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George Mulfinger Papers

An inventory of his papers at the Syracuse University Archives

Summary

Creator: Mulfinger, George.
Title: George Mulfinger Papers
Dates: 1925-1982
Size: 3 boxes, including 1 oversized box (3 linear feet)
Abstract: Musical scores from over 50 years and several recordings of Mulfinger and others performing his pieces
Language: English
Repository: University Archives,
Special Collections Research Center
Syracuse University Libraries
222 Waverly Ave., Suite 600
Syracuse, NY 13244-2010
https://library.syracuse.edu/special-collections-research-center/university-archives

Biography

George L. MulfingerGeorge Leonidas Mulfinger (1900-1988) taught in Syracuse University’s School of Music for forty years, during which time he composed, performed, and drew upon the unique music education he received to help inspire others.

Mulfinger was originally born in Chicago in 1900, though he spent most of his youth growing up in Meadville, Pennsylvania. He began composing original pieces at age 11 and settled on music as a potential career soon after. Mulfinger graduated from the Pennsylvania College of Music of Meadville in 1915, and two years later, at age seventeen, he traveled to Cleveland to continue his studies with private instructors. He studied piano and organ under the Riemenschneider brothers, who themselves had studied under European composers Theodor Leschetizky, Charles-Marie Widor, and Alexandre Guilmant.

In 1918, Mulfinger returned to Chicago to continue his piano studies and begin new educational pursuits. His piano instruction came from Adolf Brune, who was one of Chicago’s most celebrated pianists and composers at the time. Mulfinger also attended the University of Chicago, from where he received a Bachelor of Philosophy degree with a major in English in 1923.

While teaching at a Chicago music school, Mulfinger heard that students of Emil von Sauer, a music professor and composer in Germany, were struggling due to the hyperinflation of the German post-war economy. He organized a fundraising effort that collected $100 for the benefit of these students. Von Sauer was deeply grateful for the young Mulfinger's kindness. In response, the professor offered him an open invitation to come to Germany to study with him and other influential musical figures in Europe. Mulfinger eagerly took von Sauer up on his offer and left for Germany immediately after finishing his degree in Chicago.

Von Sauer, who had studied with the renowned pianist Franz Liszt, taught Mulfinger through private instruction and exposure to new professional experiences in Germany, Spain, and Austria. After arriving in Austria, Mulfinger also began studying composition and orchestration under composer Franz Schmidt.

By 1926, Mulfinger began performing concerts in Germany and Austria. When his extended stay in Europe ended later that year, he returned to the United States to tour as a concert pianist. He played concerts in Chicago, New York City, and other cities across the U.S. for two years. His performances were well received, though he soon chose to take a teaching position in addition to performing and composing.

In 1928, Mulfinger began his career at Syracuse University as a professor of piano and piano literature at the University’s School of Music. He once stated that he found composing music and teaching students to be more rewarding than performing, so his new position at Syracuse University allowed him to focus primarily on what was most fulfilling to him. He also received a Master of Music degree in composition from the University in 1936.

Mulfinger became a prominent figure in the School of Music during his 40 years as a professor there, and upon retiring in 1968, he was granted the title of Emeritus Professor of Music. In addition to being noted for his teaching ability, the music Mulfinger composed during this time also endeared him to the local music community. He composed dozens of scores for piano, strings, voice, and full orchestras. He also performed many of these pieces during his time at Syracuse, though he would not travel to perform as much as he once did as a younger man.

Mulfinger bowed out of Syracuse University with a farewell concert. He played original compositions from a span of over 30 years to a full house at Crouse Auditorium in November 1967.

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Scope and Content Note

The George Mulfinger Papers contains musical compositions and recordings from 1925 to 1982.

The Recorded performances series contains an album book holding eight acetate records. These are performances of Mulfinger's compositions; half are performed by Mulfinger himself and half are performed by others. One record contains two performances by his wife, Elizabeth, with whom he often performed. All records in this series have recordings on both sides.

The Scores series contains musical compositions from a span of nearly sixty years. Mulfinger mostly composed pieces for piano, but scores for other instruments, such as the cello and violin, also appear multiple times in the series. The most extensive work within the collection is his overture to An Imaginary Opera, which includes the complete score and the score for each individual instrument. Though most of the scores in this series are photocopies, some of them are original printings, such as a printed copy of Passacaglia for Organ, which is also signed by Mulfinger with a dedication.

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Restrictions

Access Restrictions

Please note that the collection is housed off-site, and advance notice is required to allow time to have the materials brought to the Reading Room on campus.

Access to recordings requires advance notice to produce a use copy.

Use Restrictions

Written permission must be obtained from University Archives,
Special Collections Research Center
Syracuse University Libraries and all relevant rights holders before publishing quotations, excerpts or images from any materials in this collection.

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Related Material

The Syracuse University Archives also holds a clipping file and a portrait file on Mulfinger.

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Selected Search Terms

Names

Mulfinger, George.
Syracuse University -- History.
Syracuse University.

Subjects

Composers -- 20th century.
Composition (music)
Music -- 20th century.
Music.
Pianists -- 20th century.
Piano music.
College teachers.
Composers.
Higher education.

Types of material

Scores.
Sheet music.
Sound recordings.

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Administrative Information

Preferred Citation

Preferred citation for this material is as follows:

George Mulfinger Papers,
University Archives,
Special Collections Research Center
Syracuse University Libraries

Acquisition Information

Gift of George Mulfinger in 1981.

Processing Information

Items were placed in acid-free folders and boxes.

Finding Aid Information

Created by: Sean Molinaro
Date: 2012
Revision history: 2014 - Biography updated (MAM); 2023 - 2 items added; box numbering corrected (MAM)

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Arrangement

The Recorded performances series is arranged in the order Mulfinger originally indexed the records. The Scores series is arranged alphabetically, except for the overture to An Imaginary Opera, which is arranged in orchestral score order.

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Inventory

Recorded performances
Box 2 Record album book undated
Rhapsody in E minor - Performed by George Mulfinger (F/V 5571; F/V 5572)
Revel of the dervishes; sereneta - Performed by Elizabeth Mulfinger (F/V 5573; F/V 5574)
Prelude in A minor; nocturne - Performed by George Mulfinger (F/V 5575; F/V 5576)
The odor from the flower is gone; how many times do I love thee, dear - Performed by Warren Schmoll (F/V 5577; F/V 5578)
My soul is dark; silence - Performed by Warren Schmoll (F/V 5579; F/V 5580)
The shepherd boys; the sad sandman; poème; the moody child - Performed by George Mulfinger (F/V 5581; F/V 5582)
Variations (5 out of 8) for four French horns - Performed by William McGee, Bernard Mott, Angelo Sarzio, and Ruth Ann Smith (F/V 5583)
The bells of Oz; toccata - Performed by George Mulfinger (F/V 5584)
Scores
Box 1 Aria for cello and piano March 17, 1960
Box 2 Aria for cello and piano March 17, 1960 Oversize
Box 2 Ballade for piano undated - With Mulfinger's dedication, photocopied Oversize
Box 1 Childhood memories – the shepherd boys; the sad sandman; the blind beggarman 1941
Box 1 Chorale and variations for two pianos July 29, 1929
Box 1 Dance for piano and cello undated
Box 2 Dance for piano and cello undated Oversize
Box 1 Eight variations for four French horns September 1947
Box 1 Elegy for cello and piano 1950
Box 2 Elegy for cello and piano 1950 Oversize
Box 1 Five Viennese miniatures for voice & piano: in a cathedral; water; I thought you walked beside me; a twilight fancy; berceuse (text by Alice Blengsli) 1928
Box 1 Four short interludes for organ undated
Box 2 Four short interludes for organ undated Oversize
Box 2 Gather ye rosebuds 1934 Oversize
Box 2 How many times do I love thee, dear (Thomas Beddoes) 1939 Oversize
Box 1 I arise from dreams of thee (Shelley) for bass or baritone undated
Box 2 I love and the world is mine (Florence E. Coates) July 14, 1939 Oversize
Box 1 In a Chinese laundry, for two pianos 1943
Box 1 In a Chinese laundry, piano solo 1927
Box 1 Intermezzo for clarinet and piano with Bruce Mulfinger 1960
Box 2 A lament (Shelley) undated Oversize
Box 1 Liebesbotschaft - (Schubert – Liszt, arranged by Mulfinger) June 27, 1942
Box 1 Lift up your heads o gates - an anthem - score undated
Box 2 Lift up your heads o gates - an anthem - score undated Oversize
Box 1 Lift up your heads o gates - an anthem - trumpet undated
Box 2 Lift up your heads o gates - an anthem - trumpet undated Oversize
Box 1 March of the astronauts, for piano 1982
Box 1 Miniature suite (from the haunts of the Ellicutts), for piano 1982
Box 1 My soul is dark (Byron) 1934
Box 1 Night sounds on the Delaware, for piano undated
Box 1 Nocturne for cello and piano October 22, 1968
Box 2 Nocturne for cello and piano October 22, 1968 Oversize
Box 1 Nocturne for flute and piano October 31, 1968
Box 2 Nocturne for flute and piano October 31, 1968 Oversize
Box 2 A Norse war song (Craig) from the saga of "the death song of Lodbroc" June 6, 1939 Oversize
Box 1 Octave etude 1968
Box 1 The odor from the flower is gone (Shelley) 1934
Box 1 Overture to an imaginary opera 1937
Box 1 Complete score
Box 1 Piccolo
Box 1 Flutes
Box 1 Oboes
Box 1 Clarinets
Box 1 Bassoons 1937
Box 1 Horns
Box 1 Trumpets
Box 1 Trombones
Box 1 Tuba
Box 1 Timpani
Box 1 Triangle and cymbals
Box 1 Violin I
Box 1 Violin II
Box 1 Viola
Box 3 Cello
Box 3 Double bass
Box 3 Passacaglia for organ January 7, 1971
Box 3 Passacaglia for organ 1977 - Signed by Mulfinger
Box 3 Pastorale for organ December 25, 1967
Box 3 Phantasie for piano 1925
Box 3 Piano variations August 27, 1930
Box 3 Poème 1967
Box 3 Poème for violin and piano undated
Box 3 Pour l'enfant Jesu February 1970
Box 3 Prelude in A minor 1968
Box 3 Revel of the dervishes for piano October 1929
Box 2 Revel of the dervishes for piano October 1929 Oversize
Box 2 Romanza for violin and piano 1925 Oversize
Box 3 Rhapsody in E minor for piano December 15, 1932
Box 2 Scherzo for piano 1941
Box 3 Silence (G.F. Savage Armstrong) for bass or baritone June 13, 1939
Box 3 Six piano pieces for children: the pinwheel; fanfare; the broken doll; the cuckoo clock; the snake charmer; the music box undated
Box 3 Six piano pieces for children - second series: little scherzo; melody on A; catch me; the dancing lesson; sad story; the weaver's song undated - Signed by Mulfinger
Box 3 Sonatina for clarinet and piano October 1962
Box 3 Sonatina for piano undated - Includes enclosed explanatory note handwritten by Mulfinger
Box 3 Spanish fantasy for violin and piano 1927
Box 3 Suite for piano: prelude, nocturne, dance February 1969
Box 2 Symphonic variations, piano and orchestra, full score 1929 Microfilm negative
Box 3 Toccata - chorale fanfare for organ undated
Box 3 Toccata coreografica for two pianos February 1967
Box 3 Toccatina for organ October 1927
Box 2 Toccatina for organ October 1927 Oversize
Box 3 Valse indolente undated

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