picture reel for street_smith_033_03 with scene/take/sound number 15A-6-17. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_03) | ||||||||||
Multiple picture and sound film fragments (total of 6) wound together without a core, related to the same scene. This is a sound reel for street_smith_033_02 with scene/take/sound number 15A-6-17. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_04) | ||||||||||
Picture and sound film fragments (total of 3) wound together without a core, related to the same scene. This is a combined picture reel for street_smith_033_05 with scene/take/sound number 15-6-11. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_05) | ||||||||||
Picture and sound film fragments (total of 3) wound together without a core, related to the same scene. This is a sound reel for street_smith_033_04 with scene/take/sound number 15-6-11. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_06) | ||||||||||
This is a combined picture reel for scene/take/sound number 15B-1-silent: scene of Margot Lane in Lamont Cranston's office. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_07) | ||||||||||
Picture and sound film fragments (total of 4) wound together without a core, related to the same scene. This is a combined picture reel for street_smith_033_08 with scene/take/sound number 15C-1-37: scene of an office door. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_08) | ||||||||||
Picture and sound film fragments (total of 4) wound together without a core, related to the same scene. This is a combined sound reel for street_smith_033_07 with scene/take/sound number 15C-1-37. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_09) | ||||||||||
This is a combined picture reel for scene/take/sound number 15E-2-silent: scene of scene of an office door. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_10) | ||||||||||
This is a combined picture reel for Antrim Prod. scene/take/sound number 10A-1-silent: the murder scene, victim is falling on the floor. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_11) | ||||||||||
Picture and sound film fragments (total of 4) wound together without a core, related to the same scene. This is a combined picture reel for street_smith_033_12 for Antrim Prod. scene/take/sound number 12A-1-138, scene of Lamnot Cranston talking to someone in his office. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_12) | ||||||||||
Picture and sound film fragments (total of 4) wound together without a core, related to the same scene. This is a combined sound reel for street_smith_033_11 for Antrim Prod. scene/take/sound number 12A-1-138. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_13) | ||||||||||
Picture and sound film fragments (total of 4) wound together without a core, related to the same scene. This is a combined picture reel for street_smith_033_14 for Antrim Prod. scene/take/sound number 12-5-5, scene of Margot Lane talking to someone; scene of Margot Lane with Lamont Cranston in his office. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_14) | ||||||||||
Picture and sound film fragments (total of 4) wound together without a core, related to the same scene. This is a combined sound reel for street_smith_033_13 for Antrim Prod. scene/take/sound number 12-5-5. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_15) | ||||||||||
This is a combined picture reel with two film fragments for street_smith_033_16 for Antrim Prod. scene/take/sound number 16A-2-22, scene of Lamont Cranston and Detective Harris talking in Cranston's office. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_16) | ||||||||||
This is a combined sound reel with three separate fragments for street_smith_033_15 for Antrim Prod. scene/take/sound number 16A-2-22. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_17) | ||||||||||
Picture and sound film fragments (total of 4) wound together without a core, related to the same scene. This is a combined picture reel for street_smith_033_18 for Antrim Prod. scene/take/sound number 10-2-125, scene of a room mirror. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_18) | ||||||||||
Picture and sound film fragments (total of 4) wound together without a core, related to the same scene. This is a combined sound reel for street_smith_033_17 for Antrim Prod. scene/take/sound number 10-2-125. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_19) | ||||||||||
This is a combined picture reel with two film fragments for Antrim Prod. scene/take/sound number 17-1-silent, scene of Detective Harris walking into a room. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_20) | ||||||||||
Picture and sound film fragments (total of 2) wound together without a core, related to the same scene. This is a picture reel for street_smith_033_21 for Antrim Prod. scene/take/sound number 19C-2-32, scene of Lamont Cranston and Detective Harris talking in Cranston's office. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_21) | ||||||||||
Picture and sound film fragments (total of 2) wound together without a core, related to the same scene. This is a sound reel for street_smith_033_20 for Antrim Prod. scene/take/sound number 19C-2-32, scene of Lamont Cranston and Detective Harris talking in Cranston's office. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_22) | ||||||||||
Picture and sound film fragments (total of 2) wound together without a core, related to the same scene. This is a picture reel for street_smith_033_23 for scene of Detective Harris talking to someone. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_23) | ||||||||||
Picture and sound film fragments (total of 2) wound together without a core, related to the same scene. This is a sound reel for street_smith_033_22 for scene of Detective Harris talking to someone. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_24) | ||||||||||
Picture and sound film fragments (total of 2) wound together without a core, related to the same scene. This is a picture reel for street_smith_033_25 for Antrim Prod. scene/take/sound number 19-2-28: scene of Lamont Cranston and Detective Harris talking in Cranston's office. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_25) | ||||||||||
Picture and sound film fragments (total of 2) wound together without a core, related to the same scene. This is a sound reel for street_smith_033_24 for Antrim Prod. scene/take/sound number 19-2-28. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_26) | ||||||||||
Picture and sound film fragments (total of 10) wound together without a core, related to the same scene. This is a combined picture reel for street_smith_033_27 for Antrim Prod. scene/take/sound number 16-3-70: scene of Lamnot Cranston talking to Commissioner Weston. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (10-19 from CC 854, Take 2) 03/05/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_033_27) | ||||||||||
Picture and sound film fragments (total of 10) wound together without a core, related to the same scene. This is a combined sound reel for street_smith_033_26 for Antrim Prod. scene/take/sound number 16-3-70, fragments might not be in order. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (100-108 from CC 854, take 4) 01/15/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_041_01) | ||||||||||
Picture and sound film fragments (total of 5) wound together without a core, related to the same scene. This is a combined picture reel for street_smith_041_02, for Antrim Prod. scene/take/sound number 107A-1-143; scene of Margot Lane talking to someone. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (100-108 from CC 854, take 4) 01/15/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_041_02) | ||||||||||
Picture and sound film fragments (total of 5) wound together without a core, related to the same scene. This is a combined sound reel for street_smith_041_01, for Antrim Prod. scene/take/sound number 107A-1-143. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (100-108 from CC 854, take 4) 01/15/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_041_03) | ||||||||||
Picture film fragments (total of 2) wound together without a core, related to the same scene. This is a combined picture reel for Antrim Prod. scene/take/sound number 105A-2-silent; scene of a hand holding the photograph of the murder victim. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (100-108 from CC 854, take 4) 01/15/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_041_04) | ||||||||||
Picture and sound film fragments (total of 6) wound together without a core, related to the same scene. This is a combined picture reel for street_smith_041_05, for Antrim Prod. scene/take/sound number 107B-1-144; scene of Margot Lane talking to Detective Harris and him holding a gun. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (100-108 from CC 854, take 4) 01/15/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_041_05) | ||||||||||
Picture and sound film fragments (total of 5) wound together without a core, related to the same scene. This is a combined sound reel for street_smith_041_04, for Antrim Prod. scene/take/sound number 107B-1-144. | |||||||||||
Reel | The Shadow: The Case of the Cotton Kimono, Trims (100-108 from CC 854, take 4) 01/15/1954 - all film credits listed in street_smith_001 (35mm film) (ID#: street_smith_041_06) | ||||||||||
Picture and sound film fragments (total of 7) wound together without a core, related to the same scene. This is a combi |