Scope and Contents of the Collection
Selected index to correspondence
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Overview of the Collection |
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| Creator: | Lawrence, Jacob, 1917-2000 |
| Title: | Jacob Lawrence Papers |
| Inclusive Dates: | 1937-1971 |
| Quantity: | 3.25 linear ft. |
| Abstract: | Spanning 1937-1971, the Jacob Lawrence Papers consist of biographical material, correspondence, artwork reproductions, writings, printed material, and memorabilia of the African-American painter, printmaker, and artist. |
| Language: | English |
| Repository: | Special Collections Research Center, Syracuse University Library 222 Waverly Avenue Syracuse, NY 13244-2010 http://scrc.syr.edu |
Considered a leading black artist, Jacob Lawrence worked in gouache, an opaque water colour, and tempera, a mixture of pigment and a binder. He is famous for the distinctive flat surfaces of his narrative paintings depicting social problems, as in The Migration of the Negro (1940-41) and Struggle: From the History of the American People (1955). Lawrence was born in Atlantic City, New Jersey. He studied under Charles Alston at the Art Workshop in Harlem, New York (1932-39), and at the Harlem Art Center and the American Artists School in New York City (1937-39). He was a professor of art emeritus at the University of Washington, Seattle. [From Hutchinson Encyclopedia of Biography (2000)]
The Jacob Lawrence Papers consist of Biographical data, Correspondence, Artwork (reproductions), Writings, Printed material, and Memorabilia of the African-American painter, printmaker, and artist. Born in Atlantic City, New Jersey, in 1917, Jacob Lawrence was an alumnus of the Harlem Workshop and the WPA Federal Art Project. The collection reflects not only the development of his artistic career, but also the social climate of the American art scene from the Depression through the early 1970s.
Two folders of Biographical data begin the collection.
Spanning 1937 through 1971, the Correspondence is almost exclusively of a business nature and comprises incoming letters and a few drafts of Lawrence's outgoing responses. Arranged chronologically with a selected name index, the Correspondence includes that of art historians (Alfred H. Barr, David C. Driskell, Creighton Gilbert, Abram Lerner, Alain Locke, Lee Nordness, Regenia A. Perry) and artists (Charles Alston, Benny Andrews, Romare Bearden, Lizzie Borden, Frank Bowling, Gerard Charriere, Claude Clark, Hy Cohen, Ernest Crichlow, Miki Denhof, Fritz Eichenberg, Philip Evergood, Elton C. Fax, Chuck Forsman, Harry Gottlieb, Eugene Grigsby, Joseph Hirsch, Carl Holty, Joe Lasker, Jack Levine, Frank Mechau, Earl Miller, Gregorio Prestopino, Charles Sheeler, Vincent Smith, Moses Soyer, Raphael Soyer, May Stevens, Walter Williams, Ed Wilson, Richard Yarde); as well as authors and poets (Miriam Biskin, Mildred Cummings, Harold Ehrensperger, M. A. Harris, Harry B. Henderson, Langston Hughes, Raymond Patterson, Margaret Rigg). Lawrence also received correspondence from educational institutions at which he has held teaching positions (Art Students League, Brandeis University, Denison University, Five Towns Music and Art Foundation, Inc., New School for Social Research, Pratt Institute, Skowhegan School of Painting and Sculpture); foundations and institutions which have awarded him grants and/or fellowships (American Artists School, American Academy of Arts and Letters, Chapelbrook Foundation, Ford Foundation, John Simon Guggenheim Memorial Foundation, Julius Rosenwald Fund, National Institute of Arts and Letters); galleries which represented his work (Downtown Gallery, Alan Gallery, Terry Dintenfass, Inc.); museums which have purchased and/or exhibited his work (Art Institute of Chicago, Brooklyn Museum, Carnegie Institute, Detroit Institute of Arts, Metropolitan Museum of Art, Museum of Fine Arts (Boston), Museum of Modern Art, North Carolina Museum of Art, Virginia Museum of Fine Arts, Whitney Museum of American Art); and institutions and publications which support and promote the study of Afro-American art and culture (American Society of African Culture, Association for the Study of Negro Life and History, Freedomways, Museum of African Art, Opportunity, National Urban League). In addition, Lawrence was approached by many local, national, and international organizations, from New York City high schools and churches to the Institute of International Education, to serve as a juror for art shows and the awarding of scholarships.
Artwork consists of reproductions of Lawrence's work, and features photographs, printed items, and slides. The photographs include images of both Lawrence's painting and a number of interior shots of gallery and museum shows. Printed material of Lawrence's work includes post cards, greeting cards, magazine covers, and appearances in various art and general publications which have illustrative material with minimal text.
Writings include interviews, speeches, and miscellaneous manuscripts which suggest Lawrence's philosophy about his work.
Printed material, consisting of academic brochures and course catalogs, exhibition announcements, invitations, catalogs, and posters, reflects Lawrence's dual career as teacher and artist. Course catalogs include those of Brandeis University (1965), the New School (1966-1969), and Skowhegan School of Painting and Sculpture (1968-1970). Exhibition announcements, invitations, and catalogs, document the course of Lawrence's artistic career, and include catalogs from his first one-man exhibition in 1938 sponsored by the James Wheldon Johnson Literary Guild at the Harlem YMCA, the American Negro Exposition (1939) in Chicago, at which he won second prize, and many other exhibition catalogs of one-man and group shows from the late 1930s through 1971. The collection also contains posters for two of his shows.
Memorabilia comprises awards, financial material, non-exhibition-related invitations, personal photographs, printed material, and manuscript writings about Lawrence by others. Printed material contains magazine articles about Lawrence (1939-1969) from various general and art periodicals, newspaper clippings (1937-1970), and programs and calendars from public events at which Lawrence spoke or was honored.
In their original state, the Lawrence Papers contained three scrapbooks which held a variety of materials, including correspondence, exhibition announcements and catalogs, magazine appearances, and newspaper clippings, which documented the early stages of his career (pre-1950). In the interest of preservation, the scrapbooks were dismantled and the materials integrated into various parts of the collection.
Written permission must be obtained from SCRC and all relevant rights holders before publishing quotations, excerpts or images from any materials in this collection.
Written permission must be obtained from SCRC and all relevant rights holders before publishing quotations, excerpts or images from any materials in this collection.
Preferred citation for this material is as follows:
Jacob Lawrence Papers,
Special Collections Research Center,
Syracuse University Library
Created by: Anne Diekma, KM
Date: Jan 1992
Revision history: 19 Mar 2007 - converted to EAD (AMCon)
| Biographical data | |||||||||||
| Box 1 | Biographical material (2 folders) | ||||||||||
| Correspondence | |||||||||||
| Box 1 | 1937-1971, undated (36 folders) | ||||||||||
| Artwork (reproductions) | |||||||||||
| Box 1 | Photographs | ||||||||||
| Box 1, 2 | Printed material (14 folders) | ||||||||||
| Box 2 | Slides (2 folders) | ||||||||||
| Writings | |||||||||||
| Box 2 | Interviews | ||||||||||
| Box 2 | Speeches | ||||||||||
| Box 2 | Miscellaneous | ||||||||||
| Printed material | |||||||||||
| Academic brochures, course catalogs | |||||||||||
| Box 2 | Brandeis University 1965 | ||||||||||
| Box 2 | New School 1966-1969 | ||||||||||
| Box 2 | Skowhegan School of Painting and Sculpture 1968-1970 (2 folders) | ||||||||||
| Box 2 | Miscellaneous | ||||||||||
| Box 2 | Exhibition announcements, invitations (2 folders) | ||||||||||
| Box 2 | Exhibition catalogs 1937-1959 (28 folders) | ||||||||||
| Box 3 | Exhibition catalogs 1960-1971, undated (16 folders) | ||||||||||
| Box 3 | Exhibition posters | ||||||||||
| Memorabilia | |||||||||||
| Box 3 | Awards | ||||||||||
| Box 3 | Financial | ||||||||||
| Box 3 | Invitations (non-exhibition related) | ||||||||||
| Box 3 | Photographs | ||||||||||
| Printed material | |||||||||||
| Box 3 | Articles about 1939-1969, undated (10 folders) | ||||||||||
| Books about | |||||||||||
| Box 3 | Jacob Lawrence / Aline Saarinen - page proofs | ||||||||||
| Box 3 | Peripheral mention (3) | ||||||||||
| Box 3 | Clippings 1937-1970, undated (17 folders) | ||||||||||
| Box 4 | Programs, calendars (2 folders) | ||||||||||
| Box 4 | Miscellaneous - about | ||||||||||
| Writings by others | |||||||||||
| Box 4 | The Beloit Poetry Chapbook, no. 1 - inscribed presentation copy from Langston Hughes | ||||||||||
| Box 4 | Various - manuscripts | ||||||||||
| Box 4 | Miscellaneous (2 items) | ||||||||||
| Selected index to correspondence | |||||||||||
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Abernathy, Ralph David
11 June 1968
1 Oct. 1968
Alan Gallery
20 June 1955
23 Sept. 1955
Alston, Charles
12 Oct. 1970
American Artists School
26 Aug. 1937
American Negro Exposition
6 Aug. 1940
23 Aug. 1940
Ames, Elizabeth
10 Jan. 1953
7 Jan. 1954
Andrews, Benny
12 Dec. 1966
Art in America
15 July 1963
Barr, Alfred Hamilton
24 Nov. 1945
Bearden, Romare H.
19 May 1965
9 Apr. 1971
undated (3)
Biskin, Miriam
2 Feb. 1964
Bocour, Leonard
21 May 1965
Borden, Lizzie
undated
Bowling, Frank
15 Dec. 1966
Burns, Andrew
5 Feb. 1953
31 Jan. 1956
3 Feb. 1965
Carty, Leo S.
4 Mar. 1970
Chamberlain, Betty
23 Feb. 1971
Charriere, Gerard
12 Feb. 1970
Chase, Judith Wragg
19 Feb. 1971
Clark, Claude
26 June 1968
7 Aug. 1968
30 Nov. 1968
2 Feb. 1969
7 Feb. 1969
17 May 1969
Cohen, Hy
11 Mar. 1966
22 Mar. 1966
9 June 1967
29 Mar. 1968
Crichlow, Ernest T.
2 Nov. 1961
Cummings, Mildred H.
16 Mar. 1968
11 Apr. 1968
4 July 1968
13 July 1968
Davis, Robert Tyler
8 Nov. 1945
Denhof, Miki
undated
[Terry] Dintenfass, Inc.
5 Feb. 1963
23 Apr. 1963
9 May 1963
13 July 1964
30 Sept. 1964
6 Mar. 1965
9 Mar. 1965
11 Mar. 1965
4 May 1965
Downtown Gallery (See Halpert, Edith Gregor)
Davis, Stuart
1945 Sept. 30
Driskell, David C.
7 May 1962
7 May 1968
31 May 1968
26 June 1968
11 Sept. 1968
18 Oct. 1968
21 Nov. 1968
19 Dec. 1968
10 May 1969
14 July 1969
Ehrensperger, Harold
18 Nov. 1949
Eichenberg, Fritz
24 Mar. 1964
1 Sept. 1964
21 Apr. 1969
Evergood, Philip
21 Oct. 1963
17 Nov. 1963
23 Nov. 1964
5 Feb. 1965
8 Mar. 1965
Fax, Elton C.
7 Apr. 1967
9 Aug. 1967
15 Aug. 1967
Forsman, Chuck
undated
Fortune
1 July 1941
6 June 1947
Gahagan, James E.
13 Apr. 1969
Gaither, Edmund B.
29 Oct. 1969
Gilbert, Creighton
25 Sept. 1964
19 Oct. 1964
28 Dec. 1964
8 Jan. 1965
26 Jan. 1965
26 Aug. 1968
Gonzalez, Xavier
16 Dec. 1966
26 Dec. 1966
Gottlieb, Harry
4 Oct. 1937
Grigsby, Eugene Howard
22 Aug. 1968
11 Nov. 1968
Gwathmey, Rosalie (Mrs. Robert)
undated (2)
Halpert, Edith Gregor
15 Dec. 1941
12 Feb. 1942
12 Mar. 1942
4 June 1948
1 Apr. 1961
13 July 1964
31 Aug. 1964
undated
Harris, M. A.
20 Nov. 1967
Henderson, Harry Brinton
17 Nov. 1970
4 Jan. 1971
Hirsch, Joseph
undated
Hirshhorn, Joseph H.
8 Apr. 1968
Holty, Carl
22 May 1969
Hough, Winston Harry
undated
Hughes, Langston
26 Feb. 1966
Jefferson, Louise E.
11 Feb. 1969
Kent, Norman
17 Apr. 1970
Koch, John
24 Nov. 1969
Lasker, Joe
11 Dec. 1968
Lerner, Abram
3 Feb. 1960
Levine, Jack
9 May 1966
undated
Lindsay, John V.
26 Sept. 1968
Lion, Stephan
20 Sept. 1968
Lipman, Jean (See Art in America)
Locke, Alain LeRoy
11 Nov. 1948
undated
Mayor, A. Hyatt
23 July 1962
2 Aug. 1962
10 Sept. 1962
Mebane, Mary E.
30 Mar. 1964
Mechau, Frank
24 Apr. 1940
23 Sept. 1940
Meltzer, Milton
29 Apr. 1966
Miller, Earl
14 Jan. 1968
Moore, Trevor Wyatt
14 Mar. 1965
Nordness, Lee
15 Jan. 1962
18 July 1962
O'Connor, Francis V.
Mar./Apr. 1968
Patterson, Raymond
9 Jan. 1968
4 May 1968
18 Oct. 1968
6 Mar. 1969
14 June 1969
Penney, Edmund F.
2 Apr. 1970
Perry, Regenia Alfreda
8 Mar. 1971
Pratt Institute
7 June 1956
2 Oct. 1958
Aug. 1962
Aug. 1963
21 Nov. 1963
18 Feb. 1965
8 July 1965
29 June 1966
24 May 1968
10 June 1969
17 June 1971
15 Sept. 1970
Prestopino, Gregorio
undated
Randolph, A. Philip
14 Oct. 1970
Rigg, Margaret
18 Jan. 1962
20 Mar. 1962
25 Sept. 1962
18 Oct. 1962
12 July 1963
8 Oct. 1963
24 Sept. 1970
[Julius] Rosenwald Fund
17 Apr. 1940
11 Apr. 1941
18 Apr. 1942
Ross, John
1 June 1964
30 Apr. 1968
Sheeler, Charles
undated
Skowhegan School of Painting and Sculpture
13 Apr. 1967
26 Sept. 1968
4 Aug. 1967
7 Nov. 1967
16 Nov. 1967
24 Nov. 1967
5 Nov. 1968
1 Apr. 1969
16 Feb. 1971
undated
Smith, Joseph A.
undated
Smith, Vincent
28 Dec. 1967
29 Mar. 1968
Soyer, Moses
undated
Soyer, Raphael
21 Nov. 1968
Spingarn, Amy
undated
Stevens, May
26 Aug. 1968
Taylor, Francis Henry
5 Nov. 1945
United States Committee for the First World Festival of Negro Arts, Inc.
12 Oct. 1964
beg. 1966
11 Mar. 1966
17 Aug. 1966
Walker, Constance
1 Oct. 1968
Williams, Walter
27 May 1969
Wilson, Ed
23 Dec. 1967
11 Mar. 1969
Yarde, Richard
19 Oct. 1967
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